| White Tiger | |
|---|---|
 Artwork by George Pérez and Javier Tartaglia (2021) | |
| Publication information | |
| Publisher | Marvel Comics |
| First appearance | Deadly Hands of Kung Fu #19 (December 1975) |
| Created by |
|
| In-story information | |
| Alter ego | Hector Ayala |
| Team affiliations | |
| Notable aliases | El Tigre Blanco |
| Abilities | Via mystical amulets:
|
White Tiger (Hector Ayala) is a fictional character appearing inAmerican comic books published byMarvel Comics. The character is the first to use the nameWhite Tiger and was created byBill Mantlo andGeorge Pérez. APuerto Rican, White Tiger was the first Latin American main character in the history of American comics and Marvel's firstHispanic superhero.[1] The first member of his family to hold the mantle, Hector is the uncle ofAngela del Toro and the brother ofAva Ayala.
Hector Ayala appears in theMarvel Cinematic Universe television seriesDaredevil: Born Again (2025), played byKamar de los Reyes.
White Tiger first appeared inDeadly Hands of Kung Fu #19 (December 1975). Following his debut, the character subsequently appears inThe Deadly Hands of Kung Fu #20–24 (January–May 1976), #26–27 (July–August 1976), #29–32 (October 1976 – January 1977),The Spectacular Spider-Man #9–10 (August–September 1977),Human Fly #8–9 (April–May 1978),The Spectacular Spider-Man #18–21 (May–August 1978),The Defenders #62–64 (August–October 1978),The Spectacular Spider-Man #22–23 (September–October 1978), #25–26 (December 1978 – January 1979), #29–31 (April–June 1979), #51–52 (February–March 1981),Spidey Super Stories #57 (March 1982),Daredevil #38–40 (December 2002 – February 2003), andDaredevil #69 (March 2005).
White Tiger received an entry in the originalOfficial Handbook of the Marvel Universe #14. He appeared as part of the "Sons of the Tiger" entry in theOfficial Handbook of the Marvel Universe Deluxe Edition #12. White Tiger received his own entry in theOfficial Handbook of the Marvel Universe Master Edition #11. Ayala is featured in the one-shotMarvel's Voices: Comunidades #1 (October 2021) in a story titled "Pa'lante Juntos", while his legacy is further explored in another featuring Ava named "Legados".[2][3] He reappears inMarvel's Voices: Community Vol. 2 #1 (September 2022) as a flashback character in "Secret Savior".
When the decision to make the White Tiger the main character ofDeadly Hands of Kung Fu, with the Sons of the Tigers as supporting characters, Bill Mantlo intended to adequately depict the "gritty/city slums" of New York City.[4] Believing that, due to being Puerto Rican, George Pérez had "intimate knowledge" of the daily life in theSouth Bronx during the 1970s, he approached the artist with a proposal to create a "character that reflects that grim reality".[4] Due to the monochromatic style ofDeadly Hands of Kung Fu, the initial concept for White Tiger's costume was simplySpider-Man's suit "without any detail".[4] With this idea, Pérez designed the visual aspect of the character, to the satisfaction of both as it was considered elegant and worked well within the constraints of the palette.[4]
The artist stated that the socially-conscious Mantlo "was probably more aware of the significance of creating the first Latino Super Hero" headliner and described the process of creating White Tiger as "organic" due to his background.[5] Pérez named that character after some of his "neighborhood friends", gave it a face reminiscent of his brother David and a mother based on his own.[5] The artist illustrated the character's surroundings based on his own experiences in the inner city.[5] The "streamlined" look was meant to emphasize the word "white" and accommodate it to the format, but Pérez later grew to regret not adding stripes to the design.[5] The move set in his illustrations was composed by "exaggerated" martial arts.[5] Upon revisiting Ayala in 2021,Daniel José Older noted that he would not italicize words "when [slipping] back and forth [between Spanish and English] seamlessly". The author based his story on an essay that he had written forThe New York Times titled "Garbage Fires for Freedom: When Puerto Rican Activists Took Over New York's Streets".
