| Alaskan hip-hop | |
|---|---|
| Other names | Alaskan Drill Rap |
| Stylistic origins | |
| Cultural origins |
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| Typical instruments |
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| Regional scenes | |
| Local scenes | |
Alaskan hip-hop is a resurgent subgenre ofhip-hop within the state ofAlaska, primarily in the metropolitan areas ofAnchorage andFairbanks, and to a lesser extentJuneau.[1][2] Despite its remote location, since the late 1970s, Alaska has had a steady growth in population, including its African American community; some observers describing the state as a melting pot of numerous cultures from across the continental United States.[3][4][5][6][7]
Alaska as a whole has seen a steady increase in population across its metropolitan areas since the late 1970s. Despite the predominantly white ethnic background; communities of African-Americans, Pacific Islanders, and Hispanics have seen a notable rise as they emigrate from the continental United States in search of stable employment.[8][9]
In parallel with Alaska's cultural renaissance, crime began to grow in numerous pockets of Anchorage in the 1990s and 2000s. As was similarly the key influence in such genres asgangsta rap andhardcore hip-hop, artists such as 'Out Tha Cut (ODC)', 'Baydilla' or 'Joker the Bailbondsman' with ties to known drug traffickers began to see a flourishing first wave scene of underground hip-hop among Anchorage's black population in the late 1990s.[10][11][12] The growth in the scene was ever present as Anchorage's crime began to increase with the growth in population.[13][14]
By the late 2000s, Anchorage's rap scene began to decline as federal attention began to shift towards numerous arrests in connection to crimes ranging from drug trafficking and murders.[15][16][17][18]
Despite the decline of Alaska's first wave of hip-hop, a new wave soon emerged in the late 2010s with numerous artists exhibiting influences from across the United States as Alaska's population continued to grow with incentives for employment and residence.[19] The second wave of artists such as 'Tayy Tarantino', 'Alaska Redd', 'F03 Bear', 'F03 Fazo', 'Baby Cisco' and 'Fairview Huna' began to incorporate influences oftrap,Mumble rap andDrill in a modern interpretation of the original sound.[20][21][22][23][24][25]
The resurgence in growth was not solely limited to Anchorage as Juneau also saw a rise in its own rap scene.[26] Rappers ofTlingit descent have mixed phrases and elements of their ethnic music and language into their own expression of hip-hop.[27][28]
