Gerrit Komrij | |
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.jpg) Gerrit Komrij (1994) | |
| Born | Gerrit Jan Komrij (1944-03-30)30 March 1944 Winterswijk, Netherlands |
| Died | 5 July 2012(2012-07-05) (aged 68) Amsterdam, Netherlands |
| Occupation | Poet,novelist,translator,literary critic,playwright |
| Nationality | Dutch |
| Period | 1968-2012 |
| Notable awards | P. C. Hooft Award (1993) |
| Partner | Charles Hofman |
| Website | |
| www | |
Gerrit Jan Komrij (30 March 1944 – 5 July 2012[1]) was a Dutchpoet,novelist,translator,critic,polemic journalist andplaywright. He rose to prominence in the early 1970s, writing poetry that sharply contrasted with thefree-form poetry of his contemporaries. He acquired a reputation for his prose in the late 1970s, writing acerbic essays and columns often critical of writers, television programs, and politicians. As aliterary critic and especially as an anthologist he had a formative influence onDutch literature: his 1979 anthology of Dutch poetry of the 19th and 20th centuries, reformed the canon, and was followed by anthologies of Dutch poetry of the 17th and 18th centuries, ofAfrikaans poetry, and ofchildren's poetry. Those anthologies and a steady stream of prose and poetry publications solidified his reputation as one of the country's leading writers and critics; he was awarded the highest literary awards including theP. C. Hooft Award (1993), and from 2000 to 2004, he was the DutchDichter des Vaderlands (Poet Laureate).[2] Komrij died in 2012 at age 68.[3]
Gerrit Jan Komrij was born on 30 March 1944 in the eastern Dutch town ofWinterswijk,Gelderland. He soon moved toAmsterdam and began a literary career. In 1968 his first volume of poetry was published,Maagdenburgse halve bollen en andere gedichten, and in 1969 he became editor of theBert Bakker-founded literary magazineMaatstaf.[4]
In the 1970s and 1980s, Komrij and his partner Charles Hofman befriended a number of Dutch authors includingBoudewijn Büch, with whom he maintained a lengthy correspondence. In the early 1980s Komrij and Hofman moved to Portugal, not long after his playHet Chemisch Huwelijk premiered in Amsterdam; he lived in Portugal ever since.[5] Komrij gave the 2008Mosse Lecture, titledWaarom zijn Nederlanders zo dol op homoseksuelen? (Why are the Dutch so fond of homosexuals?).[6]
His death, in 2012, was met with widespread praise for his work. Poet laureateRamsey Nasr, who cited Komrij as one of inspirations, wrote a poem for him,[7] andQueen Beatrix sent her condolences via telegram to Charles Hofman, saying that the Netherlands had lost a great poet.[8]
Komrij wrote librettos to two operas:Symposium byPeter Schat (1994), andMelodias Estranhas byAntonio Chagas Rosa (2000).
He supplied lyrics to two collaborative ventures with the Dutch vocal ensembleCamerata Trajectina. The first was in reconstructing song texts to Dutch songs byJacob Obrecht (2005). The second was in lyrics for the chamber choral cycleDe Seven Zonden van Jeroen Bosch (The Seven Sins of Hieronymus Bosch) set to largely anonymous 16th Century tunes (2009). The theme of the Seven Sins follows the depiction inThe Seven Deadly Sins and the Four Last Things a paintingHieronymus Bosch completed in 1485.
Besides being a critic of poetry and culture in general, Komrij wrote several semi-autobiographical works, includingVerwoest Arcadië ('Arcadia Demolished', 1980) andDemonen ('Demons', 2003). He also authored several novels,Over de bergen ('Over the Mountains'),Dubbelster ('Double Star') andDe klopgeest ('Poltergeist').
Komrij was a collector of rare and absurd books (a hobby he shared with Boudewijn Büch[5]), and has written extensively about them. Oldhomosexual literature, quaint 18th and 19th century poets, and ancient literature about farting are some of his more remarkable subjects. His articles and essays were collected in books such as likeVerzonken boeken ('Sunk Books'),Averechts ('The Other Way') andKakafonie ('Cacaphonia')--the latter subtitledAn Encyclopedia of Shit. In 1979 Komrij published a new standard Dutch poetryanthology,De Nederlandse poëzie van de 19de en 20ste eeuw in 1000 en enige gedichten ("Dutch poetry of the 19th and 20th century in 1000 and some poems'), which quickly became the yardstick by which poets were measured. It was soon followed by a volume of 17th and 18th century poetry, an anthology of South African poets, and an anthology of medieval poems. He also edited various other anthologies, one about mothers and one selecting poetry byJacob Israël de Haan.
Komrij has translated from many different languages, including all ofShakespeare's plays.
His prose was recognized in 1979, when he was awarded the Busken Huet award.[9] In 1993, Komrij received theP.C. Hooft Award, the chief literary accolade in the Dutch language area, for his prose.[10] For his poetry, he won the poetry prize of the city of Amsterdam in 1970, forAlle vlees is als gras, and the Herman Gorter prize in 1982, forDe os op de klokketoren.[9]
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| Preceded by New title | Dutch Poet Laureate "Dichter des Vaderlands" 2000–2004 | Succeeded by Simon Vinkenoog a.i. |
