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| Yves Rodier | |
|---|---|
| Born | (1967-06-05)June 5, 1967 (age 58) |
| Nationality | French-Canadian |
| Area | Cartoonist |
Notable works | Pastiches of The Adventures of Tintin Pignouf et Hamlet |
| https://www.webcitation.org/5knwNr5nJ?url=http://www.geocities.com/yves_rodier | |
Yves Rodier (born June 5, 1967) is a Québécoiscomic strip creator known for his manypastiches ofThe Adventures of Tintin.[1]
Rodier always loved comics, but first set out to become a musician or cinematographer. He soon returned to comics. He started out by imitating the work of his favorite author,Hergé, creatingpastiches ofThe Adventures of Tintin. These copies were illegal and did not earn him much money, although they allowed him to meet many other cartoonists, such asBob de Moor,Jacques Martin andMichel "Greg" Regnier. In 1995, he met Daniel and Richard Houde and in their magazinePignouf, he started his comic seriesPignouf et Hamlet, about a boy and his pig. The magazine only lasted for five issues, though the series continued.
Rodier always had a passion forThe Adventures of Tintin by Hergé and so he embarked on writing someTintin stories of his own. AsTintinpastiches, they imitated the style of Hergé. They are illegal, as they breach theTintin copyright owned by theHergé Foundation (Moulinsart), but some have been published, and they are all found circulating on the Internet. Today he is one of the largest (unofficial) Tintin draughtsmen, along with Harry Edwood.
The unfinished Tintin bookTintin and Alph-Art was unofficially completed by Rodier in black-and-white. Several groups have coloured it, such as 'Alph-junis', and have translated it into English. It was published in Autumn 1986 and then presented to Moulinsart. Rodier asked that it become an official book but Moulinsart refused. In September 1991, Rodier metBob de Moor, and together they asked for permission to re-draw the book. Moulinsart still disagreed and De Moor died in 1992. Rodier later re-drew certain parts of it to make them more akin to the style of Hergé. It was only released on CD-ROM, as opposed to being printed like the other edition.
Hergé once suggested that a good idea for his next Tintin story would be to set it in an airport. However, he chose to set it in the art world instead and partially producedTintin and Alph-art. Rodier started out a new book calledA Day at the Airport though it was abandoned, with the first page leaking onto the web. The plot involves a character from the Tintin stories,General Alcazar, being shot, apparently byDr. Müller, a villain from the Tintin series.
Rodier also did an extra page for Hergé'sTintin in Tibet which Hergé deleted from his comic.
The origin of the story lies in a scenario for a drawing contest in theJournal de Spirou number 1027, from December 19, 1957.Twenty years later, Yves Rodier used the story for another drawing contest, converted it as a Tintin plot and drew 6 half-pages of a story that takes place right before "Tintin and The soviets". Those pages explains how Tintin gets the job as a reporter. For the story Rodier didn't win the contest as he was disqualified for using already existing characters.
This seven-page story was entirely thought up by Rodier and is sometimes calledThe Sorcerers Lake. It is about a monster in the local lake and is set beforeTintin in Tibet. Rodier drew them (with interruptions) from 1996 to 2003.
Yves Rodier's version ofLe Thermozéro is an inking from page 4 of sketches made from Hergé.
Unfinished story intended as a continuation ofTintin au Tibet.
For the publication of the Tintin animated film 2011, Rodier and Philippe Antoine drew a two-page short story for the magazine Safair, in which Steven Spielberg, the director of the film himself, has a short appearance.
In January 2020, it was announced that Rodier was working on a new pastiche with Tintin. The drawings are similar to Hergé's style in "Tintin in America".
In 2003, Rodier drew some drawings for an adventure with the young Capitaine Haddock as the main character. There is now a cover and some designs, including half a page.
The stories of a boy and his pig. Neither have been translated into English. They were published by David.
This series is published byFrançois Corteggiani.
While in his version ofTintin and Alph-Art some panels were simply copied from Hergé's albums (especially from "Coke en Stock"), Rodier, encouraged byBob de Moor, tried to make his own drawings. In his series Simon Nian, Rodier uses the style of the illustratorMaurice Tillieux.
Yves Rodier recounted his first meeting with Bob de Moor in an interview in 2014: "... Bob and me met at the 'Festival BD' in Brossard, near Montréal, in September 1991. We had already corresponded a few times before, regarding my version of "Alph-Art" which I was drawing at the time. More specifically, I had asked him a few technical precisions, the type of pens that he used, etc..." De Moor was enthusiastic about Rodier's drawings (he calledAlph-Art "utopian"). Rodier had a good relationship with De Moor, until his death in August 1992.
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