Movatterモバイル変換


[0]ホーム

URL:


The Project Gutenberg eBook ofUnder the Window: Pictures & Rhymes for Children

This ebook is for the use of anyone anywhere in the United States andmost other parts of the world at no cost and with almost no restrictionswhatsoever. You may copy it, give it away or re-use it under the termsof the Project Gutenberg License included with this ebook or onlineatwww.gutenberg.org. If you are not located in the United States,you will have to check the laws of the country where you are locatedbefore using this eBook.

Title: Under the Window: Pictures & Rhymes for Children

Author: Kate Greenaway

Release date: October 5, 2007 [eBook #22888]

Language: English

Credits: E-text prepared by Suzanne Shell, David Garcia, and the Project Gutenberg Online Distributed Proofreading Team

*** START OF THE PROJECT GUTENBERG EBOOK UNDER THE WINDOW: PICTURES & RHYMES FOR CHILDREN ***



E-text prepared by Suzanne Shell, David Garcia,
and the Project Gutenberg Online Distributed Proofreading Team
(http://www.pgdp.net)



 


 


Front Cover




[i]


COPYRIGHT
ALL RIGHTS RESERVED




[1]

Under the Window

BY
KATE GREENAWAY





[2]





[3]

Under the Window - Pictures & Rhymes for Children - By Kate Greenaway




[4]

Printed in Great Britain




[5]

page

Under the window is my garden,

Where sweet, sweet flowers grow

13

Will you be my little wife,

If I ask you? Do!

14

You see, merry Phillis, that dear little maid,

Has invited Belinda to tea

15

Three tabbies took out their cats to tea,

As well-behaved tabbies as well could be

16
5




[6]

CONTENTS.page

Little Fanny wears a hat

Like her ancient Grannie

17

"Margery Brown, on the top of the hill,

Why are you standing idle still?"

18

Little wind, blow on the hill-top,

Little wind, blow down the plain

19

Indeed, it is true, it is perfectly true;

Believe me, indeed, I am playing no tricks

20

School is over,

Oh, what fun!

21

"Little Polly, will you go a-walking to-day?"

"Indeed Little Susan, I will, if I may."

22
6




[7]

CONTENTS.page

I was walking up the street,

The steeple bells were ringing

23

Five little sisters walking in a row:

Now, isn't that the best way for little girls to go?

24

In go-cart so tiny

My sister I drew

25

Some geese went out a-walking,

To breakfast and to dine

26

You are going out to tea to-day,

So mind how you behave

27

Poor Dicky's dead!—The bell we toll,

And lay him in the deep, dark hole

28
7




[8]

CONTENTS.page

Up you go, shuttlecocks, ever so high!

Why come you down again, shuttlecocks—why?

29

Tommy was a silly boy,

"I can fly," he said

30

Higgledy, piggledy, see how they run!

Hopperty, popperty! what is the fun?

31

Which is the way to Somewhere Town?

Oh, up in the morning early

32

The boat sails away, like a bird on the wing,

And the little boys dance on the sands in a ring

33

Pipe thee high, and pipe thee low,

Let the little feet go faster

34
8




[9]

CONTENTS.page

Polly's, Peg's, and Poppety's

Mamma was kind and good

35

Bowl away! bowl away!

Fast as you can

36

"For what are you longing, you three little boys?

Or what would you like to eat?

37

O ring the bells! O ring the bells!

We bid you, sirs, good morning

38

Then ring the bells! then ring the bells!

For this fair time of Maying

39

I saw a ship that sailed the sea,

It left me as the sun went down

40
9




[10]

CONTENTS.page

Yes, that's the girl that struts about,

She's very proud—so very proud!

41

It was Tommy who said,

"The sweet spring-time is come

42

"Shall I sing?" says the Lark,

"Shall I bloom?" says the Flower

43

Little Miss Patty and Master Paul

Have found two snails on the garden wall

44

Yes, it is sad of them,

Shocking to me

45

Now, all of you, give heed unto

The tale I now relate

46
10




[11]

CONTENTS.page

What is Tommy running for,

Running for, running for?

