| European Union directive | |
 | |
| Title | Directive harmonising the term of protection of copyright and certain related rights |
|---|---|
| Made by | Council |
| Made under | Arts. 57(2), 66 & 100a |
| Journal reference | L290, 1993-11-24,pp. 9–13 |
| History | |
| Date made | 29 October 1993 |
| Entry into force | 24 November 1993 |
| Implementation date | 1 July 1995 |
| Preparative texts | |
| Commission proposal | C92, 1992-04-11, p. 6 C27, 1993-01-30, p. 7 |
| EESC opinion | C287, 1992-11-04, p. 53 |
| EP opinion | C337, 1992-12-22, p. 205 |
| Reports | |
| Other legislation | |
| Replaces | — |
| Amends | 91/250/EEC,92/100/EEC |
| Amended by | Information Society Directive (2001/29/EC) |
| Replaced by | 2006/116/EC |
| Repealed | |
Council Directive 93/98/EEC of 29 October 1993 harmonising the term of protection of copyright and certain related rights[1] is aEuropean Union directive in the field ofEU copyright law, made under theinternal market provisions of theTreaty of Rome. It was replaced by the 2006Copyright Term Directive (2006/116/EC).[2]
The principal goal was to ensure that there was a single duration for copyright andrelated rights across the entireEuropean Union. The chosen term for a work was 70 years from the death of the author (post mortem auctoris, pma) forauthors' rights regardless of when the work was first lawfully published (Art. 1), longer than the 50-yearpost mortem auctoris term required by theBerne Convention for the Protection of Literary and Artistic Works (Art. 7.1 Berne Convention). In the case that the author is anonymous or pseudonymous the term for a work is 70 years from the date of first lawful publication. The directive notes that the original goal of the Berne Convention was to protect works for two generations after the death of the author, and that fifty years was no longer sufficient for this purpose (para. 5 of the preamble). It is often stated that 70 years pma was the longest copyright term of any Member State at the time: this is not strictly correct,[3] and is not quoted as the reason for the choice in the directive. Where a Member State protected a work for a longer period at the time the directive came into force, the copyright term is not reduced [Art. 10(1)], but other Member States will not respect the longer period.
The duration of protection ofrelated rights (those of performers,phonogram and film producers and broadcasting organisations) was set at fifty years with the following rules for calculating the starting date (Art. 3). This fifty-year period was in reflexion of the negotiating position of the European Community at the negotiations which led to theMarrakech Agreements, including theAgreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS).
| Rightholders | Commencement |
|---|---|
| Performers | the date of the performance, unless a fixation of the performance is lawfully published or lawfully communicated to the public within this period, in which case the date of the first such publication or the first such communication to the public, whichever is the earlier. |
| Phonogram producers | the date the fixation is made, unless the phonogram is lawfully published or lawfully communicated to the public during this period, in which case the date of the first such publication or the first such communication to the public, whichever is the earlier.[4] |
| Film producers | the date the fixation is made, unless the film is lawfully published or lawfully communicated to the public during this period, in which case the date of the first such publication or the first such communication to the public, whichever is the earlier. |
| Broadcasting organisations | the first transmission of a broadcast, whether this broadcast is transmitted by wire or over the air, including by cable or satellite. |
The new copyright terms applied also to works which were already in existence when it came into force, as was held by theEuropean Court of Justice in theButterfly case,[5] even if they had previously entered thepublic domain. Strictly, they applied to works which were protected in at least one Member State on 1 July 1995, although most Member States chose to apply them to all works which would qualify on the basis of the protection terms, regardless of protection elsewhere: this approach is much simpler for national courts to apply, as they do not have to consider foreign laws.
The effect of the approach was shown by the judgment of the European Court of Justice in thePuccini case,[6] which covered facts arising before the directive entered force. The State ofHesse in Germany had staged the operaLa Bohème byPuccini during the 1993/94 season at theHessische Staatstheater Wiesbaden without the permission of the copyright holder. The opera was first published in Italy and Puccini died on 29 November 1924. At the time, Italy applied a copyright period of 56 years pma, so Italian protection had expired at the end of 1980: Germany, however, applied a 70 years pma period to works of German authors and the "rule of the shorter term" (Art. 7.8 Berne Convention) to foreign works. The Court ruled that the application of the rule of the shorter term between Member States was a breach of the principle of non-discrimination enshrined in Article 12 of theTreaty instituting the European Community: hence the work should have been protected in Germany even if it was no longer protected in Italy.[7] Such cases should no longer arise with the implementation of the directive.
As of 2015, all works affected by the copyright restoration have re-entered the public domain.[citation needed]
The directive also harmonises the copyright treatment of films ("cinematographic and other audiovisual works") and photographs throughout theEuropean Union. Films are protected for 70 years from the death of the last of the following people to die [Art. 2(2)]: the principal director, the author of the screenplay, the author of the dialogue and the composer of music specifically created for use in the cinematographic or audiovisual work. This applies regardless of the provisions of national law regarding the authorship of the film, ensuring a common duration of copyright between Member States. The principal director of the film is always considered as an author of the film, although national legislations may provide for other co-authors [Art. 2(1)].
