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| Blue Room (White House) | |
|---|---|
 Astereograph view of the Blue Room, in 1870s, during the administration of PresidentUlysses S. Grant | |
 | |
| Location | 1600 Pennsylvania Avenue, NW, Washington, DC 20500 |
| Built | c. 1800 |
| Restored | Coolidge-appointed committee ofColonial revival andFederal furniture experts in 1926. Subsequent work byMaison Jansen in 1961 and White House curatorClement Conger in 1971 further refined that restoration. |
| Architect | James Hoban |
| Architectural style(s) | FrenchEmpire style |
| Governing body | TheWhite House Office of the Curator, theCommittee for the Preservation of the White House, theWhite House Historical Association and theWhite House Endowment Trust |
TheBlue Room is one of three state parlors on the first floor in theWhite House, the residence of thepresident of the United States. It is distinctive for itsoval shape. The room is used for receptions and receiving lines and is occasionally set for small dinners. PresidentGrover ClevelandmarriedFrances Folsom in the room on June 2, 1886, the only wedding of a President and First Lady in the White House.[1] The room is traditionally decorated in shades of blue. With theYellow Oval Room above it and theDiplomatic Reception Room below it, the Blue Room is one of three oval rooms inJames Hoban's original design for the White House.
The room is approximately 30 by 40 feet (9 by 12 meters). It has six doors, which open into theCross Hall,Green Room,Red Room, and South Portico. The three windows look out upon the Portico andSouth Lawn.
The Blue Room is furnished in theFrench Empire style. A series of redecorations through the 19th century caused most of the original pieces to be sold or lost. Today much of the furniture is original to the room. Eight pieces ofgilded Europeanbeech furniture purchased during the administration ofJames Monroe furnish the room, including abergère (anarmchair with enclosed sides) and severalfauteuils (an open wood-frame armchair). The suite of furniture was produced in Paris around 1812 by the cabinetmakerPierre-Antoine Bellangé, and reproduction side chairs and armchairs were made byMaison Jansen in 1961 during the Kennedy restoration. A marble-top centertable has been in the White House since Monroe purchased it in 1817. A c. 1817ormoluFrench Empire mantel clock with a figure ofHannibal, byDenière et Matelin, sits on the mantel.
The early 19th-century Frenchchandelier is made of gilded wood and cut glass, encircled withacanthus leaves. Acquired during the Kennedy Administration, it previously hung in thePresident's Dining Room on the second floor.George Peter Alexander Healy's 1859 portrait ofJohn Tyler hangs on the west wall above the Monroe sofa. Thesapphire-bluesilk fabric used for the draperies and furniture upholstery was chosen byHillary Clinton. The silklampas upholstery fabric retains the goldeaglemedallion on the chair backs, which was adapted from the depiction of one of the Monroe-era chairs in a portrait of James Monroe. The painting, however, depicts the chair upholstered in crimson, not blue, showing the original color used for the room.
The design of the blue satin draperies is derived from early 19th-century French patterns. The present drapery design is similar to those installed during the administration of Richard Nixon.Clement Conger,White House Curator at that time, used archive materials from theSociety for the Protection of New England Antiquities and theMetropolitan Museum of Art's Department of Decorative Arts as patterns for the drapery.
The walls are hung with achamois-coloredwallpaper imprinted with medallions of burnished gold. It is adapted from an early 19th-century American Empire wallpaper having French influences. The upper border is a faux printed blue fabric draperyswag. The faux fabric border is similar in effect to an actual fabric border installed during the administration of John F. Kennedy. The printed dado border along thechair rail is blue and gold withrosettes. Installation of a new ovalcarpet, based on early 19th-century designs, completed the renovation project. The design was adapted from an original design for a neoclassical English carpet from about 1815, the period of the furnishings acquired by Monroe for the Blue Room.
During the administration ofJohn Adams, the Blue Room served as the south entrance hall, though it has always functioned as the principal reception room of the White House. During the administration ofJames Madison, architectBenjamin Latrobe designed a suite ofclassical-revival furniture for the room, but the furnishings were destroyed in the fire of 1814 (seeWar of 1812). When the White House was rebuilt, President James Monroe redecorated the room in the FrenchEmpire style.Martin Van Buren had the room carpeted and wallpapered in blue in 1837,[2] and it has remained the tradition ever since. However, many administrations have made changes to the decoration.
