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Glossary of dyeing terms

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Dyeing in the Middle Ages.
This glossary contains terms specific todyeing. For terms used in the creation or manufacturing of textiles, including spinning, knitting, weaving, and individual fabrics and finishing processes, seeGlossary of textile manufacturing. For terms used insewing andtailoring, seeGlossary of sewing terms. For biological and medical applications of dyeing, seeStaining andBiological Stain Commission.

Dyeing is thecraft of impartingcolors totextiles in loosefiber,yarn, cloth or garment form by treatment with adye.Archaeologists have found evidence oftextile dyeing withnatural dyes dating back to theNeolithic period. In China, dyeing with plants, barks and insects has been traced back more than 5,000 years.[1] Natural insect dyes such asTyrian purple andkermes and plant-based dyes such aswoad,indigo andmadder were important elements of the economies of Asia and Europe until the discovery of man-madesynthetic dyes in the mid-19th century. Synthetic dyes quickly superseded natural dyes for the large-scale commercial textile production enabled by theIndustrial Revolution, but natural dyes remained in use by traditional cultures around the world.

A

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aal
Aal or Indian mulberry (Morinda tinctoria) is the source of themorindone dye sold under the trade name "Suranji". It is extensively cultivated inIndia for the dyeing ofcotton,silk andwool in shades of red, chocolate or purple, dependent on themordant used.
adjective
Adjective dyes are those dyes that require use of amordant to bind the color to thefiber.[2]
alkanet
Alkanet or dyer's bugloss (Alkanna tinctoria) is a traditional plant source of red dye.[3]
alum
Alum (aluminum sulfate) is a naturally occurring basicmordant widely used in the ancient world.[4]
añil
Añil (Indigofera suffruticosa) is anindigo dye-bearing plant ofCentral andSouth America.[5][6]
aniline
Aniline dyes or basic dyes are a class of synthetic dyes derived from coal tar, first discovered in the 19th century. These dyes produce brilliant colors that work well with animal fibers, especiallysilk. Because of poor colorfastness, aniline dyes are seldom used with textiles today.[7]
archil
Archil is a dye produced from the lichenRoccella tinctoria which also producescudbear andlitmus.[8]

B

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bloodroot
Bloodroot (Sanguinaria canadensis) is a flowering plant native to eastern North America; its root is the source for a red dye used byNative Americans.[9]
brazilwood
Brazilwood is a red-brown dye from either of two related trees. The original brazilwood,sappan wood (Caesalpinia sappan), is native to India and was exported to China by 900 BCE and to Europe via the Muslim world by theEarly Middle Ages.Portuguese explorers discovered a similar tree growing in theNew World and named the surrounding countryBrazil. This tree is theBrazilwood (Caesalpinia echinata) used by contemporary craft dyers.[10]
black walnut
Black walnut (Juglans nigra) is aNorth American tree used to produce a deep brown dye approaching black.

C

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carmine
Carmine is acrimson-colored dye derived fromcochineal (Dactylopius coccus), ascale insect ofCentral andNorth America.[11]
cochineal
Cochineal (Dactylopius coccus) is a scale insect of Central and North America from which thecrimson-coloured dyecarmine is derived.[11]
colorfast
Colorfast dyes are dyes resistant to shifts in hue, fading, or bleeding (transfer of dye) when wet.[12]
copperas
Copperas is the dyer's name forferrous sulfate, an ironmordant used tosadden or reduce the saturation of colors.[4][13]
crimson
Crimson is a deep red dye or color derived from the wordkermes.[14][15][16]
crottle
Crottle is atraditional Scottish dye derived from lichens of the genusParmelia,Parmelia saxatilis andParmelia omphalodes, which give deep red- or purple-brown and rusty orange respectively.[17] These lichens are the origin of the distinctive scent of naturally dyedHarris Tweed.[8]
cudbear
Cudbear is a purple dye from the lichenRoccella tinctoria which also producesarchil andlitmus. Cudbear is one of the fewnatural dyes to be credited to a named individual, Dr Cuthbert Gordon ofScotland, whopatented the process of its production in 1758.[8]
cutch
Cutch is an ancient brown dye from the wood of acacia trees, particularlyAcacia catechu, used in India for dyeingcotton. Cutch gives gray-browns with an iron mordant and olive-browns with copper.[18]

