AYouTube Poop (abbreviated as aYTP) is a type ofvideo mashup orcollage film, created by remixing/editing pre-existing media sources. YTPs originated around 2004.
YouTube Poops often incorporateinternet memes,slang, andpopular music, carryingsubcultural significance into a new video for humorous, nonsensical, random, vulgar, satirical, obscene, absurd, profane, annoying, confusing, or dramatic purposes.[1]
YouTube Poop is a subset ofremix culture,[2] in which existing ideas and media are modified and reinterpreted to create new art and media in various contexts.[3] Forms of remix culture have existed long before the internet, with DigitalTrends's Luke Dormehl listing thecut-up technique ofWilliam Burroughs andsampling inhip-hop as examples.[4] Dormehl also says that "aesthetically", YouTube Poop is similar to the "frenetic editing style" ofMTV in the 1980s, which featured "fast, non-linear cuts" that focused less on character or plot than on evoking a feeling.[4]
YouTube Poop also draws on elements from thevidding scene,[5] in which fans of a piece of media would create music videos using footage from the work.[6] Observers have also proposed influences from a more modern, internet-based practice similar to vidding, theanime music video (AMV) – particularly from more comedic variations of the AMV.[7]
The genre began in the early 2000s.[8] The first video to be regarded as a YouTube Poop is named "The Adventures of Super Mario Bros. 3 REMIXED!!!" (which has been renamed to "I'D SAY HE'S HOT ON OUR TAIL") by the creator SuperYoshi, uploaded on December 22, 2004, preceding the creation of YouTube by a few months.[4] It remixes clips from the 1990 animated television seriesThe Adventures of Super Mario Bros. 3 as a primary source,[4] using the video editing softwareWindows Movie Maker.[9] Media scholar Randall Halle suggests that the name "poop" as used to refer to videos like SuperYoshi's referred to the purported low quality of these early works.[9]
Throughout the mid-to-late 2000s, YouTube Poops were one of the most popular types of video on YouTube.[10] YouTuber EmpLemon describes this era as being characterized by popular recurring memes and in-jokes in the community.[4] According to Halle, the 2010 video "jonathan swift returns from the dead to eat a cheese sandwich" has been cited as "a work that moved YTP towards artistry", with heavy use of video in video editing and other methods of distortion.[9]
The YouTube Poop genre declined in popularity during the late 2010s.[8]eMarketer principal analyst Nicole Perrin speculated that the reason why the genre had "fallen to the wayside" was as part of a larger YouTube "shift to glossier, more corporate-friendly content."[11]
Luke Dormehl wrote in 2019 in relation to this loss of mainstream popularity that "as with every other corner of the internet", YTP had undergone fragmentization from a large single community with a shared set of sources into a series of sub-communities, each with their own preferred source material. However, this has also allowed each individual sub-community to develop its own set of convoluted "references-within-references" even further.[4] Additionally, YTP has followed the general YouTube trend of increasing professionalization and editing, with more sophisticated and larger amounts ofspecial effects and elaborate writing.[4][12]
YTP has had a significant influence on memes and Internet culture.[4] Many stylistic traits of YTP have entered the editing vocabulary of mainstream YouTubers, such as rapid editing, sound effects, and sudden drastic changes in volume for comedic effect.[12] Many mainstream YouTubers even hire YTP editors to edit their normal videos.[12]
Some videos may involve completely or partially repurposing sources to create or convey an often self-aware story, while others follow anon-linear narrative, and some may contain no storyline at all, instead regarded among the lines ofsurreal humor and artistic experimentation.[5] To this degree, a YouTube Poop may even consist solely of an existing video, sometimes modified, repeated in a slowed or remixed loop.[13] Associate professor ofcultural anthropology atKansas State University,Michael Wesch, has defined YouTube Poops as "absurdist remixes that ape and mock the lowest technical and aesthetic standards ofremix culture to comment on remix culture itself".[14]
YTP can often be derivative in the sense that the work of one creator (or, within the community,pooper) is sometimes used as the underlying work for another video; this can be recirculated and lead to the creation of "YTP tennis" videos, named for how they exist in rounds where the original video accumulates edits and alterations.Lawrence Lessig, Professor of Law atHarvard Law School, compared this aspect to a form ofcall and response, here seen as being prominent withinremix culture.[15]
