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Henry Winkelmann

From Wikipedia, the free encyclopedia
New Zealand photographer (born 1860)

Henry Winkelmann
Photograph of Winkelmann in 1896 taken byWilliam Henry Macey
Born(1860-09-26)26 September 1860
Bradford, England
Died5 July 1931(1931-07-05) (aged 70)
OccupationPhotographer

Henry Winkelmann (26 September 1860 – 5 July 1931) was a New Zealand photographer. Winkelmann's photographs covered a wide range of topics, but he is best known for his yachting photographs.

Early years

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Henry Winkelmann was born at 8 Melbourne Place,Bradford,Yorkshire,England on 26 September 1860, one of eight children of Peter Winkelmann, astuff andyarn merchant, and Louise Schüller, German immigrants to the United Kingdom.[1][2] He grew up at Follingworth House inGomersal, where his family moved to in 1865.[2] He may have attended school inDoncaster andNeuwied, Germany.[3] A musical child, Winkelmann learnt how to play the piano, organ and thezither.[3]

His older brother, Charles, immigrated to New Zealand in 1875, where he first became a schoolteacher, then a chemist and later a photographer.[1] After Charles had emigrated, Henry took over many family responsibilities.[3] The family moved twice during this period, first to Carlton Hall inBramley then to Selbourne Grove inManningham, where Winkelmann's father died in 1877.[3]

In July 1878, Henry left England aboard theCalypso, following his brother to New Zealand,[4] arriving atPort Chalmers in Dunedin in October.[1] His mother, Louise, and five sisters followed him to New Zealand in the mid-1880s.[1]

Jarvis Island

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By 1881 after travelling the country, Winkelmann was living in a boarding house inHobson Street, Auckland.[5] He and fellow boarder Harold Willey Hudson, were hired by businessmanThomas Henderson to claim uninhabitedJarvis Island, a location valued for itsguano, attempting to secure the island for a period of at least three months.[1] Leaving on the schoonerSunbeam in June 1881, arriving in August, the pair spent a total of eight months stranded and isolated on the island, during which Winkelmann began sketching as a hobby.[6]

Bank clerk and Great Barrier Island farming

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View of Winkelmann's property Ti Tree Flat nearMedlands Beach onGreat Barrier Island in July 1892.
View of Rosalie Bay near Winkelmann's property onGreat Barrier Island in 1895. This photograph won Winkelmann's first award in a photographic competition in theNew Zealand Graphic.

In November 1882, Winkelmann joined theBank of New Zealand.[7] He began work at theWellington branch, before moving to theLevuka,Fiji branch from November 1883, returning to New Zealand in July 1886, after which he worked at the Queen Street branch.[7] While in Fiji, Winkelmann's mother and sisters migrated to New Zealand.[8] Winkelmann was based in Christchurch from April 1887 to July 1888, and atSydney from late 1889 to April 1891,[7] and Wellington from November 1894.[9]

Winkelmann first purchased property onGreat Barrier Island in the early 1880s. In November 1888, he purchased 200 acres (81 ha) of land nearMedlands Beach, which he called Ti Tree Flat, and established an orchard at the location.[8] In January 1895, Winkelmann and his colleague Richard Cecil Moorsom Harrington resigned from the ban, purchasing 952 acres (385 ha) of land at Rosalie Bay, which they called the Rosalie Bay Estate. Later that year, Winkelmann decided to leave Great Barrier Island due to the financial disaster of the farming enterprise, with Harrington remaining to continue farming. Winkelmann asked to be reinstated at the bank, and was placed inBlenheim, where he worked until 1897, returning to Auckland after hearing of his mother's death.[10]

Winkelmann supplemented his income by teaching the zither and performing in concerts;[1] with Mrs. Buckland ofHighwic being among his clients.[11] Winkelmann also began making money from photography, after purchasing aLancaster Instantograph camera in April 1892. He likely set up a darkroom in his mother's house called Claremont at 14 Dock Street (now Huia Street), Devonport, where the family moved to in 1892.[11] In 1895, Winkelmann won a second prize in theNew Zealand Graphic photographic competition,[1] for a photograph Winkelmann took of Rosalie Bay.[12] His interests in yachting began in 1893 after meeting the Horton brothers, who owned the yachtTawera. Winkelmann would accompany the family on their cruises, and began taking photographs of watercraft during this period.[9]