D

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direct dye
Same assubstantive.
dye
Dyes arecolor-bearingorganic compounds that can be dissolved in water or another liquid so that they will penetrate fibers.[19]
dyebath
A dyebath is a solution of dye and water or other liquid in which textiles are dyed.[20]
dyed in the wool
Dyed in the wool ordyed in the fleece refers tofibers that are dyed prior tospinning. Compare todyed in the hank oryarn-dyed;piece-dyed (dyed afterweaving); andgarment-dyed, dyed aftersewing orknitting.
dyer's broom
Dyer's broom (Genista tinctoria), also known as dyer's greenweed or dyer's greenwood, is a garden plant used to produce yellow dyes.[21]
dyer's bugloss
Dyer's bugloss (Alkanna tinctoria) is the source of the red dyealkanet.[3]
dyer's knotweed
Dyer's knotweed (Polygonum tinctorum) is anindigo-bearing dye plant native to Japan and the coasts of China.[6]
dyer's mulberry tree
Dyer's mulberry tree (Maclura tinctoria) is a New World tree from which the dye old fustic is derived.[18]
dyer's rocket
Same asweld.
dyestuff
Dyestuff is any raw material that releases a dye.
dyeworks
A dyeworks, dye-works, or dye works is a workshop for dyeing fiber, yarn, or cloth.

F

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fast
Same ascolorfast
fugitive
Fugitive colors are prone to fading when exposed to sunlight (fugitive to light) or washing, as opposed to colorfast.
fustic
Fustic orold fustic is a brilliant yellow dye derived from the inner bark of the dyer's mulberry treeMaclura tinctoria of theWest Indies andMexico.[18]

G

[edit]
gall nut
Gall nuts, nutgalls or oak apples are atannin-rich growth on oak trees produced by an infection of the insectCynips gallae tinctoriae, used as a dye and amordant. Commercial gall nuts are harvested from theGall Oak (Quercus lusitanica), also called Lusitanian Oak or Dyer's Oak, native toMorocco,Portugal, andSpain.
garment-dyed
Dyed aftersewing orknitting.
grain
Grain was theMedieval word for the red insect dyekermes.Dyed in the grain refers to dyed with kermes, or kermes in combination with another dye, producing colors such ascrimson in grain,violet in grain.[15]

I

[edit]
Indian madder
Indian madder or munjeet (Rubia cordifolia) is native to theHimalayas and other mountains of Asia and Japan. Munjeet was an important dye for the Asian cotton industry and is still used by craft dyers in Nepal.[22]
indigo
Indigo is a deep blue derived from any of theindigo dye-bearing plants, primarily those in the genusIndigofera, especially true indigo (Indigofera tinctoria, also known asIndigofera sumatrana).[5][6]

K

[edit]
Kendal green
Kendal green is a coarse gray-greenwoolen cloth created bymordanting wool inalum, dyeing it yellow withdyer's broom, and then overdyeing the cloth blue withwoad (or later,indigo). It is named forKendal,Cumbria (formerly part ofWestmorland) where the cloth was made from theMiddle Ages.[23]
kermes
Kermes is anatural dye derived from the dried unlaid eggs of the females of ascale insect in the genusKermes, primarilyKermes vermilio, distantly related to thecochineal insect, and found on species ofoak (especiallyKermes oak) near theMediterranean.[14][15][16]

L

[edit]
Lincoln green
Lincoln green is a warm olive green dye produced inLincoln in theMiddle Ages, made by dyeing wool blue withwoad, then overdyeing it yellow withweld[24] ordyers' broom.[21]
logwood
Logwood (Haematoxylum campechianum) is a dyewood native toMexico andCentral America which produces a fast black in combination with aferrous sulfate (copperas) mordant.[25] Despite changing fashions in color, logwood was the most widely used dye by the 19th century, providing the sober blacks of formal andmourning clothes.[26]

M

[edit]
madder
Madder (rubia tinctoria) and related plants of theRubia family are a source of good red dyes containingalizarin andpurpurin. Madder was a dye of commercial importance in Europe, being cultivated in the Netherlands and France until the market collapsed following the development of syntheticalizarin dye in 1869.[27]
mauveine
Mauveine oranilinepurple was the first syntheticorganic chemicaldye.[28][29]
mignonette
Same asweld.
mordant
Amordant is achemical used in combination with dye to "fix" the color in the textilefibers. By using different mordants, dyers can often obtain a variety of colors and shades from the same dye.[30]
munjeet
Same asIndian madder.

N

[edit]
natal indigo
Natal indigo (Indigofera arrecta) is anindigo dye-bearing plant of Africa, but chiefly cultivated in India.[5][6]
natural dye
Natural dyes are dyes derived fromanimals,plants,minerals,fungi andlichens.[31]
nutgall
Same asgall nut.