47

A butcher's boy met a baker's boy

(It was all of a summer day)

48

The twelve Miss Pelicoes

Were twelve sweet little girls

49

Little baby, if I threw

This fair blossom down to you

50

The finest, biggest fish, you see,

Will be the trout that's caught by me

51

Prince Finikin and his mamma

Sat sipping their bohea

52
11




[12]

CONTENTS.page

Heigh ho!—time creeps but slow:

I've looked up the hill so long

53

My house is red—a little house,

A happy child am I

54

Three little girls were sitting on a rail,

Sitting on a rail, sitting on a rail

55

Ring the bells—ring!

Hip, hurrah for the King!

56
12




[13]

Under the window is my garden,

Where sweet, sweet flowers grow;

And in the pear-tree dwells a robin,

The dearest bird I know.

Tho' I peep out betimes in the morning,

Still the flowers are up the first;

Then I try and talk to the robin,

And perhaps he'd chat—if he durst.

13




[14]

Will you be my little wife,

If I ask you? Do!

I'll buy you such a Sunday frock,

A nice umbrella, too.

And you shall have a little hat,

With such a long white feather,

A pair of gloves, and sandal shoes,

The softest kind of leather.

And you shall have a tiny house,

A beehive full of bees,

A little cow, a largish cat,

And green sage cheese.

14




[15]

You see, merry Phillis, that dear little maid,

Has invited Belinda to tea;

Her nice little garden is shaded by trees—

What pleasanter place could there be?

There's a cake full of plums, there are strawberries too,

And the table is set on the green;

I'm fond of a carpet all daisies and grass—

Could a prettier picture be seen?

A blackbird (yes, blackbirds delight in warm weather,)

Is flitting from yonder high spray;

He sees the two little ones talking together—

No wonder the blackbird is gay!

15




[16]

Three tabbies took out their cats to tea,

As well-behaved tabbies as well could be:

Each sat in the chair that each preferred,

They mewed for their milk, and they sipped and purred.

Now tell me this (as these cats you've seen them)—

How many lives had these cats between them?

16




[17]

Little Fanny wears a hat

Like her ancient Grannie;

Tommy's hoop was (think of that!)

Given him by Fanny.

17




[18]

"Margery Brown, on the top of the hill,

Why are you standing, idle still?"

"Oh, I'm looking over to London town;

Shall I see the horsemen if I go down?"

"Margery Brown, on the top of the hill,

Why are you standing, listening still?"

"Oh, I hear the bells of London ring,

And I hear the men and the maidens sing."

"Margery Brown, on the top of the hill,

Why are you standing, waiting still?"

"Oh, a knight is there, but I can't go down,

For the bells ring strangely in London town."

18




[19]

Little wind, blow on the hill-top,

Little wind, blow down the plain;

Little wind, blow up the sunshine,

Little wind, blow off the rain.

19




[20]

Indeed it is true, it is perfectly true;

Believe me, indeed, I am playing no tricks;

An old man and his dog bide up there in the moon,

And he's cross as a bundle of sticks.

20




[21]

School is over,

Oh, what fun!

Lessons finished,

Play begun.

Who'll run fastest,

You or I?

Who'll laugh loudest?

Let us try.

21




[22]

"Little Polly, will you go a-walking to-day?"

"Indeed, little Susan, I will, if I may."

"Little Polly, your mother has said you may go;

She was nice to say 'Yes;' she should never say 'No.'"

"A rook has a nest on the top of the tree—

A big ship is coming from over the sea:

Now, which would be nicest, the ship or the nest?"

"Why, that would be nicest that Polly likes best."

22




[23]

As I was walking up the street,

The steeple bells were ringing;

As I sat down at Mary's feet,

The sweet, sweet birds were singing.

As I walked far into the world,

I met a little fairy;

She plucked this flower, and, as it's sweet,

I've brought it home to Mary.

23




[24]

Five little sisters walking in a row;

Now, isn't that the best way for little girls to go?

Each had a round hat, each had a muff,

And each had a new pelisse of soft green stuff.

Five little marigolds standing in a row;

Now, isn't that the best way for marigolds to grow?

Each with a green stalk, and all the five had got

A bright yellow flower, and a new red pot.

24




[25]

In go-cart so tiny

My sister I drew;

And I've promised to draw her

The wide world through.

We have not yet started—

I own it with sorrow—

Because our trip's always

Put off till to-morrow.

25




[26]

Some geese went out a-walking,

To breakfast and to dine;

They craned their necks, and plumed themselves—

They numbered four from nine;

With their cackle, cackle, cackle!

