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Sir Anthony Caro OM CBE (1924 - 2013) played a pivotal role in the development of twentieth century sculpture. 

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The Anthony Caro Centre is open by appointment.

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Please emailsculpture@barfordsculptures.org  or   call+44 0207 482 2871 to make an appointment.

Spotlight

DANCING WITH  SCULPTURE:

EXPLORING CHILD'S TOWER ROOM

 

In occasion of the exhibition 'Anthony Caro: The Inspiration of Architecture' at Pitzhanger Manor & Gallery, dancer Sophie Brassard gracefully moves amidst the complex wooden shapes of Child's Tower Room in this stunning video. Inspired by a child's playroom, the tower-like sculpture invites playful exploration and interaction.

ANTHONY CARO AND NEW GENERATION:

INSTALLATION VIDEO

 

Installation video of thedisplay 'Anthony Caro and New Generation' at Barford West,Southall, including works by Tim Scott, David Annesley and William Tucker.

On View

Collection Display

The Anthony Caro Centre, London

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Viewing upon appointment only 

from 10 October 2024

Entwined Spaces
The Anthony Caro Centre, London

Viewing upon appointment only
from 10 October 2024

Anthony Caro:

Sculpture as composition

Museo de Arte Contemporáneo Atchugarry, Punta del Este

4 January - 15 April 2025

Shaping Abstraction:Anthony Caro and Alan Green

Annely Juda Fine Art, London

30 January - 15 March 2025

  • Instagram

@anthonycarocentre

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“Working in silver demanded that Caro once again expand his technical vocabulary in order to discover the materials inherent possibilities. He used the precious metal only a few times between 1974 and 1990, but each time the opulence and exuberance of his initial ‘Jubilee’ remained untarnished.” (H F Westley Smith, Anthony Caro: Small Sculptures, 2010) 📷 Silver Piece 23, 1984-1985, silver, 13 x 26 x 35 cmOn view now @tefaf 2025 at Yares Art#anthonycaro #caro #anthonycarocentre #silversculpture #abstractart #tefaf #tefafmaastricht #smallsculpture #hfwestleysmith“Working in silver demanded that Caro once again expand his technical vocabulary in order to discover the materials inherent possibilities. He used the precious metal only a few times between 1974 and 1990, but each time the opulence and exuberance of his initial ‘Jubilee’ remained untarnished.” (H F Westley Smith, Anthony Caro: Small Sculptures, 2010) 📷 Silver Piece 23, 1984-1985, silver, 13 x 26 x 35 cmOn view now @tefaf 2025 at Yares Art#anthonycaro #caro #anthonycarocentre #silversculpture #abstractart #tefaf #tefafmaastricht #smallsculpture #hfwestleysmith
Shaping Abstraction: Anthony Caro & Alan Green is on until this Saturday at Annely Juda Fine Art📅30th January - 15th March 2025📍Annely Juda Fine Art, 23 Dering Street, London, W1S 1AW Images Courtesy Annely Juda Fine Art, London. Photographer Dan Wallis 2025#anthonycaro #caro #annelyjudafineart #art #alangreen #annelyjuda #currentexhibitionShaping Abstraction: Anthony Caro & Alan Green is on until this Saturday at Annely Juda Fine Art📅30th January - 15th March 2025📍Annely Juda Fine Art, 23 Dering Street, London, W1S 1AW Images Courtesy Annely Juda Fine Art, London. Photographer Dan Wallis 2025#anthonycaro #caro #annelyjudafineart #art #alangreen #annelyjuda #currentexhibition
Happy Birthday Tony! Born on this day in 1924, today would have been the 101st birthday of British sculptor Anthony Caro! You are welcome to visit us today at the Anthony Caro Centre in the artist’s former studio in Camden Town, from 11am-4pm. Anthony Caro, Orangerie, 1969, steel, painted Venetian red, 225 x 162.5 x 231 cm. Photo: Thomas R. DuBrock. Courtesy The Museum of Fine Arts, Houston. #anthonycaro #caro #anthonycarocentre #orangerie #modernsculpture #contemporaryart #art #sculpture #abstractartHappy Birthday Tony! Born on this day in 1924, today would have been the 101st birthday of British sculptor Anthony Caro! You are welcome to visit us today at the Anthony Caro Centre in the artist’s former studio in Camden Town, from 11am-4pm. Anthony Caro, Orangerie, 1969, steel, painted Venetian red, 225 x 162.5 x 231 cm. Photo: Thomas R. DuBrock. Courtesy The Museum of Fine Arts, Houston. #anthonycaro #caro #anthonycarocentre #orangerie #modernsculpture #contemporaryart #art #sculpture #abstractart