O

[edit]
oak gall
Same asgall nut.
ochre
Ochre is aniron oxidepigment fromclay that can be used to dye textiles a ruddy or reddish-brown color. Evidence of textile dyeing with ochre has been dated to theNeolithic.[32]

P

[edit]
Phoenician red
Phoenician red is a red dye related toTyrian purple or royal purple, extracted from several genera ofsea snails, primarilyMurex brandaris the spiny dye-murex (currently known asBolinus brandaris).[33]
pigment
Pigments are insoluble color particles that may be attached to the surface of cloth using a binding agent. Solutions of binders and pigments are calledpigment dyes.[34]
Polish cochineal
Polish cochineal or Polish grains is acrimson dye colloquially known as "Saint John's blood", produced inEastern Europe during theMiddle Ages from thescale insectPorphyrophora polonica.[35][36]
potash
Potash (potassium carbonate) is a commonmordant made byleaching wood ashes and evaporating the solution.[13]
prepared for dyeing
A fabric or garment which isprepared for dyeing, abbreviated PFD, is specially made to bedyed. PFD fabrics have beendesized, scoured, and fullybleached, but have been processed withoutoptical brighteners or softeners which can interfere with dye uptake.[37]
puccoon
Same asbloodroot.

Q

[edit]
quercitron
Quercitron is a mustard yellow natural dye obtained from the bark of theEastern Black Oak (Quercus velutina), a forest tree indigenous in North America.[38]

R

[edit]
reactive dye
Reactive dyes are a class of synthetic dyes that first appeared commercially in 1956, after their invention in 1954 by Rattee and Stephens at theImperial Chemical Industries Dyestuffs Division site in theUnited Kingdom. Reactive dyes are used primarily to dye natural fibers andcellulose fibers such asrayon.[39]
resist dyeing
Resist dyeing and the related resist printing are terms for a number of traditional methods of dyeing textiles with patterns. Methods are used to "resist" or prevent the dye from reaching all the cloth, thereby creating a pattern and ground. The most common forms use wax, some type of paste, or a mechanical resist that manipulates the cloth such as tying or stitching. Resist techniques includescreen printing,tie-dye,ikat, andbatik.[39]
royal purple
Tyrian purple or royal purple is a purple-red dye which is extracted from several genera ofsea snails, primarilyMurex brandaris the spiny dye-murex (currently known asBolinus brandaris). Murex dye was greatly prized in antiquity because it did not fade, rather it became brighter and more intense with weathering and sunlight.[33]
rubia
Rubia is a genus of plants that are sources of the red dyemadder.[27]

S

[edit]
safflower
Safflower (Carthamus tinctorius) is a flowering plant native to Asia that produces asubstantive yellow dye for natural fibers. Dried safflower blossoms can be used to produce yellow, mustard, khaki, olive green and red colors. Cotton tape dyed red with safflower was formerly used to tie up government papers inBritain, giving rise to the termred tape.[40]
saffron
Saffron is a spice derived from the flower of the saffroncrocus (Crocus sativus) that produces a golden-yellowcarotenoid dye calledcrocin.[41]
Saint John's Blood
Saint John's Blood is a colloquial name forPolish cochineal.
Saxon blue
Saxon blue or Saxony blue is an 18th century dye made from a solution ofindigo in concentratedsulfuric acid.
Saxon green
Saxon green or Saxony green is a bright green dye of the 18th century produced usingindigo andfustic.
substantive
Substantive dyes are dyes that produce color without the use of amordant.[2] Examples includeindigo dye andarchil.
sumac(h)
Various species of sumac or sumach, especiallyElm-Leaved Sumach (Rhus coriaria) or Tanner's Sumach of southern Europe andStaghorn Sumac (Rhus typhina) of easternNorth America, are rich sources oftannins and are used as dyes andmordants.[42]

T

[edit]
tannin
Tannin fromoak bark orgall nuts is used as amordant.
tin
Stannous chloride, a metallic salt oftin, is used as amordant to brighten colors.[4][13]
Turkey red
Turkey red was a strong, very fast red dye for cotton obtained from madder root via a complicated multistep process involving "sumac and oak galls, calf's blood, sheep's dung, oil, soda, alum, and a solution of tin."[43] Turkey red was developed in India and spread to Turkey. Greek workers familiar with the methods of its production were brought to France in 1747, and Dutch and English spies soon discovered the secret. A sanitized version of Turkey red was being produced in Manchester by 1784.[44]
Tyrian purple
Tyrian purple or royal purple is a purple-red dye which is extracted from several genera ofsea snails, primarilyMurex brandaris the spiny dye-murex (currently known asBolinus brandaris). Murex dye was greatly prized in antiquity because it did not fade, rather it became brighter and more intense with weathering and sunlight.[33]

