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Located at 210 m above sea level, the municipality was born on a flat territory, on the left of the Morla canal.[4] The first official document citing Zanica asVetianica dates back to 774.[5] Now Zanica is an industrial and agricultural town, with some valuable buildings.[4]
The municipality is also considered the home land of Gioppino, the most famous mask in the province ofBergamo.[4]
Zanica is located in a flat territory. The extension of the municipality is 14.66 km2; around 10 km2 of them are used for agricultural or pasture reasons.[6] The average altitude of Zanica is 210 m.[7]
Zanica is crossed by the riversMorla andSerio.[8] The latter had a significant role in the agricultural development of the municipality: indeed, water canalization made many lands fertil. In particular, this process was carried out by the Romans, who realized a great reclamation work, which determined an increase in the number of fertile areas in the most gravelly territories situated in the East of Zanica.[6][9]
TheCenomani were the first population who occupied the territory of Zanica, followed by theCelts and theEtruscan. This historical reconstruction is confirmed by several relics, artifacts and graves, found in the municipality.[9]
In 196 a.C. the Romans were peacefully ruling over Zanica and their presence is still evident nowadays. Lands disposal and rivers direction remind the so-calledcenturie romane, i.e. the division of the lands in squares pieces. Furthermore, the Cremasca road dates back to the Roman ages and it is still used to reachBergamo and other towns in the South of the province.[9]
Barbarian invasions, together with food shortages and plagues, put an end to the previous period of peace and development. Then, theOstrogoths and theLombards occupied Zanica. At that time, the first official document mentioningVetianica, the original name of the municipality, was written. It was Taidone's testament (774) which cited St Ambrose Church, located in Zanica.[10]
Between the XII and the XIII centuries, a new channel of the river Serio was constructed. The so-calledSeriola Nuova allowed the water transportation fromBergamo to the lands of Zanica,Levate andVerdello, two other municipalities nearby.[10]
The fight betweenGuelphs and Ghibellines was converted in the conflict between two families: Colleoni and Suardi. Fighters destroyed some of Suardi's properties in the area of Zanica. WhenBergamo was underVenice control (1428), Zanica was part of thequadra di mezza, the most populous of the various Venecian territorial division. The dominion of Venice was characterized by tension and struggles, above all for the fear of Visconti invasion.[10]
Besides theLansquenets invasion, starting from the 16th century, the French, the Austrians and the Spanish took, in turn, the control ofBergamo province. When the Venetians regained possession of the territory, a long period of peace and progress followed, except for the plague of 1630. In Zanica, the priest Cristoforo Capodiferro sacrificed his life to take care of sick people. The Venetians were pushed out in 1797 when theRepublic of Bergamo was proclaimed, but it was short-lived.[10]
At the beginning of the new century,Lombardy andVeneto were under the harsh Austrian rule, which, however, created the municipal schools in every town in the province ofBergamo. In 1859 the liberation from the Austrians was completed and the streets of Zanica saw the passage of the major Gabriele Camozzi. The political stability achieved was accompanied by the industrial development, which resulted in the creation ofCassa Rurale ed Artigiana di Zanica (1895).[10]
Nowadays Zanica is characterized by the presence of small and medium-sized enterprises, in addition to the agricultural sector.[8]
The symbols of Zanica are the coat of arms and the Gonfalon, granted with D.P.R. May 17, 1989.[7]
The blason for the coat of arms is the following:
Party: in the first one in red to the silver tower, walled in black, crenellated in the Guelph style of five, closed in black with a pointed door, this tower founded on the green countryside; in the second of blue, at the natural badger, still on the countryside banded with gold and red, accompanied on the head by the left horizontal sun, gold, equipped with two waving rays and one rays and two acute half-rays. Exterior ornaments from the Municipality.
