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Euzhan Palcy | |
|---|---|
 Palcy at the2023 Berlin International Film Festival | |
| Born | (1958-01-13)13 January 1958 (age 67) |
| Alma mater | University of Paris École nationale supérieure Louis-Lumière |
| Occupation | Filmmaker |
| Years active | 1975–present |
| Notable work | Sugar Cane Alley ( La Rue Cases-Nègres) A Dry White Season |
| Website | euzhanpalcy |
Euzhan Palcy ([ø.zanpal.si];[1] born 13 January 1958) is a Martinican film director, screenwriter, and producer. Her films are known to explore themes of race, gender, and politics, with an emphasis on the perpetuated effects of colonialism. Palcy's first feature filmSugar Cane Alley (La Rue Cases-Nègres, 1983) received numerous awards, including theCésar Award for Best First Feature Film. WithA Dry White Season (1989), she became the first black female director to have a film produced by a major Hollywood studio,MGM.[2]
Palcy also directed the independent filmSiméon (1992). She has since moved towards directing documentaries and television projects such asAimé Césaire: A Voice for History (1994). She then directed the television filmsRuby Bridges (1998) andThe Killing Yard (2001), as well as the documentaryThe Journey of the Dissidents (2005) and the miniseriesThe Brides of Bourbon Island (2007).[3]
Throughout her career, Palcy has explored various genres, often breaking ground being the first female black director to do so. She is the first black director to win aCésar Award and theVenice Film Festival'sSilver Lion, both forSugar Cane Alley (1983).[3] In 2022, she was given theAcademy Honorary Award for her contributions to cinema.[4]
Euzhan Palcy was born inMartinique, anoverseas department and region of France. She grew up studying the films ofFritz Lang,Alfred Hitchcock,Billy Wilder andOrson Welles.[5][6] She decided at the age of 10 to become a filmmaker, largely due to being upset by the imprecise depictions of black people in film and television that she saw, and her desire for more accurate portrayals.[7] She has said: "I'm a mixed blood person, I have African blood, European blood, Asian blood, but the one that I cherish most is the African one, because it is the one that is the most degraded, most insulted on the screen and all walks of life... I understood early on I must take my camera to restore the roots and heal the wounds of history, bring life back."[8] Palcy attended college in Martinique, and eventually found work at a local TV network. When she was a teenager, her success as a poet and songwriter led to her being asked to do a weekly poetry program on local television. It was there she wrote and directed the short filmLa Messagère, and began her filmmaking career. The drama, which centers on the relationship between a girl and her grandmother, and which explores the lives of workers on a banana plantation, was the firstWest Indian production mounted in Martinique.
Palcy left for Paris in 1975 to earn a master's degree inFrench literature, in theater, at theSorbonne, a D.E.A. in Art and Archeology and a film degree (specializing in cinematography) fromÉcole nationale supérieure Louis-Lumière.[9] Palcy soon began her first film,Sugar Cane Alley – an adaptation ofJoseph Zobel's 1950La Rue Cases-Nègres (also translated asBlack Shack Alley), a semi-autobiographical novel that explores the struggle for change with shifting race relations. Palcy has said: "I discovered the novel when I was fourteen. It was the first time I read a novel by a black man, a black of my country, a black who was speaking about poor people."[10] As she became acquainted with members of the French film community, Palcy received encouragement from New Wave filmmakerFrançois Truffaut and his collaboratorSuzanne Shiffman.[9] In 1982, the French government provided partial funding for the film in the form of a grant.[9][11]
It was in Paris, with the encouragement of her "French Godfather",François Truffaut, that she was able to put together her first feature film,Sugar Cane Alley (1983).[9][12] Shot for less than $1,000,000, it documents life on a Martinique sugar cane plantation in the 1930s through the eyes of a young boy.Sugar Cane Alley won more than 17 international awards, including theVenice Film FestivalSilver Lion,[13] as well as the Coppa Volpi (Volpi Cup) for Best Lead Actress Award (Darling Legitimus).[14] It also won the prestigiousCésar Award (the French equivalent to an Academy Award) for best first feature film. Among the firsts, it won the Special Jury Award at theWorldfest-Houston International Film Festival and the first Public Award at theFespaco pan-African film and television festival.[15] After seeing Palcy's work,Robert Redford handpicked her to attend the 1984 Sundance Director's Lab (Sundance Institute), becoming her "American Godfather".[16]
