TheOxford Companion to New Zealand Literature (2006) states that he is "recognised as among the two or three finest New Zealand poets of his generation",[2] and literary criticPeter Simpson has observed that Manhire has "probably done more to widen the audience for poetry in New Zealand than any other individual".[3]
Manhire was born inInvercargill. His mother was from Scotland with a degree in science, and his father was a publican; they had met and married during World War II, and his mother sailed to New Zealand on a ship ofwar brides on Valentine's Day in 1946.[4][5] In his memoirUnder the Influence (2003), he described growing up in different small town South Island pubs.[6] He attendedOtago Boys' High School, and later theUniversity of Otago inDunedin where he received his B.A. in 1967, his M.A. (with honours) in 1968, and his M.Litt. in 1970. He went on to study Norsesagas atUniversity College London (1970–73, M.Phil.).[7][8]
As a young writer, Manhire sent some poetry toCharles Brasch; of this work, Manhire later said, "I can't remember the exact contents, but I think they had lines like 'I stalk the streets of the midnight city' and were full of soiled sheets and neon and terrible things like that". He said he was "enormously encouraged" by Brasch's response, which encouraged him to keep trying and to take himself seriously as a writer. Other writers Manhire met in Dunedin includedIain Lonie,Trevor Reeves andJames K. Baxter.[4]
In the 1960s, while still an undergraduate at the University of Otago, Manhire had his first poems published in New Zealand journals,[8] including notably the journalLandfall, then edited byRobin Dudding.[4] While studying in London in the early 1970s he had poems published in British magazines.[8] His first book was a poem,Malady, published in 1970. It consisted of just four words ("malady", "melody" and "my lady") arranged in patterns on the page, accompanied by drawings by artistRalph Hotere, who had met Manhire in Dunedin while he was theFrances Hodgkins Fellow.[4][8] Manhire's second book,The Elaboration (1972), was also a collaboration with Hotere, and was published byCharles Brasch andJanet Paul.[4] Around this time, and while living in London, Manhire and fellow poetKevin Cunningham set up the Amphedesma Press to publish their own and their friends' work, including poetry books byIan Wedde andBob Orr.[4][9]
In 1973, after returning to New Zealand, Manhire began lecturing in the English department ofVictoria University of Wellington, where he founded New Zealand's first creative writing course in 1975.[2][8][10] His creative writing course, which he taught for more than 25 years, had a major influence on New Zealand literature, with many well-known New Zealand writers having graduated, includingElizabeth Knox,Barbara Anderson andJenny Bornholdt.[2][11][12]Mutes & Earthquakes (1997) was an anthology of works by his former students; the introduction by Manhire begins with two pieces of advice: "1. Write what you know, and / 2. Write what you don't know".[2] From 2001 to 2013 he was the inaugural and founding director of theInternational Institute of Modern Letters, which offers an MA and Ph.D. in creative writing, as well as a range of specialised undergraduate workshops.[10] Students of the Institute have includedEleanor Catton,Catherine Chidgey andHinemoana Baker. In 2016 the institute's building was named the Bill Manhire House in recognition of his contribution to the university and to New Zealand literature.[10] His successorDamien Wilkins said on the occasion that Manhire's name "is synonymous with creative writing at Victoria".[13]
Manhire has published a number of poetry collections, including notably hisCollected Poems (2001). His poetry is known for word-play, experimentation and his ironic and whimsical sense of humour.[2][8] CriticIain Sharp writes that Manhire's reputation "rests on a solid, seriously intentioned body of work, notable for its oblique lyricism and sense of wonder at the strangeness of both life and language".[8] After his fifth book of poetry,Good Looks (1982), Manhire for a time switched to writing prose, publishingThe Brain of Katherine Mansfield (1988), a book in the style of theChoose Your Own Adventure series with illustrations byGregory O'Brien, andThe New Land (1990), a collection of satirical short stories.[8] In 1986 he wrote a critical study of fellow New Zealand writerMaurice Gee.[2]
In 1998, Manhire went toAntarctica for several weeks with poetChris Orsman and painterNigel Brown, as part of theArtists to Antarctica programme run byAntarctica New Zealand.[14][15] The experience inspired a number of poems which formed the basis of his collectionWhat to Call Your Child (1999), as well as a subsequent anthology of writing about Antarctica calledThe Wide White Page: Writers Imagine Antarctica (2004) which he edited and introduced.[16] For the 25th anniversary of theErebus air disaster in 2004, Manhire wrote the poem "Erebus Voices", which was read bySir Edmund Hillary at the commemorative service atScott Base,Antarctica.[17]