We are having an open day at Anthony Caro’s former studio in Camden on Saturday 8th March, from 11am to 4pm!⁠Visitors will have the chance to explore the display of Caro’s works from the 1950s onwards as well as ‘Entwined Spaces’, no booking required!⁠⁠ Address: Anthony Caro Centre38A Georgiana StreetCamden TownNW1 0EB⁠#anthonycaro #britishart #sculpture #entwinedspaces #opengallery #contemporaryart #britishartist ⁠We are having an open day at Anthony Caro’s former studio in Camden on Saturday 8th March, from 11am to 4pm!⁠Visitors will have the chance to explore the display of Caro’s works from the 1950s onwards as well as ‘Entwined Spaces’, no booking required!⁠⁠ Address: Anthony Caro Centre38A Georgiana StreetCamden TownNW1 0EB⁠#anthonycaro #britishart #sculpture #entwinedspaces #opengallery #contemporaryart #britishartist ⁠
We are delighted to share that the documentary film Art in Progress: Anthony Caro and Sheila Girling (dir. John Wyver, 2007) will be screened as part of Roche Court’s winter film club! This film follows Girling and Caro in the run-up to their exhibition Anthony Caro and Sheila Girling at Roche Court Sculpture Park in 2007. 📅 3pm, Wednesday 19th February 2025📍New Art Centre, Roche Court, East Winterslow, Salisbury, Wiltshire, SP5 1BG 📷Stills from John Wyver, Art in Progress: Anthony Caro and Sheila Girling, 2007#rochecourt #anthonycaro #sheilagirling #johnwyver #contemporaryart #womenartists #abstractart #filmclubWe are delighted to share that the documentary film Art in Progress: Anthony Caro and Sheila Girling (dir. John Wyver, 2007) will be screened as part of Roche Court’s winter film club! This film follows Girling and Caro in the run-up to their exhibition Anthony Caro and Sheila Girling at Roche Court Sculpture Park in 2007. 📅 3pm, Wednesday 19th February 2025📍New Art Centre, Roche Court, East Winterslow, Salisbury, Wiltshire, SP5 1BG 📷Stills from John Wyver, Art in Progress: Anthony Caro and Sheila Girling, 2007#rochecourt #anthonycaro #sheilagirling #johnwyver #contemporaryart #womenartists #abstractart #filmclub
Anthony Caro discussing his sculpture for a film which accompanied his 1969 retrospective at the Hayward Gallery @hayward.gallery After Summer, 1968, Steel, painted grey, 157 x 599 x 731 cm #anthonycaro #anthonycarocentre #haywardgallery #1969 #archiveAnthony Caro discussing his sculpture for a film which accompanied his 1969 retrospective at the Hayward Gallery @hayward.gallery After Summer, 1968, Steel, painted grey, 157 x 599 x 731 cm #anthonycaro #anthonycarocentre #haywardgallery #1969 #archive
Opening soon! The new exhibition Shaping Abstraction: Anthony Caro & Alan Green is opening tomorrow evening at Annely Juda Fine Art! Preview: 6-8pm, 30th January 2025📅30th January - 15th March 2025📍Annely Juda Fine Art, 23 Dering Street, London, W1S 1AW Images Courtesy Annely Juda Fine Art, London. Photographer Dan Wallis 2025#anthonycaro #caro #annelyjudafineart #art #alangreen #annelyjuda #upcomingexhibitionOpening soon! The new exhibition Shaping Abstraction: Anthony Caro & Alan Green is opening tomorrow evening at Annely Juda Fine Art! Preview: 6-8pm, 30th January 2025📅30th January - 15th March 2025📍Annely Juda Fine Art, 23 Dering Street, London, W1S 1AW Images Courtesy Annely Juda Fine Art, London. Photographer Dan Wallis 2025#anthonycaro #caro #annelyjudafineart #art #alangreen #annelyjuda #upcomingexhibition
Anthony Caro: Sculpture as Composition, curated by Kosme de Barañano, is open now at @maca.fundacionpabloatchugarry 📅4th January - 15th April📍MACA: Atchugarry Museum of Contemporary Art, Punta del Este, Uruguay #anthonycaro #maca #caro #currentexhibition #retrospective #uruguayAnthony Caro: Sculpture as Composition, curated by Kosme de Barañano, is open now at @maca.fundacionpabloatchugarry 📅4th January - 15th April📍MACA: Atchugarry Museum of Contemporary Art, Punta del Este, Uruguay #anthonycaro #maca #caro #currentexhibition #retrospective #uruguay
