| Yale Center for British Art | |
|---|---|
.jpg) The Yale Center for British Art at Yale University (2024) | |
 Interactive fullscreen map | |
| General information | |
| Type | Art museum, Rare BookLibrary,Institute,Art center[1] |
| Architectural style | Modern |
| Location | 1080 Chapel Street,New Haven,Connecticut |
| Coordinates | 41°18′28.469″N72°55′51.262″W / 41.30790806°N 72.93090611°W /41.30790806; -72.93090611 |
| Completed | 1974 |
| Technical details | |
| Structural system | Concrete frame |
| Design and construction | |
| Architect | Louis Kahn |
| Other information | |
| Public transit access |   237, 238, 241, 243, 246, 254, 255 |
| Website | |
| britishart.yale.edu | |
TheYale Center for British Art atYale University in centralNew Haven, Connecticut, houses the largest and most comprehensive collection ofBritish art outside theUnited Kingdom.[2] The collection of paintings, sculpture, drawings, prints, rare books, and manuscripts reflects the development of British art and culture from theElizabethan period onward. Its director is currently Martina Droth.[3]
The center was established by a gift fromPaul Mellon (Yale College Class of 1929) of his British art collection toYale in 1966, together with an endowment for operations of the center, and funds for a building to house the artworks. The building was designed byLouis I. Kahn and constructed at the corner of York and Chapel Streets in New Haven, across the street from one of Kahn's earliest buildings,[4] theYale University Art Gallery, built in 1953.
The Yale Center for British Art was completed after Kahn's death in 1974, and opened to the public on April 15, 1977. The exterior is made of matte steel and reflective glass; the interior is made oftravertine marble, white oak, and Belgian linen. Kahn succeeded in creating intimate galleries where one can view objects in diffused natural light. He wanted to allow in as much daylight as possible, with artificial illumination used only on dark days or in the evening. The building's design, materials, and sky-lit rooms combine to provide an environment for the works of art that is simple and dignified.[5]
The center is affiliated with thePaul Mellon Centre for Studies in British Art inLondon, which awards grants and fellowships, publishes academic titles, and sponsors Yale's first credit-granting undergraduate study abroad program, Yale-in-London.[6]
The collection consists of nearly 2,000 paintings and 200 sculptures, with an emphasis on the period betweenWilliam Hogarth's birth (1697) toJ. M. W. Turner's death (1851). Other artists represented includeThomas Gainsborough,George Stubbs,Joseph Wright,John Constable,Joshua Reynolds,Thomas Lawrence,Francis Danby,Robert Polhill Bevan,Stanley Spencer,Barbara Hepworth, andBen Nicholson.
The collection also has works by artists from Europe and North America who lived and worked in Britain. These includeHans Holbein,Peter Paul Rubens,Anthony van Dyck,Canaletto,Johann Zoffany,John Singleton Copley,Benjamin West, andJames McNeill Whistler.
Some areas of emphasis of the collection are small groupportraits, known as "conversation pieces", including those by Hogarth, Gainsborough,Johan Zoffany andArthur Devis; landscape paintings by Gainsborough, Richard Wilson, Constable,Richard Parkes Bonington and Turner; and British sporting and animal paintings, featuringGeorge Stubbs,John Wootton,Benjamin Marshall, andAlfred Munnings. Other genres include marine paintings, represented by Samuel Scott and Charles Brooking; London cityscapes; travel art from India, scenes ofShakespearean plays, and portraits of actors.
Sculptors represented includeLouis-Francois Roubiliac,Joseph Nollekens,Francis Chantrey,Jacob Epstein, andHenry Moore.
The collection of 20,000 drawings and watercolors and 31,000 prints features British sporting art and figure drawings. It includes works by Hogarth,Paul Sandby, Thomas Rowlandson,William Blake, John Constable,Samuel Palmer, Richard Parkes Bonington,John Ruskin, J. M. W. Turner,Walter Sickert,Duncan Grant,Paul Nash,Edward Burra,Stanley Spencer,Augustus John,Gwen John, and thePre-Raphaelites.
The center's collection of rare books and manuscripts comprises 35,000 volumes, including maps, atlases, sporting books, and archival material of British artists. It also has some 1,300 leaves originating in illustratedincunabula. The collection also includes a complete set of William Morris's Kelmscott Press publications as well as a growing collection of contemporary artists' books. The core of the collection of illustrated books is the material amassed by Major J. R. Abbey‚ one of the first collectors of British color-plate books, and includes more than 2‚000 volumes describing British life‚ customs‚ scenery‚ and travel during the period 1770–1860. The center's collection also contains a significant number of early maps and atlases.
The four-floor center offers a year-round schedule of exhibitions and educational programs, including films, concerts, lectures, tours, symposia, and family programs. It also provides numerous opportunities for scholarly research, including residential fellowships. Academic resources of the center include the reference library (40,000 volumes) and photo archive, conservation laboratories, and a study room for examining works on paper from the collection.
The center is open to the public free of charge six days a week, and is a member of theNorth American Reciprocal Museums program.
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