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Gul (design)

From Wikipedia, the free encyclopedia
Medallion-like motif, often octagonal, typical of carpets from Central and West Asia

Konya 18th carpet with Memlinggul design. There is a row of triangularamuletmotifs (Muska) at top and bottom; each of the four lowergul has a star motif (Yıldız) at its centre.
Turkmen carpet with three centralgul medallions

Agul (also writtengol,göl andgül) is a medallion-like design element typical of traditional hand-woven carpets fromCentral andWest Asia. In Turkmen weavings they are often repeated to form the pattern in the main field.

Shape

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Gul are medallions, oftenoctagonal, and often somewhat angular on a generally octagonal plan, though they can be somewhat rounded within the constraints of carpet-weaving, and some are lozenge-shaped (rhombuses). They usually have eithertwofold rotational symmetry or mirrorreflection symmetry (often both left/right and up/down).[1]

Gul were historically described in the West as being elephant's foot motifs. Other Western guesses held that thegul was a drawing of a round Turkmen tent, with lines between tents representing irrigation canals; or that the emblem was atotemic bird. None of these descriptions have any basis in weaving tradition or culture.[2]

Etymology

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The termgul,gol,göl orgül is used widely across Central and West Asia, and among carpet specialists in the West. It is derived from thePersian word gol (گل) which means flower or rose.[3][4]

Usage

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InTurkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border).[4][5]

The different Turkmen tribes such asTekke,Salor,Ersari andYomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.[4][5]

Western authors have used comparison of the "design vocabulary" of tribal guls, reproduced on traditional rugs, in studying theethnogenesis of Asian peoples.[6]

In Western culture

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Triptych byHans Memling, 1479, with a gul-patterned carpet at the Virgin's feet
Further information:Oriental carpets in Renaissance painting

Western artists includingHans Memling depictedoriental carpets from Turkish Anatolia with guls in several of his paintings, to the extent that these are known asMemling carpets. These guls often contain star or (hooked) dragonmotifs as found on 15th centuryKonya carpets.[7] The presence of the hooked motif defines a "Memling carpet".[8] The artistsLorenzo Lotto andHans Holbein who similarly depicted Anatolian carpets also have the varieties they painted named after them.[9]

See also

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References

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  1. ^"Rug Gallery. Carpet Turkey (Kurdish) 18th century". MathForum. 2012. Retrieved28 January 2016.
  2. ^Thompson, Jon (1988).Carpets from the Tents, Cottages and Workshops of Asia. Barrie & Jenkins. p. 156.ISBN 0-7126-2501-1.
  3. ^"Rug Layouts and Designs". Little Persia. 2015. Retrieved28 January 2016.
  4. ^abcThompson, Jon (1988).Carpets from the Tents, Cottages and Workshops of Asia. Barrie & Jenkins. p. 163.ISBN 0-7126-2501-1.
  5. ^ab"Carpet Motifs: A Beginner's Guide". Arastan. 9 May 2012. Retrieved28 January 2016.
  6. ^Mace, Ruth; Holden, Clare J.; Shennan, Stephen (2005).The evolution of cultural diversity: a phylogenetic approach. Routledge. pp. 118–120.ISBN 1-84472-099-3.
  7. ^Howe, R. John (2 October 2010)."The "Memling" Gul Motif, The Lecture". R. John Howe. Retrieved28 January 2016.
  8. ^King, Donald andSylvester, David eds.The Eastern Carpet in the Western World, From the 15th to the 17th century,Arts Council of Great Britain, London, 1983,ISBN 0-7287-0362-9. page 57
  9. ^"Turkish carpet". Kilim Collection. 2016. Retrieved28 January 2016.

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