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Daishō

From Wikipedia, the free encyclopedia
Pair of Japanese sabres, typically comprising a katana and a wakisashi, or a tashi and a tantō

Not to be confused withTaishō.
Daishō style sword mounting, gold banding on red-lacquered ground. 16th century,Azuchi–Momoyama period.Important Cultural Property.Tokyo National Museum.

Thedaishō (大小,daishō)—"large and small"[1]—is aJapanese term for a matched pair of traditionally madeJapanese swords(nihonto) worn by thesamurai class infeudal Japan.

The etymology of the worddaishō becomes apparent when the termsdaitō, meaning long sword, andshōtō, meaning short sword, are used;dai +shō =daishō.[2] Adaishō is typically depicted as akatana andwakizashi (or atantō) mounted in matchingkoshirae, but originally thedaishō was the wearing of any long and shortkatana together.[3] Thekatana/wakizashi pairing is not the onlydaishō combination as generally any longer sword paired with atantō is considered to be adaishō.Daishō eventually came to mean two swords having amatched set of fittings. Adaishō could also have matching blades made by the sameswordsmith, but this was in fact uncommon and not necessary for two swords to be considered to be adaishō, as it would have been more expensive for a samurai.[4][5][6][7]

History

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Daishō stylehandachi "halftachi" sword mounting, silver stream design on green lacquer ground. 16th–17th century, Azuchi Momoyama-Edo period. Tokyo National Museum.

The concept of thedaisho originated with the pairing of a short sword with whatever long sword was being worn during a particular time period. Thetachi would be paired with atantō, and later thekatana would be paired with another shorter katana called achiisagatana. With the advent of thekatana, thewakizashi eventually was chosen by samurai as the short sword over thetantō. Kanzan Satō, in his book titledThe Japanese Sword, notes that there did not seem to be any particular need for thewakizashi and suggests that thewakizashi may have become more popular than thetantō as thewakizashi was more suited for indoor fighting. He mentions the custom of leaving thekatana at the door of a castle or palace when entering while continuing to wear thewakizashi inside.[8]

Daishō for formal attire with black scabbard, hilt winding thread and white ray skin hilt, which were regulated by the Tokugawa Shogunate.Daishō owned byUesugi clan. Late Edo period.

Daishō may have become popular around the end of theMuromachi period (1336 to 1573)[4] as several early examples date from the late 16th century.[9] An edict in 1629 defining the duties of a samurai required thatdaishō be worn when on official duty.[10] Wearingdaishō was limited to thesamurai class in 1683, and became a symbol of their rank[11] Samurai could wear decorative swords in daily life, but the Tokugawa shogunate regulated the appearance of swords for formal attire such as when samurai came to a castle. The daisho for formal attire was limited to the scabbard in solid black, the hilt winding thread and the hilt wrapped with white ray skin.[12]

According to most traditionalkenjutsu schools, only one sword of thedaisho would have been used in combat. However, in the first half of the 17th century, the famous swordsmanMiyamoto Musashi promoted the use of a one-handed grip, which allowed both swords to be used simultaneously. This technique, callednitōken, is a main element of theNiten Ichi-ryū style of swordsmanship that Musashi founded.[13]

During theMeiji period an edict was passed in 1871 abolishing the requirement thatdaishō be worn by samurai, and in 1876 wearing swords in public by most of Japan's population was banned; thus ended the use of thedaishō as the symbol of the samurai. The samurai class was abolished soon after the sword ban.[14][15][16]