At the Anthony Caro Centre we currently have a display of works on show, focussing on the radical development of Caro’s sculpture from the 1950s through to the late 1960s. This was a prolific period of making and experimentation, marked by a pivotal breakthrough in 1960 that saw Caro take sculpture off the plinth and begin constructing abstract works in found, brightly painted steel, and then in 1966 a new form of small scale sculpture, the table piece, informed by conversations with critic Michael Fried. The exhibition includes rarely seen figurative early works in bronze, as well as some of Caro’s most renowned sculptures from the 1960s. In 1959 Caro travelled to The United States of America on a trip funded by the Ford Foundation. During this career changing trip, he met the Colour Field painters Helen Frankenthaler, Robert Motherwell and Kenneth Noland, as well as the renowned abstract metal sculptor David Smith. In the following years Caro frequently returned to The United States, where he became close friends with many of the Colour Field painters, including Jules Olitski, with whom he taught at Bennington College, Vermont, from 1963-1965. #anthonycaro #anthonycarocentreAt the Anthony Caro Centre we currently have a display of works on show, focussing on the radical development of Caro’s sculpture from the 1950s through to the late 1960s. This was a prolific period of making and experimentation, marked by a pivotal breakthrough in 1960 that saw Caro take sculpture off the plinth and begin constructing abstract works in found, brightly painted steel, and then in 1966 a new form of small scale sculpture, the table piece, informed by conversations with critic Michael Fried. The exhibition includes rarely seen figurative early works in bronze, as well as some of Caro’s most renowned sculptures from the 1960s. In 1959 Caro travelled to The United States of America on a trip funded by the Ford Foundation. During this career changing trip, he met the Colour Field painters Helen Frankenthaler, Robert Motherwell and Kenneth Noland, as well as the renowned abstract metal sculptor David Smith. In the following years Caro frequently returned to The United States, where he became close friends with many of the Colour Field painters, including Jules Olitski, with whom he taught at Bennington College, Vermont, from 1963-1965. #anthonycaro #anthonycarocentre
We are delighted to announce that Anthony Caro: Sculpture as Composition, curated by Kosme de Barañano, will open in 2025 at MACA: Atchugarry Museum of Contemporary Art, Punta del Este, Uruguay! @maca.fundacionpabloatchugarry 📅4th January - 15th April📍MACA: Atchugarry Museum of Contemporary Art, Punta del Este, Uruguay #anthonycaro #maca #caro #currentexhibition #retrospective #uruguayWe are delighted to announce that Anthony Caro: Sculpture as Composition, curated by Kosme de Barañano, will open in 2025 at MACA: Atchugarry Museum of Contemporary Art, Punta del Este, Uruguay! @maca.fundacionpabloatchugarry 📅4th January - 15th April📍MACA: Atchugarry Museum of Contemporary Art, Punta del Este, Uruguay #anthonycaro #maca #caro #currentexhibition #retrospective #uruguay
Wishing a happy winter holiday and new year to all 🎉 A snowy photo from years past of Promenade @yspsculpture which will be returning to display next year after conservation work Anthony Caro, Promenade, 1996, painted steel, 618 x 3690 x 503 cm #anthonycaro #anthonycarocentre #caro #publicsculpture #yorkshiresculpturepark #winter #promenadeWishing a happy winter holiday and new year to all 🎉 A snowy photo from years past of Promenade @yspsculpture which will be returning to display next year after conservation work Anthony Caro, Promenade, 1996, painted steel, 618 x 3690 x 503 cm #anthonycaro #anthonycarocentre #caro #publicsculpture #yorkshiresculpturepark #winter #promenade
Table Piece II marks the beginning of Caro’s extensive table piece series that would last six decades, and is currently on view at the Anthony Caro Centre, London @anthonycarocentre ‘My table pieces are not models inhabiting a pretence world, but relate to a person like a cup or a jug. Since the edge is basic to the table all the Table Pieces make use of this edge which itself becomes an integral element of the piece’ - Anthony Caro 1966/7Anthony Caro, Table Piece II, 1966, steel polished and lacquered red, 15.9 x 34.3 x 31.1 cm #anthonycaro #caro #anthonycarocentre #tablepiece #contemporaryart #art #sculpture #modernsculptureTable Piece II marks the beginning of Caro’s extensive table piece series that would last six decades, and is currently on view at the Anthony Caro Centre, London @anthonycarocentre ‘My table pieces are not models inhabiting a pretence world, but relate to a person like a cup or a jug. Since the edge is basic to the table all the Table Pieces make use of this edge which itself becomes an integral element of the piece’ - Anthony Caro 1966/7Anthony Caro, Table Piece II, 1966, steel polished and lacquered red, 15.9 x 34.3 x 31.1 cm #anthonycaro #caro #anthonycarocentre #tablepiece #contemporaryart #art #sculpture #modernsculpture
