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William Wright (author)

From Wikipedia, the free encyclopedia
American dramatist
For other people named William Wright, seeWilliam Wright (disambiguation).
William Wright
Born
William Connor Wright Jr.

(1930-10-22)October 22, 1930
Philadelphia, Pennsylvania, United States
DiedJune 4, 2016(2016-06-04) (aged 85)
Branford, Connecticut, United States
Occupation
  • Editor
  • playwright
  • author
LanguageEnglish
Alma materYale College
GenreNon-fiction

William Connor Wright Jr. (October 22, 1930 – June 4, 2016) was an American author, editor and playwright. He is best known for his non fiction writing covering a widely divergent list of subjects: from theApril in Paris Ball at theWaldorf-Astoria to genetics and behavior to true crime and grand opera.

The great Harvard naturalist and author,E. O. Wilson, said of Wright'sBorn that Way, Genes, Behavior, Personality: "It takes an independent writer and free spirit to tell the story straight, and thank God Wright has done it."

In addition toLillian Hellman, the Image and the Woman, Wright's books includeThe Von Bulow Affair, and two books with and aboutLuciano Pavarotti:Pavarotti, My Own Story andPavarotti, My World.[1]

Biography

[edit]

Wright was born in Philadelphia, the son of William Connor Wright Sr. and Josephine Hartshorne Wright. He graduated from theGermantown Friends School and earned his B.A. atYale College.[citation needed] In the U.S. Army, he completed training in Chinese at theArmy Language School in Monterey, California and served as an Army translator and interpreter in Japan, Okinawa and on theUSS Oriskany. He lived for many years in New York City; and in later years, Key West, Florida, as well as in Bucks County, PA. His longtime companion was the writerBarry Raine.[1]

Career

[edit]

After his Army service, Wright was an editor atHoliday magazine when it was located in Philadelphia and published the likes ofJohn Steinbeck,V.S. Pritchett andLawrence Durrell. WhenHoliday became a casualty of the Curtis Publishing Company's disintegration, Wright accepted a bizarre offer from composerGian Carlo Menotti to become manager of Menotti's Spoleto Festival, then held only in Italy. Wright's job was to oversee the production of some ten events put on by the festival's U.S. side. Each of his events was successful, but the overall festival was a financial disaster. Unnerved, Wright resigned.

After struggling for five years writing magazine articles, Wright accepted an offer to become the editor ofChicago magazine, which he did from 1969 to 1971. Although the magazine was well received by both Chicagoans and advertisers, his tenure was cut short when the magazine was closed down for making jibes at the elderMayor Richard Daley. Although offered editorial positions at three other publications, Wright turned to writing full-time and continued to do so until a few years before his death, mostly authoring non-fiction books.

Works

[edit]

Books

[edit]
  • Ball, 1972, Saturday Review Press
  • Heiress, the Rich Life of Marjorie Merriweather Post, 1978, New Republic Books
  • Rich Relations, a novel, 1980, G.P. Putnam's Sons
  • Pavarotti, My Own Story, 1981, Doubleday
  • The Von Bulow Affair, 1983, Delacorte Press
  • Lillian Hellman, the Image, the Woman, 1986, Simon and Schuster
  • All the Pain Money Can Buy: The Life of Christina Onassis, 1991, Simon and Schuster
  • Sins of the Father, with Eileen Franklin. 1991, Crown Publishers
  • Pavarotti, My World, 1995, Crown Publishers
  • Born that Way, Genes, Behavior, Personality, 1998, Alfred A. Knopf
  • Harvard’s Secret Court: The Savage 1920 Purge of Campus Homosexuals, 2005, St. Martin's Press

Television

[edit]
  • Songs of Naples, a PBS special with Luciano Pavarotti

Plays

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  • The Julia Wars, Lillian Hellman's legal battle with Mary McCarthy
  • Dreams and Decay in the Winter Palace, the descent of Catherine the Great from idealistic liberalism to decadent conservatism

Notable reviews

[edit]
  • The Showgirl and Her (Many) Princes a review of Gold Digger by Constance Rosenblum, May 17, 2000, The New York Times.[2]
  • The Love-Hate Themes in Albee’s Life and Work a review of EDWARD ALBEE biography by Mel Gussow, August 23, 1999, The New York Times.[3]
  • Why Lillian Hellman Remains Fascinating stage view article in The New York Times November 3, 1996.[4]

References

[edit]
  1. ^ab"William Wright, Biographer of Lillian Hellman, Dies at 85".The New York Times. 8 June 2016. Retrieved8 June 2016.
  2. ^"The Showgirl and Her (Many) Princes".The New York Times. 17 May 2000.
  3. ^"The Love-Hate Themes in Albee's Life and Work".The New York Times. 23 August 1999.
  4. ^"Why Lillian Hellman Remains Fascinating".The New York Times. 3 November 1996.
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