W

[edit]
weld
Weld (Reseda luteola), also called mignonette or dyer's rocket, was an important yellow dye of the ancient Mediterranean and Europe.[45]
woad
Woad (Isatis tinctoria) is anindigo dye-bearing indigenous plant ofAssyria and theLevant which has been grown in Northern Europe over 2,000 years as a source of blue dye. Woad was carried toNew England in the 17th century and used extensively in America until native stands of indigo were discovered in Florida and the Carolinas.[6]

Y

[edit]
young fustic
Young fustic is a yellow dye derived from the wood of theEurasian smoketree (Cotinus coggygria).[42]

See also

[edit]

Notes

[edit]
  1. ^Goodwin (1982), p. 11.
  2. ^abCannon & Cannon (2002), p. 13
  3. ^abBarber (1991), p. 232.
  4. ^abcBarber (1991), pp. 235-236, 239.
  5. ^abcSeeIndigo dye.
  6. ^abcdeGoodwin (1982), pp. 11, 70-76
  7. ^Thompson & Thompson (1987), p. 10
  8. ^abcGoodwin (1982), pp. 87–92.
  9. ^Chancey, p. 37
  10. ^Cannon & Cannon (2002), p. 36
  11. ^abThreads In Tyme, LTD."Time line of fabrics". Archived fromthe original on 28 October 2005. Retrieved5 January 2011.
  12. ^Kadolph (2007), p. 464
  13. ^abcGoodwin (1982), pp. 32–34.
  14. ^abBarber (1991), p. 231
  15. ^abcMunro, John H. "Medieval Woollens: Textiles, Technology, and Organisation". In Jenkins (2003), pp. 214–215.
  16. ^abGoodwin (1982), p. 56
  17. ^Fraser, Jean:Traditional Scottish Dyes, Canongate, 1983
  18. ^abcGoodwin (1982), p. 60
  19. ^Kadolph (2007), p. 384
  20. ^Thompson & Thompson (1987), p. 123
  21. ^abStefan's Florilegium.
  22. ^Cannon & Cannon (2002), p. 80.
  23. ^Kerridge (1988), p. 20
  24. ^Reseda luteola
  25. ^Munro (2007), pp. 87–93.
  26. ^Schoeser (2007), p. 118
  27. ^abGoodwin (1982), pp. 64-65
  28. ^Hubner K (2006). "History - 150 Years of mauveine".Chemie in unserer Zeit.40 (4):274–275.doi:10.1002/ciuz.200690054.
  29. ^Anthony S. Travis (1990). "Perkin's Mauve: Ancestor of the Organic Chemical Industry".Technology and Culture.31 (1):51–82.doi:10.2307/3105760.JSTOR 3105760.S2CID 112031120.
  30. ^Goodwin (1982), p. 12
  31. ^Cannon & Cannon (2002), p. 12
  32. ^Barber (1991), pp. 223-225.
  33. ^abcBarber (1991), pp. 228-229
  34. ^Kadolph (2007), p. 383.
  35. ^Phipps, Elena (Winter 2010)."Cochineal Red: The Art History of a Color".The Metropolitan Museum of Art Bulletin.67 (3). New York: The Metropolitan Museum of Art: 9.ISBN 9781588393616. Retrieved12 June 2019.
  36. ^Lech, Katarzyna; Jarosz, Maciej (2 March 2016)."Identification of Polish cochineal (Porphyrophora polonica L.) in historical textiles by high-performance liquid chromatography coupled with spectrophotometric and tandem mass spectrometric detection".Analytical and Bioanalytical Chemistry.408 (12):3349–3358.doi:10.1007/s00216-016-9408-0.PMC 4830872.PMID 26935929.
  37. ^Wilson, Doug (2004)."Dyes and Dyeing Glossary: A Glossary of Terms for Materials and Processes in Textile Dyeing for Artists"(PDF). p. 23. Archived fromthe original(PDF) on 17 March 2012.
  38. ^Cannon & Cannon (2002), p. 28
  39. ^abKadolph (2007), p. 482
  40. ^Cannon & Cannon (2002), p. 92
  41. ^Cannon & Cannon (2002), p. 94
  42. ^abCannon & Cannon (2002), p. 118
  43. ^Goodwin (1982), p. 65.
  44. ^Cannon & Cannon (2002), p. 76
  45. ^Goodwin (1982), p. 63

References

[edit]
Techniques
Types of dyes
Traditional textile dyes
History
Craft dyes
Reference

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