 | This article has multiple issues. Please helpimprove it or discuss these issues on thetalk page.(Learn how and when to remove these messages) (Learn how and when to remove this message)
|
_(1).svg)
Corrado Malaspina (called "il Giovane", "The Young", as opposed to his grandfatherCorrado Malaspina "il Vecchio", "The Old") was an Italiannobleman andlandowner.
He was born in the first decades of the 13th century, the illegitimate son of Frederic I Malaspina, and died sometime between September 1294 and 1300. He is best remembered as a character in thepoetry ofDante Alighieri andGiovanni Boccaccio.
Conrad Malaspina was born sometime in the first two decades of the 13th century. Natural son of Frederic I,Marquess ofVillafranca in Lunigiana and of Virgoletta, he was raised by his grandfatherConrad the old, the forefather of theSpino Secco branch of the Malaspina, lords ofLunigiana since the 11th century.
The first documents attributed to him date back to 1234 and are about his wedding, which took place two years before to a woman named Urica, the biological daughter ofMarianus II of Torres, ajudge fromSardinia.
Other documents from 1281 to 1305 talk about a certain Orietta as Conrad's wife, who may be tied to the Genoese families of the Zanche or theSpinola, but it is also possible that it is the same woman, with her name translated from the Sardinian dialect.
He didn't have any legitimate heirs, but there was an illegitimate son nicknamed Figliastro (Stepson), and Boccaccio talks about a daughter called Spina. It is plausible, however, that she was just invented for the tale.[1] If she existed, she would have been born around 1264.
The wedding between Conrad and the daughter of the judge of Torres brought an expansion of the Malaspina family interests also in Sardinia; however, in 1266 the wealth acquired there was divided into three parts between Conrad and his uncles Moroello[1] and Manfredi because Conrad didn't have a legitimate male heir.
In 1278, on the initiative of the uncle Moroello, the Malaspina occupied the town ofChiavari causing a war withGenoa to which Conrad only participated marginally, to the point that he was absent for the peace oath, being in his overseas lands of Sardinia.
The management of the territory in the following years proved fruitful for the bonds with Genoese families that were strengthened by weddings and both political and financial joint ventures.
The collaboration with the Genoese families was linked to the war between Genoa andPisa. The Malaspina family supported Genoa's faction by funding the expeditions (with maneuvers like the acquisition by Conrad of the localities ofCasteldoria and the curatorìa (judgedom) ofAnglona fromBrancaleone Doria, for 9,300 lire, that were immediately handed back) and militarily by participating on the first line in the expedition that culminated in thebattle of Meloria (1284) and the Pisan defeat.
Concerning the heirloom of his grandfather in 1266 the possessions in Lunigiana and on the Apennines were divided amongst the heirs, i.e., Conrad and his two brothers Tommaso and Opizzino and his three uncles Manfredi, Alberto, and Moroello. (Majorat was not yet enforced)
Conrad and his brothers earned the Lunigianese settlements withVillafranca as the most important of them and other assets inVal Trebbia and Val Staffora (in theOltrepò Pavese), plus the Sardinian belongings.
In 1281 there was yet another division of the Spino Secco possessions, most likely due to conflicts between the Malaspina and thebishop of Luni. Also this time Conrad's contribution seems minimal.
The last information about Conrad is his testament, written in September 1294 inMulazzo, in which he recognized his brothers Tommaso and Opizzino as universal heirs. Because there is no trace of him afterward, it is believed that he died later the same year.
Conrad distinguished himself in the Spino Secco branch because of vast interest in traditions and conscience of the history and standing of the family.[2] His figure has become that of the virtuous noble that represents the courteous ideals of chivalry. It has inspired two of the major authors of the fourteenth century: Dante Alighieri and Boccaccio.
Dante, in the eighth canto of thePurgatorio, presents his encounter with Conrad in theValley of Rulers where he stands out because of his values of love and family. He starts with acaptatio benevolentiae, wishing that Dante will have the strength to reach theEmpyrean, using a "literary and graceful language" that shows the "moral and material decorum" of the character.[3] He then presents himself by stating his name and surname, a rare happening in the Divine Comedy and immediately completes the identification by including his parentage to another well-known member of the family. He is not boasting, but talking with dignity. He concludes by saying that his love for his family is why he has to wait in the Ante-Purgatory:[4]
"Se la lucerna che ti mena in alto | "So may the lantern leading thee above, |
| —Dante Alighieri,Purgatorio VIII.112-120 | —Courtney Langdon (1921) |
Then starts Dante's homage to the family, whose hospitality is legendary not only in Italy but in Europe. It is a tribute to those who welcomed him when he was in exile, but also an example that is set for others to follow.[5]
Conrad appears inBoccaccio'sDecameron, in the sixthnovella of the second day, the one dedicated to stories of people that after a great misfortune are able to turn the tables with the help of luck and end up in a better situation than at the beginning. In Boccaccio, he embodies the ideal of the generous lord and, just like in Dante, his family is characterized by hospitality. In the end, after finding out the true story of Giuffredi, he helps him reunite with his mother, his father and his brother, and lets him marry his daughter.