During the administration ofJames Buchanan, the room was refurbished in a Victorian style calledRococo Revival. Buchanan was a lifelong bachelor. His niece,Harriet Lane, acted as hostess andde factoFirst Lady. Lane focused primarily on her hosting duties rather than maintaining the White House. Although Congress allotted President Buchanan $20,000 ($674,929 in 2024 dollars) to refurbish the White House when he moved in, Buchanan spent nearly all these funds building a glassconservatory adjacent to the mansion to replace anorangery on the east side of the White House (built during theJackson administration but torn down to make way for an expansion of theTreasury Building).[3][4] Rococo Revival furniture, a purchase of Harriet Lane's, financed by the auction of older White House furniture, arrived in December 1859.[2][a] The centerpiece of this suite was a large circularsettee with a central table for flowers.[6]
A series of increasingly complex, highly patterned styles followed until 1902, when the room was returned to an Empire style by the firm ofMcKim, Mead & White during the administration ofTheodore Roosevelt.[citation needed] The company fabricated a suite of chairs (painted white and gold) based on chairs made forNapoleon byFrançois-Honoré-Georges Jacob-Desmalter.[7] Two new doorways were also cut into the walls to provide more access to the room.[8]
The White House was completely gutted and rebuilt from 1950 to 1952 during theHarry S. Truman administration. When it came time to redecorate the Blue Room, Truman's designers selected for wall coverings a deep bluesilk, which contained a pattern of gold urns draped with flowers.[9] The addition of theTruman Balcony provided shade to the ovalportico outside the Blue Room.
In 1961, First LadyJacqueline Kennedy began a major refurbishment of the White House, including the Blue Room. An advisory Committee on Fine Arts composed of museum professionals and wealthy individuals interested in antiques technically oversaw her renovation.[10] American antiquesautodidactHenry Francis du Pont (an expert inFederal furniture) led this committee.[11] Mrs. Kennedy also brought in French interior designerStéphane Boudin (an advocate of French interior design) and his company,Maison Jansen, to oversee the refurbishment.[12] Although du Pont and Boudin often competed with one another to control a space's redecoration in the White House, the Blue Room was an area where Boudin had almost exclusive control.[13]
Jacqueline Kennedy determined the style of the Blue Room. While researching the history of the White House in early January 1961, she came across a 1946 French magazine article that mentioned a suite ofFrench Empire-stylegilt wood furniture made in 1817 by French furniture makerPierre-Antoine Bellangé for use in theYellow Oval Room. Kennedy asked the White House staff to locate pieces from this suite, and one piece was found: a batteredpier table. Kennedy then asked Maison Jansen if they would restore the table. Jansen agreed to do so and donate the work and materials for free. The pier table received a new white marble top and new giltwork.[14] The pier table was placed opposite thefireplace, its historic location.[8]
Deciding where to place other furniture and what sort of colors, window treatments, and other design elements should be made, Maison Jansen created amaquette of the Blue Room. Tiny paintings, pieces of furniture, and window treatments in a wide range of colors and designs were manufactured and placed in the maquette to demonstrate to Jacqueline Kennedy how the room might be put together.[15][b]
The French Empire pier table dictated the style of the room. Boudin initially retained the 1902 suite of chairs for the room. When one of the original 1817armchairs was found in Pennsylvania, it was donated to the White House and added to the Blue Room.[16][c] Twoside chairs from the suite were located at theAdams National Historical Park inMassachusetts.Charles Francis Adams IV declined to donate these chairs but agreed to pay for seven reproduction armchairs and six reproduction side chairs.[19][d] After extensive research into designs, the American fabrics firmScalamandré discovered a historical painting of the original Monroe-era upholstery for the furniture. Scalamandré was unable to produce a fabric of high enough quality to satisfy Mrs. Kennedy, so Boudin selected the French firm of Tassinari et Châtel to manufacture the coverings.[20][e]