Before the directive, different Member States had applied widely different criteria of originality and creativity to the copyright protection of photographs. These were harmonised by article 6, which states that the only permissible criterion for full protection (70 years pma) is that the photograph is "original in the sense that [it is] the author's own intellectual creation". Member States may protect photographs which do not meet this criterion bysui generisrelated rights.
The directive accords apublication right to the publisher of apublic domain work which was previously unpublished, for 25 years after the date of publication (Art. 4). The work must have been "legally published". In some countries (e.g. France), authors and their heirs have a perpetual right to authorise (or not) the publication of a work and, in these cases, publication must be with the consent of the holders of themoral rights in the work.
As is normal in the field of copyright law, all periods of protection run until the end of the calendar year in which they would otherwise expire (Art. 8). Member states may protect "critical and scientific publications of works which have come into the public domain" for a maximum of thirty years (Art. 5). The protection ofmoral rights is left to national legislation (Art. 9).
| Implementation of the Directive by Member States | ||
|---|---|---|
 | Austria | Urheberrechtsgesetznovelle 1996 (1998) |
 | Belgium | Wet van 30 juni 1994 betreffende het auteursrecht en de naburige rechten / Loi du 30 juin 1994 relative au droit d'auteur et aux droits voisins |
 | Bulgaria | Хармонизиран със Закон за изменение и допълнение наЗакона за авторското право и сродните му права (04.04.2000) |
 | Cyprus | Copyright Act 2006[1] |
 | Czech Republic | Law No. 121/2000 Coll. of 7 April 2000 on Copyright, Rights Related to Copyright and on the Amendment of Certain Laws (Copyright Act) |
 | Denmark | Act on Copyright 1995 No. 395 |
 | Estonia | Autoriõiguse seaduse ja sellega seonduvate seaduste muutmise seadus (09.12.1999) |
 | Finland | Asetus tekijänoikeuslain soveltamisesta eräissä tapauksissa Euroopan talousalueeseen kuuluvista valtioista peräisin oleviin suojan kohteisiin |
 | France | Loi No 97-283 du 27 mars 1997 portant transposition dans le code de la propriété intellectuelle des directives du Conseil des Communautés européennes Nos 93/83 du 27 septembre 1993 et 93/98 du 29 octobre 1993 |
 | Germany | Drittes Gesetz zur Änderung des Urheberrechtsgesetzes vom 23. Juni 1995. |
 | Greece | Law No. 2557/1997 (Article 8), Government Gazette A-271/24-12-1997 |
 | Hungary | Implemented in two acts[2]. |
 | Ireland | European Communities (Term of Protection of Copyright) Regulations, 1995 (S.I. No. 158 of 1995) |
 | Italy | Law No. 52 of 1996-02-06 |
 | Latvia | Autortiesību likums (2000-04-06) |
 | Lithuania | Autorių teisių ir gretutinių teisių įstatimas N. VIII-1185 (1999-05-18) |
 | Luxembourg | Loi du 8 septembre 1997 portant modification de la loi modifiée du 29 mars 1972 sur le droit d'auteur et de la loi du 23 septembre 1975 sur la protection des artistes interprètes ou exécutants, des producteurs de phonogrammes et des organismes de radiodiffusion ("droits voisins") en ce qui concerne la durée de protection |
 | Malta | Copyright Act, 2000 |
 | Netherlands | Wet van 21 December 1995 tot wijziging van de voorstellen van wet tot wijziging van de Auteurswet 1912 en de Wet op de naburige rechten in verband met de richtlijn nr. 93/98/EEG van de Raad van de Europese Gemeenschappen van 29 oktober 1993, betreffende de harmonisatie van de beschermingstermijn van het auteursrecht en van bepaalde naburige rechten (PbEG L290) en in verband met de richtlijn van 19 November 1992, PbEG 1992, L346/61 betreffende het verhuurrecht, het uitleenrecht en bepaalde naburige rechten op het gebied van intellectuele eigendom Wet van 21 December 1995 tot wijziging van de Auteurswet 1912 en de Wet op de naburige rechten in verband met de richtlijn, nr. 93/98/EEC van de raad van de Europese Gemeenschappen van 29 oktober 1993, betreffende de harmonisatie van de beschermingstermijn van het auteursrecht en van bepaalde naburige rechten (PbEG L290) |
 | Poland | Implemented in 2000/2002[3] |
 | Portugal | Decreto-Lei n. 334/97, de 27 de Novembro de 1997, transposição da Directiva 93/98/EEC de Outubro 1993, relativa à harmonização do prazo de protecção dos direitos de autor e de certos direitos conexos, with effective date of 1 July 1995. |
 | Romania | Law No. 8 of March 14, 1996 |
 | Slovakia | Copyright Act of 1997-12-05 (No. 383/1997) |
 | Slovenia | Copyright and Related Rights Act (Zakon o avtorski in sorodnih pravicah; passed on 30 March 1995, last amended in December 2006) |
 | Spain | Ley 27/1995 de 11 de octubre, de incorporación al Derecho español de la Directiva 93/98/CEE del Consejo, de 29 de octubre de 1993, relativa a la armonización del plazo de protección del derecho de autor y de determinados derechos afines |
 | Sweden | Implemented in 1995[4] |
 | United Kingdom | Duration of Copyright and Rights in Performance Regulations 1995, SI 1995/3297, amending the UK Copyright, Designs and Patents Act 1988. |