On return, Winkelmann worked as an agent for the S. S.Kawau,[13] sold insurance for the Magdeberg Insurance Company,[14] and in 1898 joined the Coastal Steamship Company, working as the secretary and managed the S. S.Kotiti.[15] In early 1900, Winkelmann's brother-in-law Charles Fox had died, leaving Winkelmann's sister a widow, needing to take care of their three boys.[16]

Photography business

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Winkelmann (right) surrounded by photography equipment during the expedition to view the3 January 1908 solar eclipse atFlint Island

Winkelmann established his photography business in August 1901 at 31b Victoria Arcade, corner of Queen Street and Shortland Street in Auckland,[17][14] with his work regularly being published in New Zealand and overseas publications, including being a contracted photojournalist for theAuckland Weekly News and theNew Zealand Graphic (the latter of whom had been publishing his images since 1896.).[18][1][12] In the same year, Winkelmann became an investor in the redevelopment ofMansion House onKawau Island as a guest house, which he took extensive photographs of.[19] In 1902, Winkelmann was commissioned to photograph a series advertising theNorthern Steamship Company'sClansman, a steamship which travelled between Auckland and theBay of Islands,[20] and in August 1902 accompanied the government steamshipHinemoa, photographing the crew servicing lighthouses in the Auckland and Northland areas.[21] From April to June 1903, Winkelmann as a photographer for theAuckland Weekly News took part in a government visit to Pacific Island nations and territories led byCharles H. Mills, which included visits toPago Pago,Apia andNiue.[22][1]

View of theAriki in stormy weather near Auckland in 1923

Much of Winkelmann's work focused on maritime scenes, panoramic views, well-known families and residences, workplaces and significant events.[1][23] A series of Winkelmann yacht photographs were later used ascigarette cards for Golden Floss and Blue Floss between 1923 and 1925.[24] Winkelmann was an early adopter of the telephoto lens, using this to photograph cityscapes of Auckland in the 1900s.[12] Among the events Winkelmann photographed were soldiers leaving Auckland during theSecond Boer War in 1902, the 1904 visit ofLord Plunket to Auckland, the visit of theGreat White Fleet in 1908, and the opening of theGeneral Post Office Building in 1912.[25] In 1906, he exhibited at theChristchurch International Exhibition,[26] and in 1908 won theAuckland Weekly News photography competition.[1] Winkelmann was an avid photographer of yachts and motorboats, climbing masts to photograph yacht race days in Auckland.[1] Winkelmann's photographs of yachts were used for advertising campaigns for Ross Ltd Homocentric Lenses in 1907.[24]

Winkelmann commissioned theLogan Brothers constructed and launched a motorboat for him. NamedTawaki, the boat was launched in November 1906, and the motorboat was upgraded with a more powerful engine in 1910.[27] Winkelmann soldTawaki in 1914, and commissioned another larger vessel in the same year, which he also namedTawaki.[27] Winkelmann usedTawaki for leisure travel around New Zealand, often visiting theBay of Islands.[28]

Winkelmann took part in several scientific expeditions, beginning with the visit of the Union Steamship shipTaviuni to view the solar eclipse atFlint Island in 1907-1908.[29][30] This was followed by an unsuccessful venture to photograph theSolar eclipse of May 9, 1910 atPort Davey,Tasmania which was hampered by rain,[31] and the 1911 expedition toVavaʻu to observe theSolar eclipse of April 28, 1911.[32]

Later life

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ThePetersen family photographed atSwanson in the late 1920s

In late 1913 Winkelmann purchased a farm atKaukapakapa and he spent much ofWorld War I there, a period that saw him retreat from most social life except for yachting race days.[33] Winkelmann was commissioned less as a photographer from 1914 onward, and was not able to recover his business after the war. Biographer Vivian Edwards suggests may have been due to Winkelmann's German surname and anti-German sentiment in New Zealand during World War I.[33][27] Despite this, Winkelmann won his most prestigious award, the grand prix award at the 1915Panama–Pacific International Exposition inSan Francisco, during this period.[33][1]

Winkelmann increasingly withdrew from Auckland social life, and by September 1917, had resigned from the Royal New Zealand Yacht Squadron.[33] His withdrawal may have been in part due to grief, as two of his nephews and his friend Arthur Aitken had been killed during World War I, and his sister Emily dying of cancer in 1918.[33] Winkelmann's loss of hearing intensified during the 1910s and 1920s, which may have also been a contributing factor.[34]

