A bounty hunter pursues a former Mafia accountant who is also being chased by a rival bounty hunter, the F.B.I., and his old mob boss after jumping bail.A bounty hunter pursues a former Mafia accountant who is also being chased by a rival bounty hunter, the F.B.I., and his old mob boss after jumping bail.A bounty hunter pursues a former Mafia accountant who is also being chased by a rival bounty hunter, the F.B.I., and his old mob boss after jumping bail.
- Awards
- 2 wins & 5 nominations total
Tom McCleister
- Red Wood
- (as Thom McCleister)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Wish they still made movies like these. This movie is perfectly structured and extremely entertaining. The dialogue is wonderful, funny, and sincere. Highly recommend if you haven't seen this yet.
DeNiro is (Jack Walsh) a self-righteous ex-cop so unpopular with the Chicago police department, now wanting to make one final 'midnight run' that'll pay big so he can buy a nice coffee shop
He is hired by an hysterical bondsman to find and bring back a former Mob accountant called Jonathan "The Duke" Mardukas (Grodin) who has stolen $15 million from the Los Angeles mob, given the money to the 'unfortunates of the earth.'
DeNiro quickly captures the 'white-collar criminal' in New York, and is given five days to bring him to Los Angleles, to collect his $100,000 fee...
Unfortunately for DeNiro, the fugitive accountant is too neurotic to fly the distance... The embezzler's ex-boss wants him badly for knowing all his financial transactions, and agent Yaphet Kotto warns Walsh not to interfere with the FBI's plans to bring the 'Duke' into federal court And if this isn't enough, there is some third-rate bounty hunter (John Ashton) who is intrigued about DeNiro's special deal
In an extended cross-country chase, the two men's personalities and relationship develop
DeNiro shows how to catch talents of improvisation... His cheeky schoolboy look certainly supplies some of the film's lighter moments... He delivers some of the best punchlines, when he replies: 'Well if you don't cooperate, you're gonna suffer from fistophobia.'
Charles Grodin is perfect as the prisoner who gets some of Serrano's records on computer disks, figuring if things got too rough, he could always trade them for his life He continually gets on DeNiro's nerves, and with his soft and ironic tone of voice he advises Walsh that a restaurant is 'a very tricky investment.' He easily dips into Jack Walsh's life ('Don't you want to be loved?'), wandering about his broken marriage ('Did she hurt you, Jack?'), his habits ('Cigarettes are killers. Put the cigarette out.') and whatever he can think of...
The best parts of the film are, in fact, the interactions between the two stars The story holds up perfectly and entertains the viewer in every way Martin Brest does bring out the realistic, funny and moving sides of his likable characters Suspense is maintained to the very end
He is hired by an hysterical bondsman to find and bring back a former Mob accountant called Jonathan "The Duke" Mardukas (Grodin) who has stolen $15 million from the Los Angeles mob, given the money to the 'unfortunates of the earth.'
DeNiro quickly captures the 'white-collar criminal' in New York, and is given five days to bring him to Los Angleles, to collect his $100,000 fee...
Unfortunately for DeNiro, the fugitive accountant is too neurotic to fly the distance... The embezzler's ex-boss wants him badly for knowing all his financial transactions, and agent Yaphet Kotto warns Walsh not to interfere with the FBI's plans to bring the 'Duke' into federal court And if this isn't enough, there is some third-rate bounty hunter (John Ashton) who is intrigued about DeNiro's special deal
In an extended cross-country chase, the two men's personalities and relationship develop
DeNiro shows how to catch talents of improvisation... His cheeky schoolboy look certainly supplies some of the film's lighter moments... He delivers some of the best punchlines, when he replies: 'Well if you don't cooperate, you're gonna suffer from fistophobia.'
Charles Grodin is perfect as the prisoner who gets some of Serrano's records on computer disks, figuring if things got too rough, he could always trade them for his life He continually gets on DeNiro's nerves, and with his soft and ironic tone of voice he advises Walsh that a restaurant is 'a very tricky investment.' He easily dips into Jack Walsh's life ('Don't you want to be loved?'), wandering about his broken marriage ('Did she hurt you, Jack?'), his habits ('Cigarettes are killers. Put the cigarette out.') and whatever he can think of...
The best parts of the film are, in fact, the interactions between the two stars The story holds up perfectly and entertains the viewer in every way Martin Brest does bring out the realistic, funny and moving sides of his likable characters Suspense is maintained to the very end
Oh yeah! THE film of the 80's. Together with HEAT, one of De Niro's best!
