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After attending high school in the town ofAarau, he studied music under Walter Frey and Paul Müller in Zurich. From 1942 to 1945, he was the pupil ofWilly Burkhard. He later went to England to perfect his training where he would meet notable contemporariesBenjamin Britten,Edmund Rubbra andMichael Tippett. In 1948 and 1953, Schibler attended the Summer Courses at Darmstadt, where he met and worked withWolfgang Fortner,Ernst Křenek,René Leibowitz andTheodor W. Adorno. From 1944, he was the professor of music at the Zurich Literary School.
As a composer of operas, orchestral choirs, Lieder and chamber music, his works are characterized by harmonious pacing and a preference for counterpoint. He also usedserial composition.
Fantasie for viola and chamber orchestra, Op. 15 (1945)
Der spanische Rosenstock (Le rosier espagnol) (1947–1950), opera in 3 acts after the novel byWerner Bergengruen; libretto by Max Allenspach
Kleines Konzert for viola solo, Op. 9d (1951)
Weil alles erneut sich begibt for low voice, viola and piano, Op. 23 (1949)
Ballade for viola and piano, Op. 54 (1957)
Klavierkonzert for piano and orchestra, Op. 71 (1961)
Konzertante Fantasie for alto saxophone and small orchestra, Op. 95 (1978)