A YTP "collab", or collaboration, is a common practice, and involves various creators joining to produce a single, sometimes very long, video.[9]
A subgenre of YouTube Poops is YouTube Poop music video (YTPMV), which involves clips from different forms of media remixed in a musical form, often in a fast-paced and editing-intensive manner.[7] Japanese online communities formed a type of YTPMV popular onNiconico calledotoMADs [ja] (音MAD); these videos often use Niconico or Japanese pop culture references.[16]
While essentially any audiovisual media is "fair game" for source material,[11] some of the most common sources of YouTube Poops includemovies,television shows,anime,cartoons,commercials, or other YouTube videos.[17]Among the most popular sources are 1990s cartoons, particularly critically disregarded ones such asSuper Mario World andAdventures of Sonic the Hedgehog.[18][10] The work of children's poetMichael Rosen has also been used.[19] These diverse media sources, from different time periods and styles, are often combined in YTPs.[20]
Thecutscenes from Nintendo games released on thePhilips CD-i—most notablyHotel Mario,Link: The Faces of Evil and Zelda: The Wand of Gamelon, which received mixed reception at the time of their release but have been retrospectively criticized for low-quality animation, voice acting, and scripts—are also frequently used, and have achieved more widespread notoriety as a result.[5]
A typical YouTube Poop uses visual and auditory effects to alter theunderlying work, as well as rearrangement of individual clips.[5] The edits are often "abrupt and jarring", with lots of quickcuts and time stretching leading to an "often-frenetic" pace.[17] Ruth Alexandra Moran interprets the style as producing "aesthetics of malfunction".[21]
The most common type of rearrangement is "sentence-mixing", a form of editing in which dialogue is rearranged or chopped up to form new, often humorous or vulgar dialogue.[4][8] One famous sentence-mix from the YouTube Poop "Robotnik Has a Viagra Overdose" by creator Stegblob takes a scene from an episode ofAdventures of Sonic the Hedgehog titled "Bogey-Mania" in whichDoctor Robotnik accuses his henchmen of "snooping as usual" and cuts out everything but the second and thirdsyllable to leave only the nonsensical word "pingas", which was construed to resemble the word "penis". Over the years, "Pingas" has since become one of the biggest memes related to theSonic the Hedgehog franchise in general and has been referenced in both theArchie comic and theSonic Boom television series.[10] In an interview,Sonic the Hedgehog co-starJames Marsden was asked a question about the word, in which he erroneously guessed that it was Doctor Robotnik's original catchphrase.[22]
Some techniques are more abrasive, like the "stutter loop", in which a short clip of video is repeated over and over.[4][8] An abrasive auditory trope is the sudden extreme increase in volume to shock the viewer, known as "ear-rape" or "earrape".[8][10][12]
As YouTube Poop is a medium built on repurposing copyrighted media, it has been particularly vulnerable to copyright law.[4] YouTube Poops have often been subject to copyright claims on YouTube.[8] Political scientist and author Trajce Cvetkovski noted in 2013 that, despiteViacom filing acopyright infringementlawsuit against YouTube in 2007 explicitly concerning YouTube Poops, in particularThe Sky Had a Weegee by Hurricoaster, which features scenes from the animated seriesSpongeBob SquarePants episode "Shanghaied", it and many others have remained on YouTube.[23]
Copyright law in theUnited Kingdom allows people to use copyrighted material for the purposes ofparody,pastiche, andcaricature without being seen as infringing on the copyright of the material.[24] Copyright owners are only able to sue the parodist if the work is perceived as communicating hateful or discriminative messages, and modifying the intended purpose of the copyright owner's material. If the case is then taken to court, judges are advised in jurisdictional terms to decide whether the video meets these criteria.[25]
Vista la tipologia dei montaggi, possiamo ipotizzare che questo genere di video dalla comicità caotica e nonsense abbia avuto una grossa influenza sulle cosiddette YouTube Poop (abbreviate in YTP), create proprio in quel periodo. Pochi anni dopo nacquero le YTPMV, video comici con remix di musiche e scene di film, anime, videogiochi o talk-show, spesso fatti con un ottimo livello di editing e con un ritmo frenetico.