Winkelmann settled inSwanson in 1917, establishing an orchard and fowl house. By 1927 he had accumulated 100 acres (40 ha) of land in the area.[35] While living in Swanson, Winkelmann was asked to take family portraits of a local family, and was inspired to teach the family's son,Olaf Petersen, how to use a camera. Petersen later became a well-regarded nature photographer in his own right.[35][34]

Death and legacy

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Upon his retirement in 1928, Winkelmann sold his collection of Auckland city negatives to the Old Colonists Museum, becoming part of theAuckland Public Library collections in 1957 after the closure of the museum.[36][37] He spent his retirement in Swanson and Ponsonby.[1] Winkelmann developed a heart problem after retiring, and died at a private hospital inMount Eden on 5 July 1931.[34]

New Zealand photography historian William Main cites Winkelmann as one of Auckland's most gifted pioneer photographers,[38] highlighting his skill in marine photography.[39] Much of Winkelmann's marine photography was taken from moving decks of vessels, or by holding onto the swaying masts of vessels.[40]

In his will he left his collection of photographs and Glass-plate negatives were left to theAuckland War Memorial Museum, and his land to his nephew Eric Fox.[34] In 1972, Fox gifted to the Auckland Museum more of Winkelmann's negatives, a large number of lantern slides, two photo albums, as well as a large number of original prints.[36] To mark the2003 America's Cup held in Auckland, an exhibition was held atAuckland War Memorial Museum over Summer 2002-2003 entitledOn the Water, which featured Winkelmann's images of yachts and maritime racing.[41]

Winkelmann's glass-plate negatives stored at theAuckland War Memorial Museum andAuckland Libraries were inscribed on theUNESCOMemory of the World Aotearoa New Zealand Ngā Mahara o te Ao register in 2023.[42]

Personal life

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Winkelmann never married. Among Winkelmann's collection are photographs of him and friends bathing together in the hot pools on Great Barrier Island, sharing a bed, and kissing. Winkelmann also captured photographs of well-knowncruising spots in Auckland.[43][44] An image taken by Winkelmann of two men kissing aboard a yacht was used as the cover of the bookBest Mates: Gay Writing in Aotearoa New Zealand (1997) byPeter Wells and Rex Pilgrim,[44] something which at the time was against the wishes of the management of Auckland War Memorial Museum, who owned the photograph.[45]

Winkelmann was a member of the Auckland Yacht Club from 1899,[16] the Canterbury Freehold Land Association, the Victoria Cruising Club, the New Zealand Power Boat Association, theSydney Mechanics' School of Arts, the Auckland Savage Club, and was aFreemason.[1]

Gallery

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  • Photographs by Henry Winkelmann
  • Showing the yacht Viking with the governor aboard, taken 30 November 1912
    Showing the yachtViking with the governor aboard, taken 30 November 1912
  • Showing two artillery guns in Albert Park, taken October 1898
    Showing two artillery guns inAlbert Park, taken October 1898
  • Looking east towards Albert Park showing the Auckland Public Library, taken 1905
    Looking east towards Albert Park showing theAuckland Public Library, taken 1905
  • Looking south towards Queen Street showing general activity on Queen Street Wharf, taken 8 February 1904
    Looking south towardsQueen Street showing general activity onQueen Street Wharf, taken 8 February 1904
  • Showing a yachting demonstration on the departure of the eighth volunteer contingent for the Boer War, taken 1 February 1902
    Showing a yachting demonstration on the departure of the eighth volunteer contingent for theBoer War, taken 1 February 1902
  • Showing cases of kauri gum being loaded on to a dray, taken July 1905
    Showing cases ofkauri gum being loaded on to a dray, taken July 1905
  • Two men, Walter Airey and Bob Horton, kissing on board the yacht Tawera c. 1900
    Two men, Walter Airey and Bob Horton, kissing on board the yachtTawera c. 1900

