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Volume 58, Issue 2

April 2025

Leonardo Cover Image for Volume 58, Issue 2

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Cover Image
Cover Image
Front cover: Hilma af Klint,Group IX/SUW, The Swan, No. 17, oil on canvas, 150.5 × 151 cm, 1915. Courtesy of the Hilma af Klint Foundation. Photo: Moderna Museet, Stockholm.
Back cover: Coppice, 360° visual point of view of the binaural ears that captured the CoppiceSonic Observation performance at Elastic Arts, Chicago, 8 July 2022. Still image from Coppice’s retrospective videoshowtimecapsule (2023): https://youtu.be/BQIahQXtSAk. (© Future Vessel) See the article in this issue by Noé Cuellar and Joseph Kramer.
PDF IconPDF LinkTable of Contents

ISSN 0024-094X

EISSN 1530-9282

In this Issue

Issue Welcome

ISSUE WELCOME

Leonardo (2025) 58 (2): 114.

View articletitled, ISSUE WELCOME

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Leonardo Reflections

A Moment to Speak

Diana Ayton-Shenker

Leonardo (2025) 58 (2): 116.

View articletitled, A Moment to Speak

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Leosphere in Action

Remembering Dick Land (1932–2024)

Pierre J. Pernuit

Leonardo (2025) 58 (2): 117.

View articletitled, Remembering Dick Land (1932–2024)

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In Focus

Resonant Realms: Cross-Disciplinary Exploration of Sound

Leonardo (2025) 58 (2): 118.

View articletitled, Resonant Realms: Cross-Disciplinary Exploration of Sound

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Into the Here and Now: Explorations within a New Acoustic Virtual Reality

Laurence Cliffe

Leonardo (2025) 58 (2): 119–125.

View articletitled, Into the Here and Now: Explorations within a New Acoustic Virtual Reality

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Lightyears: Auditory Navigation through Coppice’sDraw Agreement

Noé Cuéllar,Joseph Kramer

Leonardo (2025) 58 (2): 126–134.

View articletitled, Lightyears: Auditory Navigation through Coppice’s <em>Draw Agreement</em>

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The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic CompositionsMoments of Liberty I–IV

Dimitrios Savva

Leonardo (2025) 58 (2): 135–141.

View articletitled, The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic Compositions <em>Moments of Liberty I–IV</em>

Supplementary data

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Work Bench

The Splendor of Plainness: A Transformation of the Process of Qi as Expressed in the Generative ArtworkUKON

Chi-Min Hsieh,Hsiao-Ching Chou

Leonardo (2025) 58 (2): 142–148.

View articletitled, The Splendor of Plainness: A Transformation of the Process of Qi as Expressed in the Generative Artwork <em>UKON</em>

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Mimetic Possibilities: Collaboration through Movement in Multimedia Opera

Kurt Mikolajczyk,Austin Oting Har,Laura Wachsmann,Oliver Bown,Samuel Ferguson

Leonardo (2025) 58 (2): 149–156.

View articletitled, Mimetic Possibilities: Collaboration through Movement in Multimedia Opera

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Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist

Marina Tsaplina,Leonard E. White

Leonardo (2025) 58 (2): 157–161.

View articletitled, Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist

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Breathing Life into Slime: The Creation of Kinetic Sculptures from Non-Newtonian Fluids

Yuan-Shao Wu,Chun-Cheng Hsu,Wei-Chen Yen,Chiao-Ni Hsu,Kuan-Ju Wu

Leonardo (2025) 58 (2): 162–170.

View articletitled, Breathing Life into Slime: The Creation of Kinetic Sculptures from Non-Newtonian Fluids

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Showcase

Metabolic Arts Gathering: Curatorial Notes

Hannah Star Rogers,Adam Bencard

Leonardo (2025) 58 (2): 171–173.

View articletitled, Metabolic Arts Gathering: Curatorial Notes

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Gallery Artists

Baum & Leahy,Hege Tapio,Adam Dickinson,Kira O’Reilly,Kathy High

Leonardo (2025) 58 (2): 174–182.

View articletitled, Gallery Artists

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Contemporary Scholarship

Musical Color Harmony: Application of the Principles of Musical Harmony to Produce Color Hue Sets

Philip J Cianci

Leonardo (2025) 58 (2): 187–193.

View articletitled, Musical Color Harmony: Application of the Principles of Musical Harmony to Produce Color Hue Sets

Supplementary data

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Sight-x-Site

Leonardo (2025) 58 (2): 194–199.

View articletitled, Sight-x-Site

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Action at a Distance: Did Physicist Thomas Young’s 1807Lectures Inspire Some of the Earliest Examples of Abstract Art?

Leonardo (2025) 58 (2): 200–208.

View articletitled, Action at a Distance: Did Physicist Thomas Young’s 1807 <em>Lectures</em> Inspire Some of the Earliest Examples of Abstract Art?

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Leonardo Reviews

The Edge of Sentience: Risk and Precaution in Humans, other Animals, and AI

Gregory F. Tague

Leonardo (2025) 58 (2): 209–211.

View articletitled, The Edge of Sentience: Risk and Precaution in Humans, other Animals, and AI

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Fragmentary Forms: a New History of Collage

Leonardo (2025) 58 (2): 211–212.

View articletitled, Fragmentary Forms: a New History of Collage

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The Line: AI and the Future of Personhood

Leonardo (2025) 58 (2): 212–214.

View articletitled, The Line: AI and the Future of Personhood

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Paris Pataphysique—L’Art des Solutions Imaginaires

Leonardo (2025) 58 (2): 214–215.

View articletitled, Paris Pataphysique—L’Art des Solutions Imaginaires

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Performing by the Book? Musical Negotiations Between Text and Act

Leonardo (2025) 58 (2): 215–216.

View articletitled, Performing by the Book? Musical Negotiations Between Text and Act

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Sonic Faction: Audio Essay as Medium and Method

Leonardo (2025) 58 (2): 216–217.

View articletitled, Sonic Faction: Audio Essay as Medium and Method

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