Anthony Caro, Packed Flats, 1974, steel, rusted and varnished, 180.5 x 297 x 117 cm, B1089 #anthonycaro #caro #anthonycarocentre #yorkflats #rolledsteel #abstractsculpture #art #modernart #britishartist #weldedsteel #contemporarysculpture #sculptureAnthony Caro, Packed Flats, 1974, steel, rusted and varnished, 180.5 x 297 x 117 cm, B1089 #anthonycaro #caro #anthonycarocentre #yorkflats #rolledsteel #abstractsculpture #art #modernart #britishartist #weldedsteel #contemporarysculpture #sculpture
Anthony Caro’s 1966 sculpture ‘Away’ is now on display in the new presentation of the permanent collection at K20, Düsseldorf! @kunstsammlungnrw 📷 Installationsansicht Kunstsammlung Nordrhein-Westfalen K20, Anthony Caro, Away, 1966; Robert Mangold, Column Structure XVI, 2007; Shūsaku Arakawa, Seeing and Thinking, 1962; Shūsaku Arakawa, Seeing and Thinking, 1961-62; Richard Serra, The New York Times Manufactures Censorship, 1989; Fotos: Achim Kukulies Installationsansicht Kunstsammlung Nordrhein-Westfalen K20, Anthony Caro, Away, 1966; Dan Flavin, Untitled (to Don Judd, colorist) 1, 1987; Kimsooja, Bottari, 1999; Michelangelo Pistoletto, Venere degli Stracci, 1967; Jannis Kounellis, Ohne Titel, 1988; Fotos: Achim Kukulies#anthonycaro #caro #kunstsammlungnrw #k20 #away #contemporaryart #modernart #abstractsculpture #abstractart #ondisplay #currentexhibitionAnthony Caro’s 1966 sculpture ‘Away’ is now on display in the new presentation of the permanent collection at K20, Düsseldorf! @kunstsammlungnrw 📷 Installationsansicht Kunstsammlung Nordrhein-Westfalen K20, Anthony Caro, Away, 1966; Robert Mangold, Column Structure XVI, 2007; Shūsaku Arakawa, Seeing and Thinking, 1962; Shūsaku Arakawa, Seeing and Thinking, 1961-62; Richard Serra, The New York Times Manufactures Censorship, 1989; Fotos: Achim Kukulies Installationsansicht Kunstsammlung Nordrhein-Westfalen K20, Anthony Caro, Away, 1966; Dan Flavin, Untitled (to Don Judd, colorist) 1, 1987; Kimsooja, Bottari, 1999; Michelangelo Pistoletto, Venere degli Stracci, 1967; Jannis Kounellis, Ohne Titel, 1988; Fotos: Achim Kukulies#anthonycaro #caro #kunstsammlungnrw #k20 #away #contemporaryart #modernart #abstractsculpture #abstractart #ondisplay #currentexhibition
‘Caro is not a modeller of jewellery but rather a sculptor of pieces in gold’ Kosme de Barañano (2008) Between 2005-2008 Caro worked with goldsmith Francisco Pacheco at Joyerias Grassy in Madrid to produce just under forty unique pieces of gold and silver jewellery. These intimate, small scale sculptures underline Caro’s idea that all sculpture, in some way, has to do with the body. Anthony Caro, Ring BB-16, 2008, 18 carat gold, 3 x 1.8 x 2.5 cm📷 John Riddy#anthonycaro #caro #anthonycarocentre #johnriddy #joyeriasgrassy #art #sculpture #wearableart #jewellery #abstractart #goldsmithing‘Caro is not a modeller of jewellery but rather a sculptor of pieces in gold’ Kosme de Barañano (2008) Between 2005-2008 Caro worked with goldsmith Francisco Pacheco at Joyerias Grassy in Madrid to produce just under forty unique pieces of gold and silver jewellery. These intimate, small scale sculptures underline Caro’s idea that all sculpture, in some way, has to do with the body. Anthony Caro, Ring BB-16, 2008, 18 carat gold, 3 x 1.8 x 2.5 cm📷 John Riddy#anthonycaro #caro #anthonycarocentre #johnriddy #joyeriasgrassy #art #sculpture #wearableart #jewellery #abstractart #goldsmithing
Anthony Caro, Paper Sculpture No. 20 - Double Something, 1993, Paper, hand coloured, 26.5 x 68.5 x 40.5 cm. Collection National Gallery of Australia @kenneth.tyler.collection 📷Courtesy National Gallery of Australia #anthonycaro #caro #papersculpture #ngaaustralia #kentyler #modernsculpture #abstractsculptureAnthony Caro, Paper Sculpture No. 20 - Double Something, 1993, Paper, hand coloured, 26.5 x 68.5 x 40.5 cm. Collection National Gallery of Australia @kenneth.tyler.collection 📷Courtesy National Gallery of Australia #anthonycaro #caro #papersculpture #ngaaustralia #kentyler #modernsculpture #abstractsculpture