They thought themselves so fine.

A dame went walking by herself,

A very ancient crone;

She said, "I wish that all you geese

Were starved to skin and bone!

Do stop that cackle, cackle, now,

And leave me here alone."

26




[27]

You are going out to tea to-day,

So mind how you behave;

Let all accounts I have of you

Be pleasant ones, I crave.

Don't spill your tea, or gnaw your bread,

And don't tease one another;

And Tommy mustn't talk too much,

Or quarrel with his brother.

Say "If you please," and "Thank you, Nurse:"

Come home at eight o'clock;

And, Fanny, pray be careful that

You do not tear your frock.

Now, mind your manners, children five,

Attend to what I say;

And then, perhaps, I'll let you go

Again another day.

27




[28]

Poor Dicky's dead!—The bell we toll,

And lay him in the deep, dark hole.

The sun may shine, the clouds may rain,

But Dick will never pipe again!

His quilt will be as sweet as ours—

Bright buttercups and cuckoo flowers.

28




[29]

Up you go, shuttlecocks, ever so high!

Why come you down again, shuttlecocks—why?

When you have got so far, why do you fall?

Where all are high, which is highest of all?

29




[30]

Tommy was a silly boy,

"I can fly," he said;

He started off, but very soon,

He tumbled on his head.

His little sister Prue was there,

To see how he would do it;

She knew that, after all his boast,

Full dearly Tom would rue it!

30




[31]

Higgledy, piggledy! see how they run!

Hopperty, popperty! what is the fun?

Has the sun or the moon tumbled into the sea?

What is the matter, now? Pray tell it me!

Higgledy, piggledy! how can I tell?

Hopperty, popperty! hark to the bell!

The rats and the mice even scamper away;

Who can say what may not happen to-day?

31




[32]

Which is the way to Somewhere Town?

Oh, up in the morning early;

Over the tiles and the chimney-pots,

That is the way, quite clearly.

And which is the door to Somewhere Town?

Oh, up in the morning early;

The round red sun is the door to go through,

That is the way, quite clearly.

32




[33]

The boat sails away, like a bird on the wing,

And the little boys dance on the sands in a ring.

The wind may fall, or the wind may rise—

You are foolish to go; you will stay if you're wise.

The little boys dance, and the little girls run:

If it's bad to have money, it's worse to have none.

33




[34]

Pipe thee high, and pipe thee low,

Let the little feet go faster;

Blow your penny trumpet—blow!

Well done, little master!

34




[35]

Polly's, Peg's, and Poppety's

Mamma was kind and good:

She gave them each, one happy day,

A little scarf and hood.

A bonnet for each girl she bought,

To shield them from the sun;

They wore them in the snow and rain,

And thought it mighty fun.

But sometimes there were naughty boys,

Who called to them at play,

And made this rude remark—"My eye!

Three Grannies out to-day!"

35




[36]

Bowl away! bowl away!

Fast as you can;

He who can fastest bowl,

He is my man!

Up and down, round about,—

Don't let it fall;

Ten times, or twenty times,

Beat, beat them all!

36




[37]

"For what are you longing, you three little boys?

Oh, what would you like to eat?"

"We should like some apples, or gingerbread—

Or a fine big drum to beat."

"Oh, what will you give me, you three little boys,

In exchange for these good, good things?"

"Some bread and cheese, and some radishes,

And our little brown bird that sings."

"Now, that won't do, you three little chums,

I'll have something better than that—

Two of your fingers, and two of your thumbs,

In the crown of your largest hat!"

37




[38]

O ring the bells! O ring the bells!

We bid you, sirs, good morning;

Give thanks, we pray—our flowers are gay,

And fair for your adorning.

O ring the bells! O ring the bells!

Good sirs, accept our greeting;

Where we have been, the woods are green.

So, hey! for our next meeting.

38




[39]

Then ring the bells! then ring the bells!

For this fair time of Maying;

Our blooms we bring, and while we sing,

O! hark to what we're saying.

O ring the bells! O ring the bells!

We'll sing a song with any;

And may each year bringyou good cheer,

And each ofus a penny.

39




[40]

I saw a ship that sailed the sea,

It left me as the sun went down;

The white birds flew, and followed it

To town—to London town.