Hector Ayala was born in the city ofSan Juan, Puerto Rico. He was attending college at Empire State University in New York City,[6] when he found the tiger amulets that theSons of the Tiger had worn and discarded. By putting on all three amulets, he was transformed into a superhuman form called the White Tiger. He discovered that wearing all the pendants at once increased his strength and gave him nearly superhuman skill in the martial arts.[7]
In his alter-ego, Ayala went into action for the first time against a street gang.[8] He then battled theProwler, who believed him to be a murderer.[9] The White Tiger battled theJack of Hearts who also believed him to be behind his father's murder.[10] The White Tiger fought off unnamed costumed assailants of theCorporation crime cartel, who were threatening his sister and Jack of Hearts.[11] Alongside Jack of Hearts,Shang-Chi, andIron Fist, the White Tiger fought Stryke and other agents of the Corporation, and learned his brother Filippo was attempting to find employment withFu Manchu.[12] Hector then encountered the Sons of the Tiger.[13]
Ayala was impersonated by Professor Vasquez, and battledSpider-Man in the confusion.[14][15] Ayala's secret identity was later publicly exposed in a battle with theLightmaster atEmpire State University grounds.[16] Alongside Spider-Man andDaredevil, he then battled theMasked Marauder,Darter, andCarrion.[17] Ayala was later gunned down byGideon Mace and nearly killed. He was operated upon to remove the bullets, and recovered. Having gained an unhealthy psychological and physical addiction to the tiger amulets, Hector abandoned his identity as the White Tiger. He gave the amulets to a private detective nicknamed Blackbyrd, who returned them to the Sons of the Tiger. Hector then moved out west with his girlfriend Holly Gillis.[18]
After a while, the call to don the amulets and fight evil became too strong and Hector once again became the White Tiger.[19] Soon after, Hector was wrongly accused of murder and convicted despite the efforts of his lawyer, Matt Murdock (a.k.a. Daredevil). Ayala was shot dead trying to escape, shortly before evidence emerged that proved his innocence.[20]
Angela Del Toro, Hector's niece and an FBI agent, inherited the Jade Tiger amulets.[21] Angela quit the FBI to understand the amulets, and was trained in the use of their powers by Daredevil,[22] becoming the latest person to assume the White Tiger identity before being killed by the Hand and resurrected as their servant.[23] Having been healed byBlack Tarantula, she joinedDaredevil in theHand after he takes over and attempts to reform the organization.[24]
Hector's teenage sisterAva Ayala later appeared as the new White Tiger.[25]
As the White Tiger, Hector wore the three mystical tiger amulets (a head and two paws), which were green in some versions and yellow in others, from the extra-dimensional realm ofK'un-L'un, which were originally worn by theSons of the Tiger (Abe Brown,Bob Diamond, andLin Sun). When wearing the amulets, Hector's physical strength, speed, stamina, agility, dexterity, reflexes, coordination, balance, and endurance, were all enhanced, though not to the point of being invincible. The amulet also conferred on him the experience and abilities of a master martial artist. Enemies took advantage of The White Tiger only possessing his enhanced abilities when wearing all three mystical tiger amulets.
In the alternate reality of the 2005 "House of M" storyline Hector is captured by the Brotherhood who threaten his family. He sends his family to South America and sends his amulet to Angela Del Toro in the mail.[26] After refusing to join and sabotage the universe's version of the Avengers led byLuke Cage, he was framed and convicted.
Ayala appears as White Tiger in theMC2 reality.[27] In this reality, he is seen as a competitor in a martial arts tournament organized byDeadpool. Ayala is seen honing his skills against theSons of the Tiger, includingBlack Tiger andLotus Shinchuko. He is last seen performing a take down onRobert Diamond.
InShe-Hulk (Vol. 2) #21 (2007), a rogue scientist from Earth-721 (Earth-A) invented a dimensional traverse machine that allowed average citizens to travel to Earth-616, where they became superpowered themselves and would receive the equipment associated with the heroes in the mainstream timeline. Among them was a cross-eyed alternate version of Ayala, who was given access to the Amulets of Power. This impostor gathered the attention of the NYPD'sCode: Blue unit and was arrested. He was later repatriated to his original reality byReed Richards.
Alternate versions of Ayala also make minor appearances fightingWendigo along several superheroes inWhat if? #34 (1982) and as an Earth-57780 mirror of his 616 self in Spidey Super Stories #37. He is referenced by Earth-13116's Ava Ayala inMaster of Kung Fu (Vol. 2) #3.
In 1999, Italian publisherPanini Comics's collaboration withMarvel UK led to the creation of another variant of Ayala, the Earth-9411 White Tiger, marking the first time that the character was internationally published by a third party.