Writing Piece ‘Hand’ (1978) from the Ingram Collection is currently on show in the exhibition ‘Immortal Apples, Eternal Eggs’ at Hastings Contemporary @hastings.contemporary �🗓️21 September 2024 - 16 March 2025📍Hastings Contemporary, Rock-a-Nore Road, Hastings, TN34 3DW📷Anthony Caro, Writing Piece ‘Hand’, 1978, Wood and steel, varnished, 34.3 x 61 x 12.7 cm, B0465. Image courtesy Ingram Collection #anthonycaro #caro #immortalappleseternaleggs #hastingscontemporary #ingramcollection #stilllife #writingpiece #contemporaryart #hand #currentexhibitionWriting Piece ‘Hand’ (1978) from the Ingram Collection is currently on show in the exhibition ‘Immortal Apples, Eternal Eggs’ at Hastings Contemporary @hastings.contemporary 🗓️21 September 2024 - 16 March 2025📍Hastings Contemporary, Rock-a-Nore Road, Hastings, TN34 3DW📷Anthony Caro, Writing Piece ‘Hand’, 1978, Wood and steel, varnished, 34.3 x 61 x 12.7 cm, B0465. Image courtesy Ingram Collection #anthonycaro #caro #immortalappleseternaleggs #hastingscontemporary #ingramcollection #stilllife #writingpiece #contemporaryart #hand #currentexhibition
Ascending the Stairs (1979-83) is currently on display @palazzostrozziHelen Frankenthaler: Painting Without Rules is on display at Palazzo Strozzi, Florence until 26 January 2025. Curated by Douglas Dreishpoon The exhibition provides an in-depth overview of Helen Frankenthaler’s work, placing her in dialogue with those of contemporary artists such as Jackson Pollock, Robert Motherwell, Mark Rothko, Morris Louis, David Smith, Anthony Caro and Anne Truitt. 📷Anthony Caro, Ascending the Stairs, 1979-83, Steel, varnished, 112 x 84 x 102 cmExhibition view - Photo Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi and Image Courtesy Helen Frankenthaler Foundation #anthonycaro #caro #currentexhibition #contemporaryart #modernsculpture #helenfrankenthaler #palazzostrozziAscending the Stairs (1979-83) is currently on display @palazzostrozziHelen Frankenthaler: Painting Without Rules is on display at Palazzo Strozzi, Florence until 26 January 2025. Curated by Douglas Dreishpoon The exhibition provides an in-depth overview of Helen Frankenthaler’s work, placing her in dialogue with those of contemporary artists such as Jackson Pollock, Robert Motherwell, Mark Rothko, Morris Louis, David Smith, Anthony Caro and Anne Truitt. 📷Anthony Caro, Ascending the Stairs, 1979-83, Steel, varnished, 112 x 84 x 102 cmExhibition view - Photo Ela Bialkowska, OKNO Studio. Courtesy Fondazione Palazzo Strozzi and Image Courtesy Helen Frankenthaler Foundation #anthonycaro #caro #currentexhibition #contemporaryart #modernsculpture #helenfrankenthaler #palazzostrozzi
Anthony Caro, Hossana, 1972-3, Stainless Steel, 137 x 160 x 117cm, B1046“As in music, there is an intimate, implicit connection between our heartbeat and the variations in a key or rhythm. In sculpture, there is a relationship between what we feel…and the forms, the spaces.” (Anthony Caro, 2005)📷 John Hammond#anthonycaro #caro #stainlesssteel #art #contemporaryart #modenart #steelsculpture #anthonycarocentreAnthony Caro, Hossana, 1972-3, Stainless Steel, 137 x 160 x 117cm, B1046“As in music, there is an intimate, implicit connection between our heartbeat and the variations in a key or rhythm. In sculpture, there is a relationship between what we feel…and the forms, the spaces.” (Anthony Caro, 2005)📷 John Hammond#anthonycaro #caro #stainlesssteel #art #contemporaryart #modenart #steelsculpture #anthonycarocentre
Caro | Moore is currently on view at Willoughby Gerrish Gallery in London @willoughbygerrish This exhibition examines Caro’s work in relation to Moore, including early examples of Caro’s figurative work, such as Woman Waking Up (1955) and Woman Standing (1957), made in the years following his time assisting Moore in the early 1950s. 4 October - 22 November 2024Willoughby Gerrish 16 Saville RowLondonW1S 3PL📷 Installation views and Anthony Caro, Woman Waking Up, 1955 and Anthony Caro, Floor Piece Aleph (Flowerhead), 1970#anthonycaro #henrymoore #willoughbygerrish #caro #exhibition #modernart #modernsculpture #abstractart #sculptureCaro | Moore is currently on view at Willoughby Gerrish Gallery in London @willoughbygerrish This exhibition examines Caro’s work in relation to Moore, including early examples of Caro’s figurative work, such as Woman Waking Up (1955) and Woman Standing (1957), made in the years following his time assisting Moore in the early 1950s. 4 October - 22 November 2024Willoughby Gerrish 16 Saville RowLondonW1S 3PL📷 Installation views and Anthony Caro, Woman Waking Up, 1955 and Anthony Caro, Floor Piece Aleph (Flowerhead), 1970#anthonycaro #henrymoore #willoughbygerrish #caro #exhibition #modernart #modernsculpture #abstractart #sculpture
