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Xōchipilli

From Wikipedia, the free encyclopedia
Aztec god
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Xochipilli
God of Beauty, Youth, Love, Sexuality, Fertility, Arts, and Flowers
Xochipilli as depicted in theBorgia Codex
Other namesMacuilxōchitl, Chicōmexōchitl
AbodeTamoanchan (Codex Ríos)[1]
GenderMale
RegionMesoamerica
Ethnic groupAztec,Tlaxcaltec,Toltec (Nahua)
FestivalsTlaxochimaco, Miccailhuitontli
Genealogy
ParentsXōchitlīcuē (Codex Ramírez)[2]
SiblingsXōchiquetzal
ConsortNone

Xōchipilli[ʃoːt͡ʃiˈpilːi] is the god of beauty, youth, love, passion, sex, sexuality, fertility, arts, song, music, dance, painting, writing, games, playfulness, nature, vegetation and flowers inAztec mythology. His name contains theNahuatl wordsxōchitl ("flower") andpilli (either "prince" or "child") and hence means "flower prince".

Associations

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As the patron of writing and painting, he was calledChicomexōchitl the "Seven-flower", but he could also be referred to asMacuilxōchitl "Five-flower". He was the patron of the gamepatolli. He is frequently paired withXochiquetzal, who is seen as his female counterpart.[3]Xōchipilli has also been interpreted as the patron of both psychedelie and nature, a role possibly resulting from his being absorbed from theToltec civilization.[4][5][6][7]

He, among other gods, is depicted wearing a talisman known as anoyohualli, which was a teardrop-shaped pendant crafted out of mother-of-pearl.[8]

Xochipilli statue

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Xochiquetzal, left, and Xochipilli.Codex Fejérváry-Mayer
Statue of Xochipilli (From theNational Museum of Anthropology, Mexico City)

In the mid-19th century, a 16th-century[citation needed] Aztec statue of Xochipilli was unearthed on the side of the volcanoPopocatépetl nearTlalmanalco. The statue is of a single figure seated upon a temple-like base. Both the statue and the base upon which it sits are covered in carvings of sacred andpsychoactive organisms including mushrooms (Psilocybe aztecorum),tobacco (Nicotiana tabacum),Ololiúqui (Turbina corymbosa),sinicuichi (Heimia salicifolia), possiblycacahuaxochitl (Quararibea funebris), and one unidentified flower.

Laurette Séjourné has written: "The texts always use the flower in an entirely spiritual sense, and the aim of the religious colleges was to cause the flower of the body to bloom: This flower can be no other than the soul. The association of the flower with the sun is also evident. One of the hieroglyphs for the sun is a four-petalled flower, and the feasts of the ninth month, dedicated toHuitzilopochtli, were entirely given over to flower offerings."[9]

The figure himself sits on the base, head tilted up, eyes open, jaw tensed, with his mouth half open and his arms opened to the heavens. The statue is currently housed in the Aztec hall of theMuseo Nacional de Antropología inMexico City.[citation needed]

Entheogen connection

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Xochipilli, Aztec terracotta
Lombards Museum

It has been suggested byWasson,[10][11]Schultes,[full citation needed] andHofmann[full citation needed] that the statue of Xochipilli represents a figure in the throes ofentheogenic ecstasy. The position and expression of the body, in combination with the very clear representations ofhallucinogenicplants which are known to have been used in sacred contexts by the Aztec support this interpretation. The statue appears to have hugely dilated pupils, suggesting an effect of hallucinogenic mushrooms.

Wasson says that in the statue's depiction Xochipilli "is absorbed bytemicxoch, 'dream flowers', as the Nahua say describing the awesome experience that follows the ingestion of an entheogen. I can think of nothing like it in the long and rich history of European art: Xochipilli absorbed intemicxoch".[10]

See also

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References

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  1. ^Cecilio A. Robelo (1905).Diccionario de Mitología Nahoa (in Spanish). Editorial Porrúa. p. 808.ISBN 970-07-3149-9.{{cite book}}:ISBN / Date incompatibility (help)
  2. ^Susan D. Gillespie (1989).Los Reyes Aztecas: La Construcción del Gobierno en la Historia Mexica (in Spanish). Siglo XXI Editores.ISBN 968-23-1874-2.
  3. ^Thompson, J. Eric (1932). "The Humming Bird and the Flower".The Maya Society Quarterly.1 (3):120–122.
  4. ^ Diaz del Castillo, Bernal. The True History of the Conquest of New Spain. Robert Bontine Cunninghame Graham, ed. Cambridge, Mass.: Library Reprints, 2008. ISBN 1-4227-8345-6; Trexler, Richard C. Sex and Conquest: Gendered Violence, Political Order, and the European Conquest of the Americas. Paperback ed. Ithaca, N.Y.: Cornell University Press, 1999. ISBN 0-8014-8482-0;Keen, Benjamin. The Aztec Image in Western Thought. Paperback ed. New Brunswick, N.J.: Rutgers University Press, 1991. ISBN 0-8135-1572-6; Idell, Albert. The Bernal Diaz Chronicles. New York: Doubleday, 1956.
  5. ^Mendelssohn, Kurt.Riddle of the Pyramids. Paperback ed. New York: Thames & Hudson Ltd., 1986. ISBN 0-500-27388-X; Estrada, Gabriel S. "An Aztec Two-Spirit Cosmology: Re-sounding Nahuatl Masculinities, Elders, Femininities, and Youth."Frontiers: A Journal of Women Studies. 24:2 & 3 (2003).
  6. ^Taylor, Clark L. "Legends, Syncretism, and Continuing Echoes of Homosexuality from Pre-Columbian and Colonial Mexico." InMale Homosexuality in Central and South America. Paperback ed. Stephen O. Murray, ed. San Francisco: Instituto Obregon, 1987. ISBN 0-942777-58-1
  7. ^Greenberg, David (1990).The Construction of Homosexuality. Chicago: University of Chicago Press. p. 165.ISBN 0-226-30628-3.
  8. ^Aguirre, Alejandra; Chávez, Ximena (27 March 2011)."Personified knives". mexicolore.co.uk. Retrieved29 January 2017.
  9. ^Séjourné, Laurette (1976) [1956]."Xochipilli, Lord of Souls".Burning Water: Thought and Religion in Ancient Mexico. Berkeley, Calif.: Shambhala. p. 144.ISBN 0-87773-090-3.
  10. ^abWasson, Robert Gordon (1980).The Wondrous Mushroom: Mycolatry in Mesoamerica. McGraw-Hill. p. 58.ISBN 978-0-07-068443-0.
  11. ^Wasson, R. Gordon (1974)."The Role of 'Flowers' in Nahuatl Culture: A Suggested Interpretation".Journal of Psychedelic Drugs.6 (3):351–360.doi:10.1080/02791072.1974.10471987.

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