References

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  1. ^abcdefghijklmnoEdwards, Vivien."Henry Winkelmann".Dictionary of New Zealand Biography.Ministry for Culture and Heritage. Retrieved23 April 2017.
  2. ^abEdwards, Vivian 1987, pp. 1.
  3. ^abcdEdwards, Vivian 1987, pp. 2.
  4. ^Edwards, Vivian 1987, pp. 3.
  5. ^Edwards, Vivian 1987, pp. 5.
  6. ^Edwards, Vivian 1987, pp. 5–9.
  7. ^abcEdwards, Vivian 1987, pp. 10–15.
  8. ^abEdwards, Vivian 1987, pp. 10–12.
  9. ^abEdwards, Vivian 1987, pp. 15–17.
  10. ^Edwards, Vivian 1987, pp. 15–18, 21–25.
  11. ^abEdwards, Vivian 1987, pp. 14–15.
  12. ^abcBarnett, Tim (25 May 2022)."The Henry Winkelmann Collection".Heritage et AL.Auckland Libraries. Retrieved7 April 2025.
  13. ^Edwards, Vivian 1987, pp. 25.
  14. ^abElliott, Robin; Kidd, Harold; Wilson, T. L. Rodney 1998, pp. 12.
  15. ^Edwards, Vivian 1987, pp. 26–27.
  16. ^abEdwards, Vivian 1987, pp. 30–33.
  17. ^Edwards, Vivian 1987, pp. 34–35.
  18. ^Elliott, Robin; Kidd, Harold; Wilson, T. L. Rodney 1998, pp. 14.
  19. ^Edwards, Vivian 1987, pp. 35–38.
  20. ^Edwards, Vivian 1987, pp. 47.
  21. ^Edwards, Vivian 1987, pp. 48–49.
  22. ^Edwards, Vivian 1987, pp. 50–53.
  23. ^"Obituary".Auckland Star. Vol. LXII, no. 157. 6 July 1931. p. 5. Retrieved8 April 2025 – via Papers Past.
  24. ^abElliott, Robin; Kidd, Harold; Wilson, T. L. Rodney 1998, pp. 10–11.
  25. ^Edwards, Vivian 1987, pp. 39.
  26. ^"Winkelmann, Henry".Find New Zealand Artists. Retrieved7 April 2025.
  27. ^abcElliott, Robin; Kidd, Harold; Wilson, T. L. Rodney 1998, pp. 14–16.
  28. ^Edwards, Vivian 1987, pp. 71.
  29. ^Edwards, Vivian 1987, pp. 62–65.
  30. ^Camp, Anna-Sophie (2024)."Equipped for the Eclipse: Through Henry Winkelmann's Lens".Auckland War Memorial Museum.Archived from the original on 30 January 2025. Retrieved7 May 2025.
  31. ^Edwards, Vivian 1987, pp. 66–68.
  32. ^Edwards, Vivian 1987, pp. 68–71.
  33. ^abcdeEdwards, Vivian 1987, pp. 74–77.
  34. ^abcdEdwards, Vivian 1987, pp. 77–78.
  35. ^abAdam, Burgess & Ellis 2004, pp. 124.
  36. ^abElliott, Robin; Kidd, Harold; Wilson, T. L. Rodney 1998, pp. 7.
  37. ^"Henry Winkelmann.Photograph of Quay Street East, 7 August 1906".Real Gold: Treasures of Auckland City Libraries.Auckland Libraries. Archived fromthe original on 21 May 2017.
  38. ^Main 1977, pp. 1.
  39. ^Main 1977, pp. 20–22.
  40. ^Elliott, Robin; Kidd, Harold; Wilson, T. L. Rodney 1998, pp. 9.
  41. ^"MQ Museum Quarterly Issue 93"(PDF).Museum Quarterly.93. Auckland:Auckland War Memorial Museum. 1 December 2002.ISSN 0111-2252.Wikidata Q115749552.
  42. ^"The Winkelmann Collection(s)".Memory of the World Aotearoa New Zealand Ngā Mahara o te Ao. Retrieved13 January 2025.
  43. ^Brickell 2008, pp. 61–63, 78–80.
  44. ^abBrickell, Chris (24 January 2013)."Men Alone, Men Entwined: Reconsidering Colonial Masculinity".Journal of New Zealand Studies (13):11–33.doi:10.26686/JNZS.V0I13.1186.ISSN 1173-6348.Wikidata Q130068264.
  45. ^Brickell 2008, pp. 385.

Bibliography

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Further reading

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  • Kidd, Harold; Elliott, Robin (2004).Vintage New Zealand Launches: a Winkelmann Portfolio. Birkenhead, Auckland: David Ling Publishing.ISBN 0-908990-96-0.

External links

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