Naomi Long Madgett is 91 years old, but she continues to shape Detroit poetry. Author of 10 books of poetry and a professor emerita of Eastern Michigan University's English Langage and Literature department, Madgett's awards are too many to list: highlights include poet laureate of Detroit in 2001, theKresge Eminant Artist award in 2012, and a number of honorary doctorates. On March 31, Madgett gave a reading at the Detroit Public Library, drawing fromConnected Islands: New and Selected Poems. The poems moved from the narrative to the lyric, from the biographical to the homage. One sequence was a mourning and memorial to a murdered friend. As Madgett writes in another poem, “City Nights,” “There is nothing you can tell me / about the city / I do not know.”
The reading on March 31 included an historic announcement: that Madgett's Lotus Press would be merging with Broadside Press, another foundational Detroit literary institution, forming the newBroadside Lotus Press. Madgett founded Lotus Press in 1972 when she struggled to find a publisher for her fourth book of poems. She soon realized that there was still a need for presses that promoted African-American writers. Lotus has been in operation continuously since it was founded (Sue Levytsky offers a brief history of Lotus Press in theKresge Foundation's monograph on Madgett, which I draw from here). Madgett told the audience at the Detroit Public Library on March 31 that she recognized the need to pass the press on to other hands, which led to the new merger.
Like Lotus, Broadside Press has been an American institution since it was founded in 1965 by the poet Dudley Randall (who passed away in 2000). According to Gloria House, in a brief retrospective on Randall and Broadside (availablehere), Randall turned to the single-poem broadside format after a visit to the Soviet Union, another transnational link in Detroit's history of connecting poetic form to radical politics. Broadside'slist of authors is impressive: Gwendolyn Brooks, Amiri Baraka (at the time LeRoi Jones), Langston Hughes, Jean Toomer, Melvin Tolson, Nikki Giovanni, and many others. A number of university archives house Broadside material, including theUniversity of Detroit, Mercy,UMass, Amherst, andCentral Michigan University. Fortunately, funding was recently awarded by the Knight Foundation to convert every Broadside publication into a digital form for widespread distribution. The future of Broadside Lotus Press will thus include greater access to its past, a history essential for understanding poetry in Detroit.
DETROIT POETRIES: FIELD NOTES: As a new resident of the Detroit metro area, I am using this commentary series as an opportunity to explore the poetry communities that I encounter in my travels around the city. Where does poetry live in Detroit? What is its space — physical, imagined, relational, political, historical, institutional, aesthetic? Who are its neighbors? Taking these most general questions as a starting point, my method will be necessarily provisional and exploratory, a word of mouth journey through unfamiliar streets. Like any stranger, I will often stop and ask for directions. This series will inevitably be a record of hospitality.
Paul Jaussen has published articles on poetry and poetics inNew Literary History,Contemporary Literature,Journal of Modern Literature,William Carlos Williams Review, andJacket2. He is currently completing a book manuscript on emergence and the long poem. A graduate of the University of Washington, he teaches atLawrence Technological University in Southfield, MI, a suburb of Detroit. Follow him and send him suggestions at@pauljaussen.
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Jacket2Commentaries feature invited posts by poets and scholars who take a close, serial look at poetry scenes, archives, poetic concerns, or theoretical clusters. Commentaries, although curated, are not edited by Jacket2 staff. We welcome your comments. Send queries and notes to Commentaries Editor Jessica Lowenthal orcontact us at this page.