Regarding the introduction of the character,Ralph Macchio has stated that "in the '70s, it was quite an event to introduce a Hispanic super hero, and Hector Ayala, the White Tiger, was at the forefront."[30] Upon release, the character served as inspiration forThe Ibis writer Dave Schmidtt to reflect about the role of superheroes as a tool for the escapist, inherently being a figure with the power to change reality in ways that common people can't.[31] Javier Hernández, cartoonist and co-founder of the Latino Comic Export, cites Hector Ayala as the first superhero that he identified with as a Latin American.[32] Barbara F. Tobolowsky and Pauline J. Reynolds emphasize that the inclusion of Ayala and other characters in The Amazing Spider-Man made the publication more diverse, but that it still tapped into "fearful white stereotypes" when it came to protest storylines.[33]
In 2016,Jon Huertas played Hector Ayala in an independent short film titledWhite Tiger, which was produced by WestSide Stories Productions.[34] The actor noted that it is his "favorite Marvel character and the one I've always related to the most", arguing that the project was born from a necessity "for someone to develop an adult [Hispanic] male comic character".[34] After working onMarvel's Voices, Older asserted that as the "first Latinx Super Hero, White Tiger holds such an integral and iconic status in comic book history" and commented on the importance of the introduction of Ayala by saying that it filled the void of children "growing up as [Latino nerds] not having people who looked like [them] on the page and [wondering] 'where are we?".[3][35]
In retrospective, comic author and artist J. Gonzo considers White Tiger's introduction important as it marked the appearance of a complex Latin American character, but noted that in subsequent appearances Marvel pushed the character to the background and ultimately failed to truly bring him to the mainstream, a pattern that was repeated with other Hispanic superheroes.[36] While discussing casting for characters within the Marvel Cinematic Universe following the success ofAmazon Prime'sThe Lord of the Rings: The Rings of Power, Puerto Rican actorIsmael Cruz Córdova stated that the role of Hector Ayala is "the one that [he really] want[s] to do" for the studio. Considering the White Tiger a "character that's just fantastic" due to it being an "improbable her[o ...] in a journey of redemption" that mirror's the beginnings of his own life as a poor, bullied and marginalized young man.[37]
InTeaching comics by and about Latinos/as, Frederick Luis Aldama places the introduction of the White Tiger as the moment where Latino superheroes were given more complex aspects to their characters.[38] He also lists him among the Latin American superheroes that got "slipstreamed" as opposed to be pushed into the mainstream.[39] In 2018, Marc DiPaolo argued a similar point, saying that Héctor Ayala began a trend of depicting them than just stereotypes, a pattern that continued during the 1970s.[40] As part of an analysis in literary studies, Santiago Rubiano Velandia concludes that Ayala and other contemporaries are important for study, since they perpetuate the American stereotype that Latinos are predominantly devout Catholics.[41]
The fourth chapter ofAll New, All Different?, "Guess Who's Coming to Save You? The Rise of the Ethnic Superhero in the 1960s and 1970s", by Allan W Austin and Patrick L Hamilton explores White Tiger's introduction within the context of superheroes of several cultural backgrounds.[42] InDeath Representations in Literature: Forms and Theories, Adriana Teodorescu uses the murder of his family as a case study to establish the vulnerability that superheroes face when their secret identities are exposed.[43]
As the first Latin American super hero to make it to the mainstream of American comics, the character of Ayala has been the focus of investigation concerning the representation of Hispanics in the media. One such example is Luis Saenz De Viguera Erkiaga'sTigre Blanco, héroe del Barrio!: Living and Dying Latina/o in a Superhero World, where the author examines the sociological context of Puerto Rican's in New York during the 1970s, how they were marginalized as a group and how Hollywood represented them as negative stereotypes.[44] The characterization of Ayala before becoming White Tiger does not escape these clichés, as its internal monologue and vocal expressions are carried out bilingually and he is depicted as "passive" and "the useless son [of] hard working, humble Puerto Ricans [who] spends his time] loitering in dark alleys by himself."[44]
Despite this, the tendency to speak in "Spanglish", a combination of broken Spanish (which did not accurately reflectPuerto Rican Spanish) and colloquial English, turned the character in a "pioneer for future Latina/o superheroes".[44] Ultimately, Saenz considers this characterization as failing to accurately reflect theNuyorican community and as problematic, since it tries to be "a positive representation of minorities, in spite of all these problems [thus reaffirming] hegemonic views on Puerto Ricans."[44] He identifies the post-mortem depictions of the character as an attempt to turn this depiction to that of "a role model for Latina/o characters [and a] an honorable, inspirational figure" in an effort to veer away from the initial stereotype and re-imagine it from current standards.[44] InA Choice of Weapons: The X-Men and the Metaphor for Approaches to Racial Inequality, Gregory S Parks, Matthew Hughey agree about the character's original depiction being a reflection of American stereotypes.[45]