Right sad were we to stand alone,

And see it pass so far away;

And yet we knew some ship would come—

Some other ship—some other day.

40




[41]

Yes, that's the girl that struts about,

She's very proud,—so very proud!

Herbow-wow's quite as proud as she:

They both are very wrong to be

So proud—so very proud.

See, Jane and Willy laugh at her,

They say she's very proud!

Says Jane, "My stars!—they're very silly;"

"Indeed they are," cries little Willy,

"To walk so stiff and proud."

41




[42]

It was Tommy who said,

"The sweet spring-time is come;

I see the birds flit,

And I hear the bees hum.

"Oho! Mister Lark,

Up aloft in the sky,

Now, which is the happiest—

Is it you, sir, or I?"

42




[43]

"Shall I sing?" says the Lark,

"Shall I bloom?" says the Flower;

"Shall I come?" says the Sun,

"Or shall I?" says the Shower.

Sing your song, pretty Bird,

Roses, bloom for an hour;

Shine on, dearest Sun,

Go away, naughty Shower!

43




[44]

Little Miss Patty and Master Paul

Have found two snails on the garden wall.

"These snails," said Paul, "how slow they walk!

A great deal slower than we can talk.

Make haste, Mr. Snail, travel quicker, I pray;

In a race with our tongues you'd be beaten to-day."

44




[45]

Yes, it is sad of them—

Shocking to me;

Bad—yes, it's bad of them—

Bad of all three.

Warnings they've had from me.

Still I repeat them—

Cold is the water—the

Fishes will eat them.

Yet they will row about,

Tho' I say "Fie!" to them;

Fathers may scold at it,

Mothers may cry to them.

45




[46]

Now, all of you, give heed unto

The tale I now relate,

About two girls and one small boy,

A cat, and a green gate.


Alack! since I began to speak

(And what I say is true),

It's all gone out of my poor head—

And so good-bye to you!

46




[47]

What is Tommy running for,

Running for,

Running for?

What is Tommy running for,

On this fine day?

Jimmy will run after Tommy,

After Tommy,

After Tommy;

That's what Tommy's running for,

On this fine day.

47




[48]

A butcher's boy met a baker's boy

(It was all of a summer day);

Said the butcher's boy to the baker's boy,

"Will you please to walk my way?"

Said the butcher's boy to the baker's boy,

"My trade's the best in town,"

"If you dare say that," said the baker's boy,

"I shall have to knock you down!"

Said the butcher's boy to the baker's boy,

"That's a wicked thing to do;

And I think, before you've knocked me down,

The cook will blow up you!"

48




[49]

The twelve Miss Pelicoes

Were twelve sweet little girls;

Some wore their hair in pigtail plaits,

And some of them wore curls.

The twelve Miss Pelicoes

Had dinner every day;—

A not uncommon thing at all,

You probably will say.

The twelve Miss Pelicoes

Went sometimes for a walk;

It also is a well-known fact

That all of them could talk.

The twelve Miss Pelicoes,

Of course, to school were sent;

Their parents wished them to excel

In each accomplishment.

The twelve Miss Pelicoes

Played music—Fal-lal-la!

Which consequently made them all

The pride of their papa.

The twelve Miss Pelicoes

Learnt dancing and the globes;

Which proves that they were wise, and had

That patience which was Job's.

The twelve Miss Pelicoes

Were always most polite—

Said "If you please," and "Many thanks,"

"Good morning," and "Good night."

The twelve Miss Pelicoes

You plainly see, were taught

To do the things they didn't like,

Which means, the things they ought.

Now, fare ye well, Miss Pelicoes,

I wish ye a good day;—

About these twelve Miss Pelicoes

I've nothing more to say.

49




[50]

Little baby, if I threw

This fair blossom down to you,

Would you catch it as you stand,

Holding up each tiny hand,

Looking out of those grey eyes,

Where such deep, deep wonder lies?

50




[51]

The finest, biggest fish, you see,

Will be the trout that's caught by me,

But if the monster will not bite,

Why, then I'll hook a little mite.

51




[52]

Prince Finikin and his mamma

Sat sipping their bohea;

"Good gracious!" said his Highness, "why,

What girl is this I see?

"Most certainly it cannot be

A native of our town;"

And he turned him round to his mamma,

Who set her teacup down.