Works by Anthony Caro recently featured in the group exhibition ‘Moments are Monuments’ at BY ART MATTERS, Hangzhou, China @byartmatters Exploring the evolution of everyday objects into works of art, the exhibition considers the small but important moments of human life.Emma Slice, 1977-1978, Steel, rusted and varnished, 175 x 355.5 x 178 cm, Catalogue # B1184Installation view: Moments are Monuments, BY ART MATTERS, Hangzhou, 2024📷: Liuliu Jiang#anthonycaro #caro #byartmatters #contemporaryart #art #sculpture #momentsaremonuments #hangzhou #exhibitionWorks by Anthony Caro recently featured in the group exhibition ‘Moments are Monuments’ at BY ART MATTERS, Hangzhou, China @byartmatters Exploring the evolution of everyday objects into works of art, the exhibition considers the small but important moments of human life.Emma Slice, 1977-1978, Steel, rusted and varnished, 175 x 355.5 x 178 cm, Catalogue # B1184Installation view: Moments are Monuments, BY ART MATTERS, Hangzhou, 2024📷: Liuliu Jiang#anthonycaro #caro #byartmatters #contemporaryart #art #sculpture #momentsaremonuments #hangzhou #exhibition
We are pleased to announce the opening of ‘Entwined Spaces’ at the Anthony Caro Centre & Sheila Girling Studio, 38a Georgiana Street, London, NW1 0EB Open: Friday 11 - Sunday 13 October, 11am-4pmthen later by appointment, contact @anthonycarocentre This autumn, to mark the centenary of the births of Anthony Caro and Sheila Girling, two new displays in dialogue open at their former studios in Camden Town titled Entwined Spaces. The exhibitions celebrate Caro and Girling’s lifelong dialogue about art, their remarkable material innovations and their profound and evolving impact on contemporary art. Explore this unique opportunity to view the works of Anthony Caro and Sheila Girling this October in their former working environment, a stone’s throw from Regent’s Park.#anthonycaro #sheilagirling #entwinedspaces #friezeartfair #frieze #camdentown #anthonycarocentre #newexhibitionWe are pleased to announce the opening of ‘Entwined Spaces’ at the Anthony Caro Centre & Sheila Girling Studio, 38a Georgiana Street, London, NW1 0EB Open: Friday 11 - Sunday 13 October, 11am-4pmthen later by appointment, contact @anthonycarocentre This autumn, to mark the centenary of the births of Anthony Caro and Sheila Girling, two new displays in dialogue open at their former studios in Camden Town titled Entwined Spaces. The exhibitions celebrate Caro and Girling’s lifelong dialogue about art, their remarkable material innovations and their profound and evolving impact on contemporary art. Explore this unique opportunity to view the works of Anthony Caro and Sheila Girling this October in their former working environment, a stone’s throw from Regent’s Park.#anthonycaro #sheilagirling #entwinedspaces #friezeartfair #frieze #camdentown #anthonycarocentre #newexhibition
Photographs by legendary art dealer John Kasmin of Anthony Caro were on show this summer in the exhibition ‘Kasmin’s Camera’ @lyndsey_ingram 1) Anthony Caro in Bennington, Vermont, 19662) Anthony Caro and Patrick Procktor at a party in the Kasmin Gallery, London, 1967 3) Kasmin at his gallery’s front desk during the Kenneth Noland show, 1965#anthonycaro #kasmin #caro #johnkasmin #kasminscamera #1960s #britishart #patrickprocktor #contemporaryphotography #johnkasmin #lyndseyingramPhotographs by legendary art dealer John Kasmin of Anthony Caro were on show this summer in the exhibition ‘Kasmin’s Camera’ @lyndsey_ingram 1) Anthony Caro in Bennington, Vermont, 19662) Anthony Caro and Patrick Procktor at a party in the Kasmin Gallery, London, 1967 3) Kasmin at his gallery’s front desk during the Kenneth Noland show, 1965#anthonycaro #kasmin #caro #johnkasmin #kasminscamera #1960s #britishart #patrickprocktor #contemporaryphotography #johnkasmin #lyndseyingram
