TheAwa Dance Festival (阿波踊り,Awa Odori) is held from 12 to 15 August as part of theObon festival inTokushima Prefecture onShikoku inJapan. Awa Odori is the largest dance festival in Japan, attracting over 1.3 million tourists every year.[1]
Groups of choreographed dancers and musicians known asren (連) dance through the streets, typically accompanied by theshamisen lute,taiko drums,shinobue flute and thekane bell. Performers wear traditional obon dance costumes, and chant and sing as they parade through the streets.
Awa is the oldfeudal administration name for Tokushima Prefecture, andodori means "dance".
The earliest origins of the dance style are found in theJapanese Buddhist priestly dances ofNembutsu-odori andhiji-odori[2] of theKamakura period (1185–1333), and also inkumi-odori, a lively harvest dance that was known to last for several days.[3]
The Awa Odori festival grew out of the tradition of theBon Odori which is danced as part of theBon "Festival of the Dead", aJapanese Buddhist celebration where the spirits of deceasedancestors are said to visit their livingrelatives for a few days of the year. The term "Awa Odori" was not used until the 20th century, but Bon festivities in Tokushima have been famous for their size, exuberance and anarchy since the 16th century.
Awa Odori's independent existence as a huge, citywide dance party is popularly believed to have begun in 1586 when LordHachisuka Iemasa, thedaimyō of Awa Province hosted a drunken celebration of the opening ofTokushima Castle. The locals, having consumed a great amount ofsake, began to drunkenly weave and stumble back and forth. Others picked up commonly availablemusical instruments and began to play a simple, rhythmic song, to which the revelers inventedlyrics. The lyrics are given in the 'Song' section of this article.
This version of events is supported by the lyrics of the first verse of "Awa Yoshikono Bushi", a local version of a popularfolk song which praisesHachisuka Iemasa for giving the people Awa Odori and is quoted in the majority of tourist brochures and websites.[4] However, according to local historian Miyoshi Shoichiro, this story first appeared in aMainichi Shimbun newspaper article in 1908 and is unsupported by any concrete evidence.[5] It is unclear whether the songlyrics were written before or after this article appeared.
Some evidence of the festival's history comes from edicts issued by theTokushima-han feudal administration, such as this one dating from 1671:[6]
1. Thebon-odori may be danced for only three days.
2.Samurai are forbidden to attend the public celebration. They may dance on their own premises but must keep the gates shut. No quarrels, arguments or other misbehaviour are allowed.
3. The dancing of bon-odori is prohibited in all temple grounds.
This suggests that by the 17th century, Awa's bon-odori was well established as a major event, lasting over three days—long enough to be a major disruption to the normal functioning of the city. It implies thatsamurai joined the festival alongsidepeasants and merchants, disgracing themselves with brawling and unseemly behaviour. In 1674, it was "forbidden for dancers or spectators to carryswords (wooden or otherwise),daggers orpoles".[attribution needed] In 1685 revelers were prohibited from dancing after midnight and dancers were not allowed to wear any head or face coverings,[7] suggesting that there were some serious public order concerns.
In theMeiji period (1868–1912) the festival died down as the Tokushima'sindigo trade, which had financed the festival, collapsed due to imports of cheaper chemical dyes.[8] The festival was revitalised at the start of theShōwa period (1926) when Tokushima Prefectural authorities first coined the name "Awa Odori" and promoted it as the region's leading tourist attraction.
The song associated with Awa Odori is calledAwa Yoshikono and is a localised version of theEdo period popular songYoshikono Bushi. Parts of it are sung, and others are chanted. The origins of the melodic part have been traced toKumamoto,Kyūshū, but the Awa version came fromIbaraki Prefecture, from where it spread back down toNagoya andKansai.[9] Thelyrics of the first verse are:
Awa no tono sama Hachisuka-sama ga ima ni nokoseshi Awa Odori
What Awa's Lord Hachisuka left us to the present day is Awa Odori
The song is usually sung at a point in the parade where the dancers can stop and perform a stationary dance — for example a street intersection or in front of the ticketed, amplified stands which are set up at points around the city. Not every group has a singer, but dancers and musicians will frequently break out into the Awa Yoshikono chant as they parade through the streets:
| 踊る阿呆に | Odoru ahou ni | The dancers are fools |
| 見る阿呆 | Miru ahou | The watchers are fools |
| 同じ阿呆なら | Onaji ahou nara | Both are fools alike so |
| 踊らな損、損 | Odorana son, son | Why not dance? |
The dancers also chanthayashi kotoba call and response patterns such as "Ayattosa, Ayattosa", "Hayaccha yaccha", "Erai yaccha, erai yaccha", and "Yoi, yoi, yoi, yoi". These calls have nosemantic meaning but help to encourage the dancers.
During the daytime a restrained dance calledNagashi is performed, but at night the dancers switch to a frenzied dance calledZomeki. As suggested by the lyrics of the chant, spectators are often encouraged to join the dance.
Men and women dance in different styles. For the men’s dance: right foot and right arm forward, touch the ground with toes, then step with right foot crossing over left leg. This is then repeated with the left leg and arm. Whilst doing this, the hands draw triangles in the air with a flick of the wrists, starting at different points. Men dance in a low crouch with knees pointing outwards and arms held above the shoulders.
The women's dance uses the same basic steps, although the posture is quite different. The restrictivekimono allows only the smallest of steps forward but a crisp kick behind, and the hand gestures are more restrained and graceful, reaching up towards the sky. Women usually dance in tight formation, poised on the ends of theirgeta sandals.
Children and adolescents of both sexes usually dance the men's dance. In recent years, it has become more common to see adult women, especially those in their 20s, dancing the men's style of dance.
Some of the largerren (dance groups) also have ayakko odori, orkite dance. This usually involves one brightly dressed, acrobatic dancer, darting backwards and forwards, turningcartwheels and somersaults, with freestylechoreography. In some versions, other male dancers crouch down forming a sinuous line representing the string, and a man at the other endmimes controlling the kite.[10]
Kōenji, an area ofTokyo, also has anAwa Dance Festival, modeled on Tokushima's, which was started in 1956 by urban migrants fromTokushima Prefecture. It is the second largest Awa Dance Festival in Japan, with an average of 188 groups composed of 12,000 dancers, attracting 1.2 million visitors.[11]
The Japanese production company Tokyo Story produced a version of Awa Odori in 2015 in Paris by bringing dancers from Japan in order to promote Awa Odori and the Japanese "matsuri" culture abroad.
Awa dance is a 2007Japanese movie starringNana Eikura. The festival is also prominently featured in the 2007 movieBizan starringMatsushima Nanako. The novel series and animeGolden Time prominently features lead cast members along with their friends in their college club, the Japanese Festival Culture Research Society, performing the Awa dance multiple times during the story. Posters representing popular anime characters practicing the Awa dance are also printed every year for the festival. They featured "Fate/stay night", for example, in 2014.[12]
In the 1994Studio Ghibli filmHeisei Tanuki Gassen Ponpoko (released asPom Poko in English-speaking countries), during the scene where the film'stanuki use their transformation magic to put on aparade of yokai, part of their display includes a procession of tiny Awa dancers.
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