The first document attestin the existence of the Church dedicated toSt Nicholas dates back to the 13th century.[11] Recognized as a parish church from 1520, the church looks like a typical eighteenth-century architecture.[10] Built on a project by the architectGiovan Battista Caniana,[4] in 1742 it was opened to the public.[10] The analysis of the architectural changes is difficult.[12] At the end of the nineteenth century the church was expanded: indeed, two aisles were added.[10][13]
The facade is noteworthy: "articulated in two superimposed orders, divided by a mighty cornice and enriched by the presence of numerous stone statues, created in 1738-39 by the sculptor Antonio Maria Pirovano".[12] On one of the sides of the bell tower, the date 1533 was once engraved; however, nowadays it's no longer visible due to the deterioration of the slab. The interior is divided into three naves.[12]
In the parish church there are paintings realized byPalma il Giovane,Sante Peranda, Jacopino De' Scipioni[14] and Francesco Cavagna, the polyptych from the Marinoni's workshop and a wooden choir by Giuseppe Caniana.[15] The presence of a seventeenth century Nativity, made byGerard Van Honthorst, is also relevant.[16]
Chapel of Beata Vergine dei Campi
Zanica Madonna dei campi facciata
Better known as Madonna dei Campi, it can be admired in its sixteenth-century configuration.[17] Inside there are Renaissance frescoes by Lucano da Imola.[10]
San Joseph Church
Located in the Capannelle hamlet,[16] it presents a concert of five bells.[18]
Church dedicated to the Divine Maternity of Mary
Characterized by the presence of marble and noteworthy for its architecture, it's located in Padergnone.[16]
The villa was built as the country house for the Milanese family of Spasciani in the early twentieth century. The villa is entirely surrounded by greenery: it has, in fact, eleven thousand square meters of park. The architectural style of the building is mixed, although the prevalence is theLiberty style. After years of great splendor, as the residence of exponents of high society, the villa went through a period of decline. Thanks to the decision to set some scenes of the Italian filmCuori Solitari in the villa, in 1969 it was recovered. The following year it was purchased, at a price of 32 million, by the municipality and became its headquarters.[13]
Tasso's Villa
Built at the wish of Domenico Tasso in 1522, the building houses some frescoes depicting scenes from the poemJerusalem Delivered, as evidence ofTorquato Tasso's stay. The poet found shelter there after being freed from the prison ofFerrara in 1587. It was thanks to the peace of the Villa that Torquato Tasso was able to complete the finishing work onIl Torrismondo. The Villa then passed into the hands of the Varese counts of Rosate and subsequently to the Handmaids of Charity. The building is surrounded by greenery, while Baroque-style paintings and other art pieces by Palma stands out. Now it is the seat of the Zanica kindergarten.[10]
Bono Palace
A seventeenth-century building, it is still in excellent condition and contains frescoes from the eighteenth century.[10][13] It is located in the center of Zanica and is the seat of the oratory.[19]
Padergnone Castle
Constructed during the sixteenth century, the castle has a strong symbolic value for Zanica, as the crenellated tower of the castle is represented in the coat of arms of the municipality,[10] now it's privately owned.[20]
Padergnone Villa
Padergnone Villa
The villa, dating back to the seventeenth century, is characterized by the presence of a large garden, grotesque statues, typical of the end of the '700, frescoes and a large clock.[10] The site is also the subject of several legendary stories connected with the existence of some underground walkways that led up toCavernago and Malpaga and which are the home of spirits and ghosts. Furthermore, the villa, when it was the holiday house of Cardinal Sonzogni, hostedGaetano Donizetti, who remembered the stay as an authentic moment of regeneration.[13] Now it's privately owned.[21]
Zanica is located on the left bank of the Morla canal.[16] Since the 1990s, the municipalities of Zanica, Comun Nuovo and Levate and their respective citizens have promoted the creation of the Rio Morla and canals agricultural park, which is officially recognized by the Province in 2004. The park was created with three specific objectives: knowledge of the natural areas of the territory, promote its use and support agriculture.[22] Zanica is included in the PLIS which aims to protect both the course of the Morla river and the canals that make up the intricate irrigation system of the countryside, and the rural environments present.
Parco del Serio
The river Morla in Zanica
Zanica is one of the municipalities included in the Serio River Park area.[23] The municipality is part of the so-called Community of the Park, whose objectives include: the management and protection of the same and the promotion ofsustainable tourism through the creation of pedestrian and cycle paths within the park.[8]
The highway 591 Cremasca (SS 591) connects Zanica withBergamo,Piacenza andCrema; whereas the provincial road (SP 120) is the main axis connecting Zanica with the east and the west of the area.[24]
Urban transport is managed by SAB and includes one bus line which connects Zanica withBergamo,Azzano San Paolo and other towns located south of Zanica.[25]
^abcdefghijklmColombo, Gianmario; Milesi, Silvana (1984).Un paese per viverci. Corponove Editrice.
^Di Gennaro, Alessandra. (2004).Zanica : arte e storia nella parrocchiale : XVI-XVII secolo. Bergamo: Corponove. p. 15.ISBN88-87831-38-6.OCLC60188679.
^abcDi Gennaro, Alessandra. (2004).Zanica : arte e storia nella parrocchiale : XVI-XVII secolo. Bergamo: Corponove. p. 16.ISBN88-87831-38-6.OCLC60188679.
^abcdRavanelli, Renato; Gavazzi, Giorgio (1983).La bergamasca in pianura. Grafica e Arte Bergamo. p. 383.
^Di Gennaro, Alessandra. (2004).Zanica : arte e storia nella parrocchiale : XVI-XVII secolo. Bergamo: Corponove. p. 117.ISBN88-87831-38-6.OCLC60188679.