In 1989, Palcy wrote and directedA Dry White Season, an Americandrama film directed by her and starringDonald Sutherland,Jürgen Prochnow,Marlon Brando,Janet Suzman,Zakes Mokae andSusan Sarandon. It was written byColin Welland and Palcy, based on South African writerAndré Brink's 1979 novelA Dry White Season. It is set inSouth Africa in 1976 and deals with the subject ofapartheid. She is also the only woman filmmaker to have directedMarlon Brando, whom she brought back to the screen after a gap of nine years.[2][17]
Impressed by Palcy's commitment to social change,Marlon Brando came out of retirement, agreeing to act inA Dry White Season (1989) for free. Palcy was also the first black director to direct an actor to an Oscar nomination[2] Also starring in the film were actorsDonald Sutherland andSusan Sarandon. In Palcy's film adaptation ofA Dry White Season, the story focuses on the social movements of South Africa and theSoweto riots, and was heralded for putting the politics of apartheid into meaningful human terms. Palcy was so passionate about creating an accurate story depicting the reality of apartheid that she risked her life traveling undercover to South Africa. To research the riots, she was introduced to the people of Soweto township by Dr Motlana (Nelson Mandela's andDesmond Tutu's personal physician), while she eluded the South African secret services by posing as a recording artist.[3]
Palcy became the first black female director produced by a major Hollywood studio and is the only black filmmaker who succeeded in making in the U.S. a narrative feature against apartheid on the silver screen during the 27 years ofNelson Mandela's incarceration.[8][18] The late SenatorTed Kennedy supported the filmmaker, scheduling a special viewing ofA Dry White Season inWashington, D.C. and recommending the film as a "powerful story of the violence, injustice and inhumanity of that {apartheid} system."[19] Brando's performance in the movie earned him his 8th and last Academy Award nomination for Best Supporting Actor and he received the Best Actor Award at theTokyo Film Festival.[3] For her outstanding cinematic achievement, Palcy received the "Orson Welles Award" in Los Angeles.[3] For the first anniversary of his election Mandela welcomed Euzhan Palcy in South Africa and granted her an exclusive interview that has yet to be seen.[3]
By 1992, Palcy veered away from the serious subject matter of her previous films to show the spirit and liveliness of her nativeMartinique withSimeon (1992),[20] a musical comedic fairytale set in the Caribbean and Paris, featuringKassav.[21] Palcy remained in France to create her first feature three-part documentary,Aimé Césaire, A Voice For History (1994) about the famed Martinican poet, playwright, and philosopher, whom she has described as her "first godfather".[8]
She then worked for Disney/ABC Studios, directing and producing an episode ofThe Wonderful World of Disney entitled,Ruby Bridges (1998), the story ofRuby Bridges, the little New Orleans girl who was the first to integrate the public schools, immortalized in the painting byNorman Rockwell. PresidentBill Clinton and Disney President,Michael Eisner introduced the film from the White House to American audiences.[22] Palcy's film won four awards, including The Christopher Awards, The Humanitas Prize, the National Educational Media Network Gold Apple and best performance Young actress award Young Artists Awards.[23] For Paramount/Showtime Studios, Palcy directedThe Killing Yard (2001), starringAlan Alda andMorris Chestnut. The drama is based on the true events surrounding the 1971Attica prison riot, which had an indelible impact on the American prison system and jury process. The film won aSilver Gavel Award for "Best Film About Justice" from theAmerican Bar Association.[21]
In 2005, Palcy returned to the documentary to directParcours de Dissidents ("The Journey of the Dissidents"), narrated byGérard Depardieu. The film tells the story of the forgotten history of “dissidents”, the men and women of Martinique andGuadeloupe who left their islands between 1940 and 1943, many of who were trained atFort Dix,New Jersey, duringWWII and fought throughout the liberation of France.[24] In 2007, Palcy wrote and directedLes Mariées de I’isles Bourbon ("The Brides of Bourbon Island") (2007), a romantic historical epic adventure, which tells of a romantic, historic epic action adventure where three women survive a harrowing ocean voyage from France to forcibly marry French expatriates on the island ofRéunion.
On June 18, 2011, Palcy'sThe Journey of the Dissidents (Parcours de Dissidents) was screened at the French Military School at the invitation of the French Minister of Defense and the Minister of Overseas Territories. A National Exhibition (La Dissidence en Martinique et en Guadeloupe 1940–1945), based on her film, was launched at the French National Staff Headquarters on July 7 and is currently exhibited simultaneously in every one of the 101 Prefectures (equivalent of our Federal government building of every counties) along with the screening of her film.