Gallery

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  • Daishō forged by Minamoto Kiyomaro (ja), Edo period, Designated as Special Important Sword
    Daishō forged by Minamoto Kiyomaro (ja), Edo period, Designated asSpecial Important Sword
  • Daishō forged by Suishinshi Masahide (ja), Edo period
    Daishō forged by Suishinshi Masahide (ja), Edo period
  • Daishō forged by Taikei Naotane (ja), Edo period, Designated as Important Sword
    Daishō forged by Taikei Naotane (ja), Edo period, Designated as Important Sword
  • Daishō mountings with ice crack pattern design. Edo period, Designated as Important Mounting, The Japanese Sword Museum
    Daishō mountings with ice crack pattern design. Edo period, Designated asImportant Mounting, The Japanese Sword Museum
  • Daishō, black waxed scabbards. 19th century, Edo period. Tokyo Fuji Art Museum.
    Daishō, black waxed scabbards. 19th century, Edo period.Tokyo Fuji Art Museum.
  • Black lacquered hanamaru mon maki-e raden daishō koshirae (sword mounting). Meiji period.
    Black lacqueredhanamarumonmaki-eraden daishō koshirae (sword mounting). Meiji period.
  • Antique Japanese (samurai) daisho, showing the matched set of mounts (koshirae).
    Antique Japanese (samurai)daisho, showing the matched set of mounts(koshirae).
  • An Edo-period daishō koshirae on its stand. The long-sword is generally stored above the wakizashi, curving downwards. When hung for display, the tip points to the right.
    AnEdo-perioddaishō koshirae on its stand. The long-sword is generally stored above thewakizashi, curving downwards. When hung for display, the tip points to the right.
  • Daisho kashira (pommel)
    Daisho kashira (pommel)
  • Daisho habaki (wedge-shaped collar)
    Daisho habaki (wedge-shaped collar)
  • Daisho tsuba and fuchi (hand guard and hilt collar)
    Daisho tsuba andfuchi (hand guard and hilt collar)
  • Daisho tsuka (hilt)
    Daisho tsuka (hilt)
  • A 19th century samurai wearing his daisho
    A 19th century samurai wearing hisdaisho
  • A print depicting the fictional encounter between swordsmen Miyamoto Musashi and Tsukahara Bokuden, the former using both swords in the Niten Ichi-ryū style.
    A print depicting the fictional encounter between swordsmenMiyamoto Musashi andTsukahara Bokuden, the former using both swords in theNiten Ichi-ryū style.

See also

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References

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  1. ^The Japanese sword, Kanzan Satō, Kodansha International, 1983 p.68
  2. ^The connoisseur's book of Japanese swords, Kōkan Nagayama, Kodansha International, 1998 p.62
  3. ^The Japanese sword, Kanzan Satō, Kodansha International, 1983
  4. ^abSamurai: The Weapons and Spirit of the Japanese Warrior, Clive Sinclaire, Globe Pequot, 2004 p.53
  5. ^Classical weaponry of Japan: special weapons and tactics of the martial arts, Serge Mol, Kodansha International, 2003 p.18
  6. ^The Japanese sword, Kanzan Satō, Kodansha International, 1983 – Antiques & Collectibles – 210P.68
  7. ^Katana: The Samurai Sword: 950–1877, Stephen Turnbull, Osprey Publishing, 2010 P.20
  8. ^The Japanese sword, Kanzan Satō, Kodansha International, 1983 P.68
  9. ^The Japanese sword, Kanzan Satō, Kodansha International, 1983 p.68 & p.84
  10. ^Cutting Edge: Japanese Swords in the British Museum, Victor Harris, Tuttle Pub., 2005 p.26
  11. ^刀の明治維新: 「帯刀」は武士の特権か?, 尾脇秀和,2018
  12. ^Kazuhiko Inada (2020),Encyclopedia of the Japanese Swords. p46.ISBN 978-4651200408
  13. ^Serge Mol, 2003,Classical Weaponry of Japan: Special Weapons and Tactics of the Martial Arts Kodansha International Ltd,ISBN 4-7700-2941-1 (pp. 22–23)
  14. ^Samurai: The Weapons and Spirit of the Japanese Warrior, Clive Sinclaire, Globe Pequot, 2004 p.58
  15. ^New directions in the study of Meiji Japan, Helen Hardacre, Adam L. Kern, BRILL, 1997 p.418
  16. ^Katana: The Samurai Sword: 950–1877, Stephen Turnbull, Osprey Publishing, 2010 P.28

External links

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