The Blue Room had long been decorated with a table in the center and other furniture around the edge. Boudin continued this historic decorative scheme, which required him to find a new centerpiece. Although he could locate amahogany round table with a white marble top purchased during the Monroe administration, he disliked its heavy look and asked that it be covered.Sister Parish, an interior decorator and Kennedy friend who had refurbished the private rooms of the White House, designed a gold-coloredsilkdamask cloth withtassels to cover the table.[19] Mrs. Kennedy was unhappy that the Monroe table was concealed, and Boudin soon swapped it out for a modern table (retaining the Parish covering).[22]
Replacing the Truman-era wall covering, Boudin selected a silk upholstery with cream stripes, plain alternating withsatin. To soften thecornice line of the room, Boudin chose blue silktaffeta with black and gold trim in aBaroque Revival design which he formed into a continuousvalance hung just below the cornice molding.[23][f] For the drapes in the room, Boudin chose straight panels of blue silk taffeta. He then replaced Parish's gold cloth on the table with a blue velvet covering with a long gold fringe. The fabrics for the walls, valance, drapes, and tablecloth were all produced by Scalamandré.[24]
To finish unifying the scheme of the Blue Room, Boudin had thedado rail and the cornice molding painted gold and white.[25] Painter and craftsman Peter H. Guertler, widely known as an expert on the restoration of historical interior paintwork, repainted these parts of the room for free.[26] Life-size portraits of George Washington, John Adams, James Madison, and John Quincy Adams had long hung in the Blue Room. Boudin retained these works of art, adding three new works (of Thomas Jefferson, James Monroe, and Andrew Jackson) purchased by the White House. Boudin purchased and installed black and gilt French Empiresconces on thepiers and hung four of the paintings beneath them.[27][g] A French Empire gilt bronze and crystalchandelier was mounted in the center of the ceiling.[28][h] Additional lighting was provided by a pair ofcaryatidtorchères.[28]
An early 19th-century rectangular blue, gold, and pink French Empire carpet manufactured atSavonnerie in France was chosen for the floor, and a pair of French Empire gilt bronzeandirons for the fireplace.[28]
Redecoration of the Blue Room was funded by oil company executiveCharles Bierer Wrightsman and his wife, Jayne (a close friend of Mrs. Kennedy's).[13]
The Blue Room was chosen as the subject of a 1964 print that the Kennedys intended to present to White House staff for Christmas. Edward Lehman was commissioned to do the painting. (Lehman had also been commissioned to paint the Red Room and the Green Room for 1962 and 1963 perspective gift prints.) In August 1963, Lehman visited the White House to show the Kennedys his painting. The Kennedys approved of the work, and President Kennedy told Lehman then that the Blue Room was his favorite. Because President Kennedy was assassinated in November 1963, the Blue Room print was never distributed. However, about 1,000 prints were made, numbered, and signed, and some of these were obtained by collectors.
When the completed Blue Room was opened to the public in January 1963, there was little criticism of Boudin's efforts. In 1973, First LadyPat Nixon again refurbished the room. At that time, several critics were very vocal about Boudin's choices for the room. In 1985,White House CuratorClement Conger, in declaring Boudin's Blue Room a failure, said Boudin demonstrated no expertise in period American houses.[13] It followed a complete redecoration by First LadyPat Nixon in 1971, which retained the Bellange pieces of Monroe but saw the walls covered with wallpaper for the first time since the early 19th century.[29]
The current appearance of the Blue Room is the result of a renovation and refurbishing completed in 1995 by theCommittee for the Preservation of the White House, theWhite House Office of the Curator, and funded by theWhite House Endowment Trust.[citation needed]
As January 20, 2013, fell on a Sunday, PresidentBarack Obama was sworn in for his second term byChief Justice of the United StatesJohn G. Roberts in a brief semi-private ceremony in the Blue Room, accompanied by the First Lady and their two daughters. A larger public ceremony, including Obama's second inaugural address, followed at theU.S. Capitol the next day.[30]
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38°53′51″N77°02′11″W / 38.8975°N 77.0365°W /38.8975; -77.0365
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