Totally professional film-making. This is a comedy that succeeds on every level. The central characters of reluctant and burnt-out Bounty Hunter De Niro and Grodin as ex mafia accountant on-the-run "The Duke," just meld flawlessly. The script is wicked with ramped up profanities that somehow are absolutely integral to the unfolding plot. De Niro has just hours to get Grodin back to bail-bondsman Pantoliano while his ex-boss Dennis Farina (COULD anyone look more mafioso?) wants him back for reasons of extreme revenge....Perhaps on account of the fact that The Duke has put his funds to better use a la Robin Hood style of redistribution of wealth.
This is really laugh-out-loud brilliant stuff. Catch it.
Totally professional film-making. This is a comedy that succeeds on every level. The central characters of reluctant and burnt-out Bounty Hunter De Niro and Grodin as ex mafia accountant on-the-run "The Duke," just meld flawlessly. The script is wicked with ramped up profanities that somehow are absolutely integral to the unfolding plot. De Niro has just hours to get Grodin back to bail-bondsman Pantoliano while his ex-boss Dennis Farina (COULD anyone look more mafioso?) wants him back for reasons of extreme revenge....Perhaps on account of the fact that The Duke has put his funds to better use a la Robin Hood style of redistribution of wealth.
This is really laugh-out-loud brilliant stuff. Catch it.
The first time I watched this movie, I immediately started it again after the credits rolled. Loved it just as much the 2nd time, and over the years, I can honestly say that almost anytime I watch Midnight Run, I usually end up watching it a 2nd (and sometimes 3rd) time within the next few days.
I'm fairly certain the reason for this is that it's evokes such a feeling, creates such a time and place, that I'm practically nostalgic for watching it the minute it ends. Part of that has to do with Danny Elfman's score, and part of it has to do with DeNiro's and Grodin's performances, but more than anything, it's the fact that they just don't make movies like this anymore.
Midnight Run is without a question a perfect movie, but more importantly, it's a time vessel back to an era where you could tell this kind of story, and make a movie like this, and everyone comes out on top.
I love this movie like I love my childhood.
I'm fairly certain the reason for this is that it's evokes such a feeling, creates such a time and place, that I'm practically nostalgic for watching it the minute it ends. Part of that has to do with Danny Elfman's score, and part of it has to do with DeNiro's and Grodin's performances, but more than anything, it's the fact that they just don't make movies like this anymore.
Midnight Run is without a question a perfect movie, but more importantly, it's a time vessel back to an era where you could tell this kind of story, and make a movie like this, and everyone comes out on top.
I love this movie like I love my childhood.
Jack Walsh is an ex-cop turned bounty hunter working for bail-bondsman Eddie Moscone. Looking for another job to bring in, Jack is presented with an ex-mob accountant, Jonathon Mardukas, who has ripped off the mafia for millions of dollars and has gone on the run. Using the very basic tricks of his trade, Jack easily finds and catches his man and prepares to transport him back to Moscone and collect his pay. However, with the FBI, the mafia and other bounty hunters all looking to bring in Jonathon for differing reasons, Jack has a hard road ahead of him and that's before he discovers Jonathon's phobias about planes.
In terms of cinema, I remember the 80's for one main genre the buddy movie; the genre continues today but that is my overriding memory of the films I saw during this time and since then from the period. Hardly a dynamic hotbed or imagination and innovation, the genre did throw up many films that are quite enjoyable if you meet them on their own terms and it did occasionally produce some that are very enjoyable and still stand up years later for a combination of reasons, Midnight Run is one of these and, for my money is a great street smart comedy. Of course it is still a genre film but the plot is well written combining a reasonably engaging story with a fun series of set pieces. While it is not laugh our loud funny apart from maybe once or twice what it does manage is to have a comic tone to it and a great sense of fun and energy throughout. It is hard to describe but it is one of those films that just feels comfortable and fun to watch.
A major part of this is the fantastic playing of the actors the cast and their chemistry go a long way to making this a better film that it may have been in other, less able, hands. De Niro plays his well-practiced tough guy but allows himself to be the butt of humour if not out and out jokes. What he (and the writers) did very well was to keep the audience on his side even though he was basically transporting Jonathon to his death! He comes off as a likable guy and De Niro takes what many other actors have made into a clichéd part and really made it his own. His easy chemistry with Grodin also helps a lot and the two really so work together thanks to a good comic performance from him. Of course in a more serious film, Jonathon as he was would be very unrealistic but Grodin's delivery suits the material and tone of the film perfectly. The support cast are all given minor roles to share out and they all contribute in their own little way. Kotto gives plenty of laughs with a minor character. Ashton has less time and a less likable character but still does OK; Farina could not look more 'mob' if he tried; Pantoliano swears a lot and is amusing while minor roles for the like of Walters and Hall add to the cast in cameos. While the film has a deep cast, it really belongs to De Niro and Grodin, both of whom really deliver and have an easy chemistry between them befitting the genre.