Palcy's drive for the life and compassion for humanity inspire each and every project with which she is involved. Her passion spills into all areas of cinematic lexicon to include the animation, thriller, comedy and action genres. For Fox Studios, Palcy developed an animated feature, currently entitledKatoumbaza. She is actively developing a feature film, onBessie Coleman,[25] for which she recorded the very last witness of the first African-American woman aviator journey in France,[16] and an action comedy set in Los Angeles and Paris. Palcy has chosenTeaching Toots, a comedy drama on illiteracy – a project close to her heart – to be her next film to co-produce and direct. Her interest in humanitarian work and supporting the younger generation has been known for years. Her last production has beenMoly, a biographical short on young disabled one-leggedSenegalese filmmaker Moly Kane. The film was screened in Cannes to rapturous public acclaim.[26] Palcy announced on stage that Moly Kane would receive the prosthetic leg of his dreams so that he could be free to film with his camera.[27]
In 2022, the Board of Governors of the Academy of Motion Picture Arts and Sciences voted to present Palcy, alongsideDiane Warren andPeter Weir, with an Honorary Oscar, citing her as "a pioneering filmmaker whose groundbreaking significance in international cinema is cemented in film history".[28][25]
In her Oscar's acceptance speech, Palcy congratulated the Academy “for helping to lead the charge to change our industry and for opening the doors that were closed to the ideas and visions that I championed for so long.” She said: “It encourages me to raise my voice again, to offer you movies of all genres that I always wanted to make in my own way, without having my voice censored or silenced.”[29]
The geographical setting varies from project to project, yet Palcy's focus on Black culture remains constant. Her films stress the themes and issues that are continuous across the physical space that separates Martinique from France, from South Africa, from America.[30]
Themes ofcolonialism are present inSugarcane Alley,A Dry White Season, and many of her other works. "Euzhan Palcy's two filmsRue cases nègres /Sugar Cane Alley (1983) andA Dry White Season (1989) share a set of thematic equivalences that represent postcolonial perspectives on Pan-African identities and experiences. In both instances the films focus is on the experiences of black communities and the atrocities they have suffered at the hands of their enslavers or oppressors."[31]
Palcy often uses non professional actors in her films, and works with them to ensure a feeling of authenticity is maintained. InSugarcane Alley, many actors were actual workers from the sugarcane plantation, and Palcy had them live on set for two months prior to the shooting date. Palcy explains, “We did the shooting in the middle of a sugarcane plantation, we built that set, so I asked the people all around, the sugarcane workers, to bring their pigs, their cattle, to bring everything there, and I asked everyone to live in the house on the plantation. So for two months in advance they were there every day. They were there having fun barbecuing, playing.”[32]
InA Dry White Season, Palcy wanted to get people from South Africa who were actually living in apartheid to act in these scenes. However, in order to get people from South Africa into Zimbabwe, many legal hurdles had to be leapt, since South Africans were not allowed to cross into their neighboring country with conventional methods.[citation needed] Palcy decided to go the extra mile to fly the cast from South Africa to London on an “artist” visa, then from there fly the cast to Zimbabwe; as she explains: "We couldn't let any journalists get in because of all the South African actors we had, we had to make them go to England, take them from England, bring them back to Zimbabwe, because the Black South Africans didn't have the right to have a passport, so in order to get a passport you had to be an artist… They said they had a deal to be in a play, so that was how they got their passports."[32]
| Year | Title | Director | Writer | Producer | Note |
|---|---|---|---|---|---|
| 1979 | O Madiana | No | No | No | assistant director |
| 1982 | The Devil's Workshop | Yes | Yes | Yes | Short film |
| 1982 | Bourg-la-folie | No | Yes | No | |
| 1983 | Sugar Cane Alley | Yes | Yes | No | |
| 1984 | Dionysos | No | Yes | No | |
| 1989 | A Dry White Season | Yes | Yes | No | |
| 1992 | How Are the Kids? | Yes | No | No | Documentary; segment: "Hassane" |
| 1992 | Siméon | Yes | Yes | Yes | |
| 2009 | Zachry | No | No | Yes | Short film |
| 2011 | Moly | No | No | Yes | Short film |
| Year | Title | Director | Writer | Producer | Note |
|---|---|---|---|---|---|
| 1975 | The Messenger | Yes | Yes | Yes | Television movie |
| 1994 | Aimé Césaire: A Voice for History | Yes | Yes | Yes | Documentary series; 3 episodes |
| 1998 | The Wonderful World of Disney | Yes | No | Yes | Episode: "Ruby Bridges" |
| 2001 | The Killing Yard | Yes | No | No | Television movie |
| 2006 | Parcours de dissidents | Yes | Yes | No | Television documentary |
| 2007 | The Brides of Bourbon Island | Yes | Yes | No | 2 episodes |