But Dolly simply looked at them,

She did not speak a word;

"She has no voice!" said Finikin;

"It's really quite absurd."

Then Finikin's mamma observed,

"Dear Prince, it seems to me,

She looks as if she'd like to drink

A cup of my bohea."

So Finikin poured out her tea,

And gave her currant-pie;

Then Finikin said, "Dear mamma,

What a kind Prince am I!"

52




[53]

Heigh ho!—time creeps but slow;

I've looked up the hill so long;

None come this way, the sun sinks low,

And my shadow's very long.

They said I should sail in a little boat,

Up the stream, by the great white mill;

But I've waited all day, and none come my way;

I've waited—I'm waiting still.

They said I should see a fairy town,

With houses all of gold,

And silver people, and a gold church steeple;—

But it wasn't the truth they told.

53




[54]

My house is red—a little house,

A happy child am I,

I laugh and play the livelong day

I hardly ever cry.

I have a tree, a green, green tree,

To shade me from the sun;

And under it I often sit,

When all my work is done.

My little basket I will take,

And trip into the town;

When next I'm there I'll buy some cake,

And spend my bright half-crown.

54




[55]

Three little girls were sitting on a rail,

Sitting on a rail,

Sitting on a rail;

Three little girls were sitting on a rail,

On a fine hot day in September.

What did they talk about that fine day,

That fine day,

That fine day?

What did they talk about that fine day,—

That fine hot day in September?

The crows and the corn they talked about,

Talked about,

Talked about;

But nobody knows what was said by the crows,

On that fine hot day in September.

55




[56]

Ring the bells—ring!

Hip, hurrah for the King!

The dunce fell into the pool, oh!

The dunce was going to school, oh!

The groom and the cook

Fished him out with a hook,

And he piped his eye like a fool, oh!

56




[57]


ENGRAVED AND PRINTED BY EDMUND EVANS, LTD.,
ROSE PLACE, GLOBE ROAD, LONDON, E.1.
599.152




[58]

Flyleaf Left




[59]

Flyleaf Right






[Transcriber's Note: The page numbers are links to reduced copies of the originalpage images with the printed text intact.]

 

 


