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Cable Street Mural

Coordinates:51°30′40″N0°03′31″W / 51.511013°N 0.058644°W /51.511013; -0.058644
From Wikipedia, the free encyclopedia
Mural by Dave Binnington in London, England

Cable Street Mural
Cable Street Mural on the side of St George's Town Hall
Coordinates51°30′40″N0°03′31″W / 51.511013°N 0.058644°W /51.511013; -0.058644
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TheCable Street Mural is a large mural painting inShadwell inEast London. It was painted on the side ofSt George's Town Hall by Dave Binnington, Paul Butler,Ray Walker and Desmond Rochfort between 1979 and 1983 to commemorate theBattle of Cable Street in 1936. The original design was by Dave Binnington.

Background

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Main article:Battle of Cable Street

The Battle of Cable Street took place on Sunday 4 October 1936 inCable Street, as a result of opposition to a march by theBritish Union of Fascists led byOswald Mosley. Anti-fascist protesters, including local Jewish, socialist, anarchist, Irish and communist groups, clashed with theMetropolitan Police, who attempted to remove the barricades erected to stop the march.[1] Occurring against the backdrop of the Spanish Civil War, and at a moment when fascist powers were rising across Europe, 250,000 East Londoners took to the streets to stop the planned march.[2]

Creation

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Planning for the mural began in 1976, whenDan Jones, Secretary of the Tower Hamlets Trades Council, saw the Royal Oaks Mural[3] under theWestway in west London, and asked the artist, Dave Binnington, to paint a mural in Cable Street.[4]

A grant from theArts Council allowed Binnington to undertake research before a public meeting in October 1978 to unveil his design. The local population were generally supportive, although a letter to a local paper described the proposed mural as "political graffiti". Binnington also recruited Paul Butler to design the lower section. Many of the faces in the mural were inspired by newspaper pictures of people who took part in the battle.[5]

Funding fromGreater London Arts Association, theE. Vincent Harris Fund for Mural Decoration, theGulbenkian Foundation, theLeonard Cohen Trust,Greater London Council and theRoyal Academy allowed work to start.[6]

Binnington began painting in late 1979 with a targeted completion date of October 1980. He found it more complicated and time-consuming than expected, and work continued through 1980 and 1981. The uncompleted mural was vandalised on 23 May 1982, when right-wing slogans were painted on lower parts of the wall. Binnington abandoned the project in disgust. He later became a furniture designer, and adopted his wife's surname to become David Savage.[7]

Work resumed in July 1982 with Paul Butler[8] helped by Ray Walker and Desmond Rochfort (who had worked with Binnington before on the Royal Oaks Mural).[9] The top was completed to Binnington's design, and the vandalised lower portions were sand-blasted and repainted to a modified design. The mural was completed in March 1983 and officially unveiled on 7 May 1983 by Paul Beasley, Leader ofTower Hamlets Council, withJack Jones (former General Secretary of theTransport and General Workers Union),Tony Banks (Chair of the Greater London Council Arts Committee) andDan Jones.[6]

The mural has been vandalised and restored several times, and was restored again by Butler for the 75th anniversary of the Battle of Cable Street in October 2011.[10][11]

Mural

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The mural is painted on approximately 3,500 square feet (330 m2) of rendered wall outside 236 Cable Street, E1 0BL, next to Library Place, about 150 yards (140 m) west ofShadwell railway station. It covers about 65 × 50 feet (20 × 15 m) of one side ofSt George's Town Hall. The artists used 150 imperial gallons (680 L; 180 US gal) of paint, at a cost of £18,000.[6]

The work is inspired by thesocial realism ofDiego Rivera, and the likely was influenced by theDepression-era murals ofPhilip Guston.[2] Using afisheye perspective, it shows the violent confrontation between police and protesters, with protest banners, punches being thrown, a barricade of furniture and overturned vehicle, police horse,Hitler (who was not actually present) beingpantsed, and apolice autogyro overhead. It uses the same artistic devices asGoya'sThe Third of May 1808 to evince sympathy for the protesters, showing them full face but a back view of the police.[12]

References

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  1. ^Brooke, Mike (30 December 2014)."Historian Bill Fishman, witness to 1936 Battle of Cable Street, dies at 93".News. London. Hackney Gazette. Archived fromthe original on 17 September 2016. Retrieved28 April 2016.
  2. ^abDr Rafael Schacter.HENI Talks (20 December 2024).Cable Street Mural | HENI Talks. Retrieved6 January 2025 – via YouTube.
  3. ^Royal Oaks Mural on the London Mural Preservation Society's Blog
  4. ^"Cable Street". For Walls With Tongues. Retrieved24 May 2021.
  5. ^"'An antidote to the far right's poison' – the battle for Cable Street's mural".The Guardian. 21 September 2016. Retrieved24 May 2021.
  6. ^abc"The Battle of Cable Street". London Mural Preservation Society. Archived fromthe original on 24 November 2014. Retrieved24 May 2021.
  7. ^David Savage bio on the Rowen Atelier website
  8. ^Paul Butler's biography on his website
  9. ^A Guide to the New Ruins of Great Britain, Owen Hatherley, p. 310
  10. ^Video on YouTube of Paul Butler and historian David Rosenberg about the mural
  11. ^Mural of the Month! The Cable Street Mural, London Mural Preservation Society's Blog, 24 October 2011
  12. ^Miles, Malcolm (1997).Art Space and the City. Routledge. p. 44.ISBN 978-0415139427.

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Key: † No longer extant, on public display or in London (seeList of public art formerly in London· ‡ Changing displays
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