| Weasels Ripped My Flesh | ||||
|---|---|---|---|---|
 | ||||
| Studio album with live elements by | ||||
| Released | August 10, 1970 | |||
| Recorded | December 1967 – August 1969 at various locations | |||
| Genre | ||||
| Length | 39:48 | |||
| Label | Bizarre,Reprise | |||
| Producer | Frank Zappa | |||
| Frank Zappa chronology | ||||
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| The Mothers of Invention chronology | ||||
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| Alternative covers | ||||
 German cover | ||||
| 2 Originals of the Mothers of Invention | ||||
 | ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Christgau's Record Guide | B+[2] |
Weasels Ripped My Flesh is the eighth album by the Americanrock groupthe Mothers of Invention, and the tenth overall byFrank Zappa, released in 1970. Following the Mothers' late 1969 split, Zappa assembled two albums –Burnt Weeny Sandwich andWeasels Ripped My Flesh – from unreleased studio and live recordings by the band, as well as some outtakes/leftovers from his 1969 solo albumHot Rats. WhileBurnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions,Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces.
Whereas all but one of the pieces onBurnt Weeny Sandwich have a more planned feel captured by quality studio equipment, five tracks fromWeasels Ripped My Flesh capture the Mothers on stage, where they employ frenetic and chaotic improvisation characteristic ofavant-garde jazz andfree jazz. This is particularly evident on "The Eric Dolphy Memorial Barbecue", a tribute to the multi-instrumentalistEric Dolphy who died in 1964 and is cited as a musical influence in the liner notes to the band'sFreak Out! album. The song opens with a complex melody over a3
4 rhythm, breaking into howls and laughter at the three-minute mark, then the theme is repeated and elaborated; after a brief rave-up section, the number concludes in stop-start fashion. This song is a feature of the annualDolphy Day celebration at Le Moyne College, New York.
Zappa's classical influences are reflected in characteristically satirical fashion on "Prelude to the Afternoon of a Sexually Aroused Gas Mask", a play onClaude Debussy'sPrélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun). "Oh No" is a vocal version of a theme that originally appeared on Zappa'sLumpy Gravy album, as well as a pointed barb aimed at the Beatles' "All You Need Is Love". "The Orange County Lumber Truck" incorporates the "Riddler's Theme" from theBatman TV show. The album's closer and title track consists of every player on stage producing as much noise and feedback as they can for about one and a half minutes. An audience member is heard yelling for more at its conclusion. The All-Music Guide concludes that the track is "perfectly logical in the album's context."
In contrast to the experimental jazz material, the album also contains a straightforward interpretation ofLittle Richard's R&B single "Directly From My Heart to You", featuring violin and lead vocal fromDon "Sugarcane" Harris. This song is an outtake from the sessions for theHot Rats album.
The album also documents the brief tenure ofLowell George (guitar and vocals), who went on to found the bandLittle Feat with Mothers bassistRoy Estrada. On "Didja Get Any Onya?", George affects a German accent to relate a story of being a small boy in Germany and seeing "a lot of people stand around on the corners asking questions, 'Why are you standing on the corner, acting the way you act, looking the way you look, why do you look that way?'"
TheRykodisc CD reissue of the album features different versions of "Didja Get Any Onya?" and "Prelude to the Afternoon of a Sexually Aroused Gas Mask", which featured music edited out of the LP versions. The extended version of "Didja Get Any Onya?" features a live performance of the composition "Charles Ives", a studio recording of which had previously been released as the backing track for "The Blimp" on theCaptain Beefheart albumTrout Mask Replica, produced by Frank Zappa. The 2012 Universal Music reissue reverts to the original LP versions.[3]
Frank Zappa recruited artistNeon Park to create a subversive image based on a cover story from the September 1956 issue ofMan's Life, amen's adventure magazine. The magazine's cover story depicts a shirtless man being attacked by numerousweasels, above the caption "Weasels Ripped My Flesh". After showing Neon a copy of the magazine, Zappa inquired, "This is it. What can you do that's worse than this?" Neon's answer was to craft a parody of an advertisement forSchick brandelectric razor based on the "Weasels Ripped My Flesh" theme.[4] The record company released the album despite its reservations about the album cover.[5][6]
German releases of the album featured a cover showing a metal baby caught in a rat trap. This cover was not approved by Zappa.
In 1975,Burnt Weeny Sandwich andWeasels Ripped My Flesh were reissued together as2 Originals of the Mothers of Invention, with the original covers used as the left and right sides of the inner spread, and the outer gatefold cover depicting a revolver shooting toothpaste onto a toothbrush.
Contemporary reviews of the record called it "far-out" (Billboard, August 29, 1970) and a "random collection of editing room snippets recorded at the Mothers' concerts" (Rolling Stone, October 1, 1970). Now placed in its historical context, modern reviewers tend to appreciate it more favorably. A typical example of such appreciation is Christgau's Record Guide (from 1981), which grades the album a B+. In a retrospective review,AllMusic gave it 4.5 stars out of 5, calling it a "fascinating collection", and stating that "Zappa's anything-goes approach and the distance between his extremes are what makeWeasels Ripped My Flesh ultimately invigorating"[1] In his bookViva Zappa!, Dominique Chevalier wrote that the album is "one of Zappa's most aggressively bizarre works, full of cross-references tofree jazz and modern classical musicians such asLuciano Berio". He also said that the best piece was undoubtedly "Eric Dolphy Memorial Barbecue", calling it "the cleverest tribute that could have been paid to him".[7]
All tracks are written byFrank Zappa except where noted.
| No. | Title | Recorded | Length |
|---|---|---|---|
| 1. | "Didja Get Any Onya?" | March 2, 1969,Philadelphia Arena,Philadelphia | 3:44 |
| 2. | "Directly from My Heart to You" (Richard Wayne Penniman) | July 1969,TTG Recording Studios,Hollywood | 5:17 |
| 3. | "Prelude to the Afternoon of a Sexually Aroused Gas Mask" | October 25, 1968,Royal Festival Hall,London | 3:35 |
| 4. | "Toads of the Short Forest" | August 1969, Whitney Studios, Glendale and February 7–8, 1969,Thee Image,Miami | 4:48 |
| 5. | "Get a Little" | February 13, 1969, The Factory,The Bronx | 2:35 |
| Total length: | 20:41 | ||
| No. | Title | Recorded | Length |
|---|---|---|---|
| 6. | "The Eric Dolphy Memorial Barbecue" (instrumental) | June 1969, A&R Studios,New York City | 6:53 |
| 7. | "Dwarf Nebula Processional March & Dwarf Nebula" (instrumental) | December 1967-February 1968, Apostolic Studios,New York City | 2:12 |
| 8. | "My Guitar Wants to Kill Your Mama" | February 1969,Criteria Studios,Miami and August–September 1969,T.T.G. Studios,Hollywood | 3:35 |
| 9. | "Oh No" | December 1967-February 1968, Apostolic Studios,New York City | 1:46 |
| 10. | "The Orange County Lumber Truck" (instrumental) | October 25, 1968,Royal Festival Hall,London | 3:18 |
| 11. | "Weasels Ripped My Flesh" | May 30, 1969, Town Hall,Birmingham | 2:05 |
| Total length: | 20:37 | ||
Album –Billboard (United States)
| Year | Chart | Position |
|---|---|---|
| 1970 | Billboard 200 | 189 |