*** END OF THE PROJECT GUTENBERG EBOOK UNDER THE WINDOW: PICTURES & RHYMES FOR CHILDREN ***
Updated editions will replace the previous one—the old editions willbe renamed.
Creating the works from print editions not protected by U.S. copyrightlaw means that no one owns a United States copyright in these works,so the Foundation (and you!) can copy and distribute it in the UnitedStates without permission and without paying copyrightroyalties. Special rules, set forth in the General Terms of Use partof this license, apply to copying and distributing ProjectGutenberg™ electronic works to protect the PROJECT GUTENBERG™concept and trademark. Project Gutenberg is a registered trademark,and may not be used if you charge for an eBook, except by followingthe terms of the trademark license, including paying royalties for useof the Project Gutenberg trademark. If you do not charge anything forcopies of this eBook, complying with the trademark license is veryeasy. You may use this eBook for nearly any purpose such as creationof derivative works, reports, performances and research. ProjectGutenberg eBooks may be modified and printed and given away—you maydo practically ANYTHING in the United States with eBooks not protectedby U.S. copyright law. Redistribution is subject to the trademarklicense, especially commercial redistribution.
START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the freedistribution of electronic works, by using or distributing this work(or any other work associated in any way with the phrase “ProjectGutenberg”), you agree to comply with all the terms of the FullProject Gutenberg™ License available with this file or online atwww.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™electronic works
1.A. By reading or using any part of this Project Gutenberg™electronic work, you indicate that you have read, understand, agree toand accept all the terms of this license and intellectual property(trademark/copyright) agreement. If you do not agree to abide by allthe terms of this agreement, you must cease using and return ordestroy all copies of Project Gutenberg™ electronic works in yourpossession. If you paid a fee for obtaining a copy of or access to aProject Gutenberg™ electronic work and you do not agree to be boundby the terms of this agreement, you may obtain a refund from the personor entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only beused on or associated in any way with an electronic work by people whoagree to be bound by the terms of this agreement. There are a fewthings that you can do with most Project Gutenberg™ electronic workseven without complying with the full terms of this agreement. Seeparagraph 1.C below. There are a lot of things you can do with ProjectGutenberg™ electronic works if you follow the terms of thisagreement and help preserve free future access to Project Gutenberg™electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“theFoundation” or PGLAF), owns a compilation copyright in the collectionof Project Gutenberg™ electronic works. Nearly all the individualworks in the collection are in the public domain in the UnitedStates. If an individual work is unprotected by copyright law in theUnited States and you are located in the United States, we do notclaim a right to prevent you from copying, distributing, performing,displaying or creating derivative works based on the work as long asall references to Project Gutenberg are removed. Of course, we hopethat you will support the Project Gutenberg™ mission of promotingfree access to electronic works by freely sharing Project Gutenberg™works in compliance with the terms of this agreement for keeping theProject Gutenberg™ name associated with the work. You can easilycomply with the terms of this agreement by keeping this work in thesame format with its attached full Project Gutenberg™ License whenyou share it without charge with others.
1.D. The copyright laws of the place where you are located also governwhat you can do with this work. Copyright laws in most countries arein a constant state of change. If you are outside the United States,check the laws of your country in addition to the terms of thisagreement before downloading, copying, displaying, performing,distributing or creating derivative works based on this work or anyother Project Gutenberg™ work. The Foundation makes norepresentations concerning the copyright status of any work in anycountry other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or otherimmediate access to, the full Project Gutenberg™ License must appearprominently whenever any copy of a Project Gutenberg™ work (any workon which the phrase “Project Gutenberg” appears, or with which thephrase “Project Gutenberg” is associated) is accessed, displayed,performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work isderived from texts not protected by U.S. copyright law (does notcontain a notice indicating that it is posted with permission of thecopyright holder), the work can be copied and distributed to anyone inthe United States without paying any fees or charges. If you areredistributing or providing access to a work with the phrase “ProjectGutenberg” associated with or appearing on the work, you must complyeither with the requirements of paragraphs 1.E.1 through 1.E.7 orobtain permission for the use of the work and the Project Gutenberg™trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is postedwith the permission of the copyright holder, your use and distributionmust comply with both paragraphs 1.E.1 through 1.E.7 and anyadditional terms imposed by the copyright holder. Additional termswill be linked to the Project Gutenberg™ License for all worksposted with the permission of the copyright holder found at thebeginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™License terms from this work, or any files containing a part of thiswork or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute thiselectronic work, or any part of this electronic work, withoutprominently displaying the sentence set forth in paragraph 1.E.1 withactive links or immediate access to the full terms of the ProjectGutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,compressed, marked up, nonproprietary or proprietary form, includingany word processing or hypertext form. However, if you provide accessto or distribute copies of a Project Gutenberg™ work in a formatother than “Plain Vanilla ASCII” or other format used in the officialversion posted on the official Project Gutenberg™ website(www.gutenberg.org), you must, at no additional cost, fee or expenseto the user, provide a copy, a means of exporting a copy, or a meansof obtaining a copy upon request, of the work in its original “PlainVanilla ASCII” or other form. Any alternate format must include thefull Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,performing, copying or distributing any Project Gutenberg™ worksunless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providingaccess to or distributing Project Gutenberg™ electronic worksprovided that:
