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Windmill scene

From Wikipedia, the free encyclopedia
British musical scene

Windmill Scene
Isaac Wood of Black Country, New Road performing in 2020.
Isaac Wood ofBlack Country, New Road performing in 2020
Other names
  • Speedy scene
Stylistic origins
Cultural originsLate 2010s – early 2020s,United Kingdom

TheWindmill scene (also known as theSpeedy scene) is amusical scene that originated around theWindmill pub inBrixton, London, during the late 2010s and early 2020s. The term is usually defined with a blend ofexperimental rock andpost-punk, featuring erratic, spoken vocals as well as inspiration from genres such asprogressive rock andpost-rock.[1][2][3][4] A key figure on the scene's formation is producerDan Carey, who signed many Windmill bands to his record label, Speedy Wunderground, which has also given it the name Speedy scene.[5]

Among the bands described as being part of the scene areBlack Midi,Black Country, New Road,Squid,Shame,Maruja,the Last Dinner Party,Fat White Family,Heartworms,Goat Girl,PVA and occasionally,Fontaines D.C.[1][2][3][5][6][7][8]

History

[edit]

Described by Dylan Wolf ofRamapo College of New Jersey'sRamapo News in 2025 as "the most significant movement in rock music in the past decade",[6] the Windmill scene began to be acknowledged by mainstream outlets likeNPR Music andThe Independent in the early 2020s as an emerging force in British guitar music.[9][5] Another name used to refer to the scene is "post-Brexit" new wave, scene or music. Matthew Perpetua of NPR explained the term, writing "For one thing, there's no getting around how much of this music is a direct response to the social dynamics of post-Brexit England... The politics aren't always foregrounded, but there's an unmistakable feeling of shame, disappointment and pessimism about Britain's future permeating all of this music".[9] Nonetheless,Black Midi bassist Cameron Picton criticised the term in an article in 2022, saying "I don't think there's actually any bearing of Brexit on any of our music. And if you were going to call anything post-Brexit, it would be the bands that are starting out now, maybe".[10]

Frontrunners of the movement have achieved commercial success, withBlack Country, New Road'sAnts From Up There album debuting at No. 3 on theUK Albums Chart, and a well received performance by Black Midi of the song "bmbmbm" on theHyundai Mercury Prize in 2019. The scene is widely described as sharing a spoken vocal style as well as a blend ofexperimental rock andpost-punk.[1][2][3] Nonetheless, some of the scene's biggest exponents, such as Black Midi and its guitaristGeordie Greep, began to incorporate different influences to their work, such asprogressive rock andworld music, as well asindie rock andchamber pop in the case of Black Country, New Road. The Windmill scene has also begun to have an influence in foreign acts, with the United States'Geese[11][12] andSprain,[13] and Chile's Hesse Kassel[14] andAsia Menor [es][15] being compared to Windmill bands.[16]

See also

[edit]

References

[edit]
  1. ^abcLane, Oscar (29 October 2020)."The Brixton pub that became the centre of innovative music".whynow. Retrieved4 May 2025.
  2. ^abcMegathlin, Kate (14 March 2025)."Change The Record: Squid – Cowards".The Seattle Collegian. Retrieved4 May 2025.
  3. ^abcKelly, Laura (12 October 2023)."How London music venue The Windmill made Brixton a mecca for the best new bands".Big Issue. Retrieved4 May 2025.
  4. ^Schonfeld, Zach (13 October 2021)."The Eternal Cool of Talk Singing".The Ringer.Archived from the original on 13 September 2022. Retrieved26 December 2022.
  5. ^abcRead, Kieran (23 June 2020)."'There's a complete fearlessness to them': Inside the raucous new south London guitar scene".The Independent. Retrieved4 May 2025.
  6. ^abWolf, Dylan (13 February 2025)."Squid's 'Coward' is a pleasantly unique blend of sounds".The Ramapo News. Retrieved4 May 2025.
  7. ^Singh, Jay (19 November 2020)."'What Can I Do' is a no-holds-barred introduction to Heartworms' beguiling post-punk".The Line of Best Fit. Retrieved10 February 2025.
  8. ^Chatterton, Caitlin (4 January 2024)."Next Wave #1153: Heartworms".Clash. Retrieved10 February 2025.
  9. ^abPerpetua, Matthew (6 May 2021)."The Post-Brexit New Wave".NPR. Retrieved4 May 2025.
  10. ^Brasil, Sydney (14 October 2022)."black midi Push Back Against Being Labelled 'Post-Brexit'".Exclaim!. Retrieved8 June 2025.
  11. ^Martínez Sevilla, Jesús (19 July 2023)."Geese amenizan el fin del mundo".El Independiente de Granada (in Spanish). Retrieved9 June 2025.
  12. ^dean (8 November 2023)."Geese: Rock Is Dead. Long Live Rock".Relix Media. Retrieved9 June 2025.
  13. ^"Sprain – The Lamb As Effigy or Three Hundred And Fifty XOXOXOS For A Spark Union With My Darling Divine".veilofsound.com. 4 September 2023. Retrieved9 June 2025.
  14. ^Hypermusica (15 October 2024)."Hesse Kassel estrena 'Postparto', un sensible e hipnótico rock experimental".Hypermusica (in Spanish). Retrieved9 June 2025.
  15. ^Merino, Nicolás (1 September 2023)."Química: Asia Menor debuta con su primer disco, 'Enola Gay'".Expectador (in Spanish). Retrieved9 June 2025.
  16. ^Hann, Michael (31 October 2019)."All talk: why 2019's best bands speak instead of sing".The Guardian.ISSN 0261-3077. Retrieved22 October 2025.
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