If I had a complaint it would be the sheer volume of swear words in the film; the first time I saw it was on ITV (that most notorious of editors they cut whole scenes out of Die Hard due to swearing!) and it was cut to shreds with plenty of badly dubbed lines and scenes just removed due to language. Personally I'm not overly bothered by it but it is such a fun film that it seems a shame to make it unsuitable for children by such liberal use of the F word (one or two can be forgiven but every other word pretty much makes it unsuitable), but I suppose it is all part of the tough but fun tone of the film and I enjoy it regardless.
Overall this is not one of the greatest films ever nor one of De Niro's best but it is a very, very good genre film and, in my mind, stands out from many other buddy-style movies that have been made in the crime/thriller sort of mould. The plot mixes a good story with many fun set pieces and keeps a solidly enjoyable pace all the way through while a roundly strong cast all make better use of the script than lesser actors could have done. A very enjoyable genre film and one that I will keep coming back to due to its reliable mix of pace, energy, fun and excitement.
In terms of cinema, I remember the 80's for one main genre the buddy movie; the genre continues today but that is my overriding memory of the films I saw during this time and since then from the period. Hardly a dynamic hotbed or imagination and innovation, the genre did throw up many films that are quite enjoyable if you meet them on their own terms and it did occasionally produce some that are very enjoyable and still stand up years later for a combination of reasons, Midnight Run is one of these and, for my money is a great street smart comedy. Of course it is still a genre film but the plot is well written combining a reasonably engaging story with a fun series of set pieces. While it is not laugh our loud funny apart from maybe once or twice what it does manage is to have a comic tone to it and a great sense of fun and energy throughout. It is hard to describe but it is one of those films that just feels comfortable and fun to watch.
A major part of this is the fantastic playing of the actors the cast and their chemistry go a long way to making this a better film that it may have been in other, less able, hands. De Niro plays his well-practiced tough guy but allows himself to be the butt of humour if not out and out jokes. What he (and the writers) did very well was to keep the audience on his side even though he was basically transporting Jonathon to his death! He comes off as a likable guy and De Niro takes what many other actors have made into a clichéd part and really made it his own. His easy chemistry with Grodin also helps a lot and the two really so work together thanks to a good comic performance from him. Of course in a more serious film, Jonathon as he was would be very unrealistic but Grodin's delivery suits the material and tone of the film perfectly. The support cast are all given minor roles to share out and they all contribute in their own little way. Kotto gives plenty of laughs with a minor character. Ashton has less time and a less likable character but still does OK; Farina could not look more 'mob' if he tried; Pantoliano swears a lot and is amusing while minor roles for the like of Walters and Hall add to the cast in cameos. While the film has a deep cast, it really belongs to De Niro and Grodin, both of whom really deliver and have an easy chemistry between them befitting the genre.
If I had a complaint it would be the sheer volume of swear words in the film; the first time I saw it was on ITV (that most notorious of editors they cut whole scenes out of Die Hard due to swearing!) and it was cut to shreds with plenty of badly dubbed lines and scenes just removed due to language. Personally I'm not overly bothered by it but it is such a fun film that it seems a shame to make it unsuitable for children by such liberal use of the F word (one or two can be forgiven but every other word pretty much makes it unsuitable), but I suppose it is all part of the tough but fun tone of the film and I enjoy it regardless.
Overall this is not one of the greatest films ever nor one of De Niro's best but it is a very, very good genre film and, in my mind, stands out from many other buddy-style movies that have been made in the crime/thriller sort of mould. The plot mixes a good story with many fun set pieces and keeps a solidly enjoyable pace all the way through while a roundly strong cast all make better use of the script than lesser actors could have done. A very enjoyable genre film and one that I will keep coming back to due to its reliable mix of pace, energy, fun and excitement.
Storyline
Did you know
- TriviaThe boxcar scene--where Jack Walsh (Robert De Niro) and John Mardukas (Charles Grodin) discuss whether or not they could ever be friends--was almost entirely improvised on-set. Regarding Grodin's famous line, "You ever had sex with an animal, Jack?": he was told by directorMartin Brest to come up with something that was guaranteed to make evenRobert De Niro laugh.
- GoofsThe action in the movie takes them through Amarillo, Texas in the Texas panhandle. Mountains are visible between the buildings in the background. The topography of the panhandle is a flat, treeless plain.
- Quotes
Jimmy Serrano: Is this moron number one? Put moron number two on the phone.
- Crazy creditsIn the opening credits, Robert De Niro's name is spelled Robert DeNiro.
- Alternate versionsTwo cuts to remove lock-picking details were made to the UK video version, which was also upgraded from a 15 cinema certificate to an 18 on video. The British DVD release in 2000 restored the cuts made to previous UK versions.
- ConnectionsEdited intoLaser Optics II
Details
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $38,413,606
- Opening weekend US & Canada
- $5,506,290
- Jul 24, 1988
- Gross worldwide
- $81,613,606
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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