The Art and Life of Sheila Girling came to a close earlier this week. Thank you @spacetobreatheexpo for curating this exuberant centenary exhibition of Sheila Girling’s work and to everyone who came. The large scale exhibtion of over 90 works was curated alongside table sculptures by Anthony Caro, her lifelong partner. Sheila described their marriage as “a 64-year conversation about art”.The Art and Life of Sheila Girling🗓️20th July - 1st September 2024📍Space to Breathe, Bowhouse,St Monans,Scotland,KY10 2DB Installation views and Anthony Caro, Quartered (Table Bronze), 1981, Bronze and brass, cast and welded, 47 x 86.5 x 38 cm, B1567#sheilagirling #anthonycaro #partners #centenary #exhibition #spacetobreathe #bowhouse #stmonans #contemporaryart #collage #contemporarypainting #abstractartThe Art and Life of Sheila Girling came to a close earlier this week. Thank you @spacetobreatheexpo for curating this exuberant centenary exhibition of Sheila Girling’s work and to everyone who came. The large scale exhibtion of over 90 works was curated alongside table sculptures by Anthony Caro, her lifelong partner. Sheila described their marriage as “a 64-year conversation about art”.The Art and Life of Sheila Girling🗓️20th July - 1st September 2024📍Space to Breathe, Bowhouse,St Monans,Scotland,KY10 2DB Installation views and Anthony Caro, Quartered (Table Bronze), 1981, Bronze and brass, cast and welded, 47 x 86.5 x 38 cm, B1567#sheilagirling #anthonycaro #partners #centenary #exhibition #spacetobreathe #bowhouse #stmonans #contemporaryart #collage #contemporarypainting #abstractart
Sculptors and Spaces: Anthony Caro and Eduardo Chillida continues at Museum Würth, Künzelsau! This joint exhibition celebrates the friendship between these sculptors, the artistic dialogues they shared, as well as the centenaries of their birth. Until October 27th 2024:Sculptors and Spaces: Anthony Caro and Eduardo Chillida Würth Collection and Loans Museum Würth, Künzelsau11 am - 6pm dailyFree admission! @wuerth_collection #anthonycaro #samlungwurthcollection #würthcollection #sculptorsandspaces #künzelsau #contemporaryart #britishsculpture #abstractsculpture #eduardochillida #modernsculpture #onnow #currentexhibitionSculptors and Spaces: Anthony Caro and Eduardo Chillida continues at Museum Würth, Künzelsau! This joint exhibition celebrates the friendship between these sculptors, the artistic dialogues they shared, as well as the centenaries of their birth. Until October 27th 2024:Sculptors and Spaces: Anthony Caro and Eduardo Chillida Würth Collection and Loans Museum Würth, Künzelsau11 am - 6pm dailyFree admission! @wuerth_collection #anthonycaro #samlungwurthcollection #würthcollection #sculptorsandspaces #künzelsau #contemporaryart #britishsculpture #abstractsculpture #eduardochillida #modernsculpture #onnow #currentexhibition
This month ‘Anthony Caro: Sculptures’ came to a close at Skulpturenpark Waldfrieden, Wuppertal. The exhibition marked Tony’s 100th birthday and included eleven large-scale sculptures, as well as a series of smaller works shown in Villa Waldfrieden, curated by Tony Cragg. Thank you to all the team at Skulpturenpark Waldfrieden and to our team at the Anthony Caro Centre for making this happen. And thank you to everyone who visited! @skulpturenparkwaldfrieden #anthonycaro #skulpturenparkwaldfrieden #abstractsculpture #caro #centenary #wuppertal #skulpturenpark #abstractart #britishart #tonycragg #britishartist #contemporaryart #sculpturesThis month ‘Anthony Caro: Sculptures’ came to a close at Skulpturenpark Waldfrieden, Wuppertal. The exhibition marked Tony’s 100th birthday and included eleven large-scale sculptures, as well as a series of smaller works shown in Villa Waldfrieden, curated by Tony Cragg. Thank you to all the team at Skulpturenpark Waldfrieden and to our team at the Anthony Caro Centre for making this happen. And thank you to everyone who visited! @skulpturenparkwaldfrieden #anthonycaro #skulpturenparkwaldfrieden #abstractsculpture #caro #centenary #wuppertal #skulpturenpark #abstractart #britishart #tonycragg #britishartist #contemporaryart #sculptures