1.E.9. If you wish to charge a fee or distribute a ProjectGutenberg™ electronic work or group of works on different terms thanare set forth in this agreement, you must obtain permission in writingfrom the Project Gutenberg Literary Archive Foundation, the manager ofthe Project Gutenberg™ trademark. Contact the Foundation as setforth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerableeffort to identify, do copyright research on, transcribe and proofreadworks not protected by U.S. copyright law in creating the ProjectGutenberg™ collection. Despite these efforts, Project Gutenberg™electronic works, and the medium on which they may be stored, maycontain “Defects,” such as, but not limited to, incomplete, inaccurateor corrupt data, transcription errors, a copyright or otherintellectual property infringement, a defective or damaged disk orother medium, a computer virus, or computer codes that damage orcannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Rightof Replacement or Refund” described in paragraph 1.F.3, the ProjectGutenberg Literary Archive Foundation, the owner of the ProjectGutenberg™ trademark, and any other party distributing a ProjectGutenberg™ electronic work under this agreement, disclaim allliability to you for damages, costs and expenses, including legalfees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICTLIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSEPROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THETRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BELIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE ORINCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCHDAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover adefect in this electronic work within 90 days of receiving it, you canreceive a refund of the money (if any) you paid for it by sending awritten explanation to the person you received the work from. If youreceived the work on a physical medium, you must return the mediumwith your written explanation. The person or entity that provided youwith the defective work may elect to provide a replacement copy inlieu of a refund. If you received the work electronically, the personor entity providing it to you may choose to give you a secondopportunity to receive the work electronically in lieu of a refund. Ifthe second copy is also defective, you may demand a refund in writingwithout further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forthin paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NOOTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOTLIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain impliedwarranties or the exclusion or limitation of certain types ofdamages. If any disclaimer or limitation set forth in this agreementviolates the law of the state applicable to this agreement, theagreement shall be interpreted to make the maximum disclaimer orlimitation permitted by the applicable state law. The invalidity orunenforceability of any provision of this agreement shall not void theremaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, thetrademark owner, any agent or employee of the Foundation, anyoneproviding copies of Project Gutenberg™ electronic works inaccordance with this agreement, and any volunteers associated with theproduction, promotion and distribution of Project Gutenberg™electronic works, harmless from all liability, costs and expenses,including legal fees, that arise directly or indirectly from any ofthe following which you do or cause to occur: (a) distribution of thisor any Project Gutenberg™ work, (b) alteration, modification, oradditions or deletions to any Project Gutenberg™ work, and (c) anyDefect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution ofelectronic works in formats readable by the widest variety ofcomputers including obsolete, old, middle-aged and new computers. Itexists because of the efforts of hundreds of volunteers and donationsfrom people in all walks of life.
Volunteers and financial support to provide volunteers with theassistance they need are critical to reaching Project Gutenberg™’sgoals and ensuring that the Project Gutenberg™ collection willremain freely available for generations to come. In 2001, the ProjectGutenberg Literary Archive Foundation was created to provide a secureand permanent future for Project Gutenberg™ and futuregenerations. To learn more about the Project Gutenberg LiteraryArchive Foundation and how your efforts and donations can help, seeSections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit501(c)(3) educational corporation organized under the laws of thestate of Mississippi and granted tax exempt status by the InternalRevenue Service. The Foundation’s EIN or federal tax identificationnumber is 64-6221541. Contributions to the Project Gutenberg LiteraryArchive Foundation are tax deductible to the full extent permitted byU.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,Salt Lake City, UT 84116, (801) 596-1887. Email contact links and upto date contact information can be found at the Foundation’s websiteand official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project GutenbergLiterary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespreadpublic support and donations to carry out its mission ofincreasing the number of public domain and licensed works that can befreely distributed in machine-readable form accessible by the widestarray of equipment including outdated equipment. Many small donations($1 to $5,000) are particularly important to maintaining tax exemptstatus with the IRS.
The Foundation is committed to complying with the laws regulatingcharities and charitable donations in all 50 states of the UnitedStates. Compliance requirements are not uniform and it takes aconsiderable effort, much paperwork and many fees to meet and keep upwith these requirements. We do not solicit donations in locationswhere we have not received written confirmation of compliance. To SENDDONATIONS or determine the status of compliance for any particular statevisitwww.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where wehave not met the solicitation requirements, we know of no prohibitionagainst accepting unsolicited donations from donors in such states whoapproach us with offers to donate.
International donations are gratefully accepted, but we cannot makeany statements concerning tax treatment of donations received fromoutside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donationmethods and addresses. Donations are accepted in a number of otherways including checks, online payments and credit card donations. Todonate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the ProjectGutenberg™ concept of a library of electronic works that could befreely shared with anyone. For forty years, he produced anddistributed Project Gutenberg™ eBooks with only a loose network ofvolunteer support.
Project Gutenberg™ eBooks are often created from several printededitions, all of which are confirmed as not protected by copyright inthe U.S. unless a copyright notice is included. Thus, we do notnecessarily keep eBooks in compliance with any particular paperedition.
Most people start at our website which has the main PG searchfacility:www.gutenberg.org.
This website includes information about Project Gutenberg™,including how to make donations to the Project Gutenberg LiteraryArchive Foundation, how to help produce our new eBooks, and how tosubscribe to our email newsletter to hear about new eBooks.

[8]ページ先頭

©2009-2025 Movatter.jp