Throughout his career Manhire has been a significant promoter of New Zealand poetry and other local writing, acting as editor of several compilations of New Zealand works, includingNZ Listener Short Stories (1977),Some Other Country: New Zealand's Best Short Stories (with his wifeMarion McLeod, 1984, with updated editions published in 1992, 1997 and 2007) andSix by Six: Short Stories by New Zealand's Best Writers (1989).[2] His collection of New Zealand poetry,100 New Zealand Poems (1993), proved particularly popular, and was subsequently expanded to become121 New Zealand Poems (2005).[3] He was a founding publisher of the onlineBest New Zealand Poems series, which began in 2000.[18] For many years he presented a poetry segment on theKim Hill Show onRadio New Zealand.[19] To mark his 60th birthday in 2006, Victoria University Press andSport published the limited editionManhire at 60: A Book for Bill. The book featured essays, poems, stories and other written work from over 40 writers who had been inspired by Manhire.[20][21]
Manhire has regularly worked collaboratively with other artists and creators during his career, including with the artistRalph Hotere, physicistPaul Callaghan, composerNorman Meehan and singerHannah Griffin. His work with Meehan and Griffin has resulted in a range of music publications with lyrics or words by Manhire, includingBuddhist Rain (2010) andThese Rough Notes (2012).[22][23][24]
1969:New Zealand Universities Arts Festival Yearbook 1969 (Dunedin: Caxton Press)
1977:NZ Listener Short Stories (Wellington: Methuen)
1978:NZ Listener Short Stories Volume 2 (Wellington: Methuen)
1984:Some Other Country: New Zealand's Best Short Stories (with Marion McLeod, revised editions published in 1992 and 1997) (Wellington: Port Nicholson Press)
1989:Six by Six: Short Stories by New Zealand's Best Writers (Wellington: Victoria University Press)
1991:Soho Square. Four (Wellington: Bridget Williams Books)
1993:100 New Zealand Poems (Auckland: Godwit)
1995:Denis Glover: Selected Poems (Wellington: Victoria University Press)
1997:Mutes & Earthquakes: Bill Manhire's Creative Writing Course at Victoria (Wellington: Victoria University Press)
1997:The New Zealand Short Story Collection (with Marion McLeod, Australian edition ofSome Other Country) (St. Lucia, Australia: University of Queensland Press)
2001:Southern Convergence: Antarctic art (Wellington: Pemmican Press)
2001:Spectacular Babies: new writing (Co-edited withKaren Anderson) (Auckland: Flamingo)
2004:The Wide White Page: Writers Imagine Antarctica (Wellington: Victoria University Press)
2005:121 New Zealand Poems (Auckland: Godwit)
2006:Janet Frame: The Goose Bath – Poems (with Pamela Gordon and Denis Harold) (Auckland: Vintage)
2006:Are Angels OK? The Parallel Universes of New Zealand Writers and Scientists (withPaul Callaghan) (Wellington: Victoria University Press)
2007:Still Shines When You Think of It: A Festschrift for Vincent O'Sullivan (with Peter Whiteford) (Wellington: Victoria University Press)
2008:Some Other Country: New Zealand's Best Short Stories (with Marion McLeod, 4th edition) (Wellington: Victoria University Press)
2008:Storms Will Tell: Janet Frame’s Selected Poems (with Pamela Gordon and Denis Harold) (Northumberland: Bloodaxe Books)
2011:The Best of Best New Zealand Poems (withDamien Wilkins) (Wellington: Victoria University Press)
2012:Ein anderes Land: Short Storys aus Neuseeland (German edition ofSome Other Country, re-edited, translated by Saskia Bontjes van Beek) (Munich: Dt. Taschenbuch-Verlag)
2019 Contributor to The New Divan: A Lyrical Dialogue Between East and West ISBN 9781909942288
1978:Riddles for voice and piano (withGillian Whitehead) (London: Photographic Service (Music Reproductions))
1983:Locating the Beloved and Other Stories (Wellington: Single Title Press)
1986:Maurice Gee (biography) (Auckland: Oxford University Press)
1988:The Brain of Katherine Mansfield (choose-your-own-adventure book) (Auckland: Auckland University Press)
1990:The New Land: a Picture Book (collection of short stories) (Auckland: Heinemann Reed)
1994:South Pacific (collection of short stories) (Manchester: Carcanet Press)
1996:Songs of My Life (collection of short stories) (Auckland: Godwit)
1998:Homelight: an Antarctic Miscellany (collaborative work withChris Orsman andNigel Brown) (Karori: Pemmican Press)
2000:Doubtful Sounds: essays and interviews (Wellington: Victoria University Press)
2003:Under the Influence (memoir) (Wellington: Four Winds Press)
2010:Buddhist Rain (album with music by Norman Meehan and Hannah Griffin) (Wellington: Rattle Records)
2011:Making Baby Float (album with music by Norman Meehan and Hannah Griffin) (Wellington: Rattle Records)
2012:These Rough Notes (book and album, withAnne Noble, Norman Meehan and Hannah Griffin) (Wellington: Victoria University Press)
2016:The Stories of Bill Manhire (collection of short stories) (Wellington: Victoria University Press)
2017:Tell Me My Name (riddles set to music by Norman Meehan and sung by Hannah Griffin) (Wellington: Victoria University Press)
2021:Bifröst (album with music by Norman Meehan, Hannah Griffin, Andrew Laking, Blair Latham, Lance Philip, Neil Aldridge, and Michael Sutherland) (Wellington: Rattle Records)
"Pavlova and Wrists: The Poetry of Bill Manhire", by Peter Crisp,Islands 24 (Auckland), November 1978.
"The Poetry of Bill Manhire", Hugh Lauder, inLandfall (Christchurch), September 1983.
"Joker: Playing Poetry in the Eighties: Manhire, Curnow, Stead, Horrocks", byMichele Leggott, inWorld Literature Written in English (Singapore), 23(1), winter 1984.
"Writing through the Margins: Sharon Thesen's and Bill Manhire's Apparently Lyrical Poetry" by Douglas Barbour, inAustralian and New Zealand Studies in Canada (Prince George, British Columbia, Canada), 4, Fall 1990.
"The Old Man's Example: Manhire in the Seventies" byJohn Newton, inOpening the Book, edited by Mark Williams and Michele Leggott, Auckland,Auckland University Press, 1995.