This is the last week to see ‘Anthony Caro: Sculptures’ at Skulpturenpark Waldfrieden, which ends on 14 July 2024!To mark the centenary of Caro’s birth, Skulpturenpark Waldfrieden presents an extensive selection of major works that show the breadth and innovation of his artistic career. The exhibition is curated by Tony Cragg and features eleven large sculptures from Caro’s various creative phases.Anthony Caro: Sculptures, Skulpturenpark Waldfreiden, Hirchstraße 12, 42285 Wuppertal, GermanyUntil 14 July 2024Park Avenue Series: Morning Shadows, steel, rushed and varnished, 236 x 630 x 197 cm, 2011-2012Whispering, steel and wood, painted brown, 297 x 155 x 89 cm, 1969Up A Note, steel and jarrah wood, rusted, 242 x 200 x 134 cm, 2008-2009📷:Michael Richter#anthonycaro #caro #britishartist #britishsculpture #britishart #abstractart #abstractsculpture #skulpturenparkwaldfrieden #tonycragg #centenaryexhibition #parkavenue #whispering #upanoteThis is the last week to see ‘Anthony Caro: Sculptures’ at Skulpturenpark Waldfrieden, which ends on 14 July 2024!To mark the centenary of Caro’s birth, Skulpturenpark Waldfrieden presents an extensive selection of major works that show the breadth and innovation of his artistic career. The exhibition is curated by Tony Cragg and features eleven large sculptures from Caro’s various creative phases.Anthony Caro: Sculptures, Skulpturenpark Waldfreiden, Hirchstraße 12, 42285 Wuppertal, GermanyUntil 14 July 2024Park Avenue Series: Morning Shadows, steel, rushed and varnished, 236 x 630 x 197 cm, 2011-2012Whispering, steel and wood, painted brown, 297 x 155 x 89 cm, 1969Up A Note, steel and jarrah wood, rusted, 242 x 200 x 134 cm, 2008-2009📷:Michael Richter#anthonycaro #caro #britishartist #britishsculpture #britishart #abstractart #abstractsculpture #skulpturenparkwaldfrieden #tonycragg #centenaryexhibition #parkavenue #whispering #upanote
Sheila Girling (1924-2015) was born on this day 100 years ago!To mark Sheila’s extraordinary life and artistic career, the largest UK retrospective of her work will open from 20 July to 1 September at Space to Breathe, Bowhouse, Fife.@spacetobreatheexpo Sheila Girling shared what she described as a “64-year conversation about art” with her husband British sculptor Anthony Caro Happy 100th Birthday Sheila! #sheilagirling #centenary #britishart #britishartist #abstractart #anthonycaro #abstractartist #womenartist #spacetobreathe #bowhousefife #collage #acryliconcanvas #collageSheila Girling (1924-2015) was born on this day 100 years ago!To mark Sheila’s extraordinary life and artistic career, the largest UK retrospective of her work will open from 20 July to 1 September at Space to Breathe, Bowhouse, Fife.@spacetobreatheexpo Sheila Girling shared what she described as a “64-year conversation about art” with her husband British sculptor Anthony Caro Happy 100th Birthday Sheila! #sheilagirling #centenary #britishart #britishartist #abstractart #anthonycaro #abstractartist #womenartist #spacetobreathe #bowhousefife #collage #acryliconcanvas #collage
Last few days to see Anthony Caro at Nevill Holt! On display until 26th June as part of Nevill Holt Festival 2024 @nevillholtfestival Box Tent, 1987-89, Stainless steel, 221 x 151.5 x 130 cmPurling, 1969, Steel, painted orange, 90 x 326 x 315 cmThe Hunt, 1966, Steel, painted blue, 300 x 126 x 229 cm #anthonycaro #caro #nevillholt #abstractart #abstractsculpture #contemporaryart #centenary #outdoorsculpture #currentexhibitionLast few days to see Anthony Caro at Nevill Holt! On display until 26th June as part of Nevill Holt Festival 2024 @nevillholtfestival Box Tent, 1987-89, Stainless steel, 221 x 151.5 x 130 cmPurling, 1969, Steel, painted orange, 90 x 326 x 315 cmThe Hunt, 1966, Steel, painted blue, 300 x 126 x 229 cm #anthonycaro #caro #nevillholt #abstractart #abstractsculpture #contemporaryart #centenary #outdoorsculpture #currentexhibition
On now at Nevill Holt Festival 2024 an exhibition of sculptures by Anthony Caro as part of our centenary celebrations!Nevill Holt Festival @nevillholtfestival Saturday 1st June - Wednesday 26th June,Market Harborough, LE16 8EGErl King, 2008-2009, steel rusted and varnished, 251 x 262 x 171 cm #anthonycaro #caro #erlking #nevillholtfestival #britishartist #art #abstractart #nevillholt #contemporaryart #abstractsculpture #centenary #currentexhibitionOn now at Nevill Holt Festival 2024 an exhibition of sculptures by Anthony Caro as part of our centenary celebrations!Nevill Holt Festival @nevillholtfestival Saturday 1st June - Wednesday 26th June,Market Harborough, LE16 8EGErl King, 2008-2009, steel rusted and varnished, 251 x 262 x 171 cm #anthonycaro #caro #erlking #nevillholtfestival #britishartist #art #abstractart #nevillholt #contemporaryart #abstractsculpture #centenary #currentexhibition
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