"We Belong Together" is a song by American singerMariah Carey from her tenth studio album,The Emancipation of Mimi (2005). The song was released on March 15, 2005, throughIsland Records, as the second single from the album. "We Belong Together" was written by Carey,Jermaine Dupri, Manuel Seal, andJohntá Austin and produced by the former three. Since the song interpolates lyrics fromBobby Womack's "If You Think You're Lonely Now" (1981) andthe Deele's "Two Occasions" (1987), the songwriters of those respective songs are credited. "We Belong Together" is built on a simple pianoarrangement with an understatedbackbeat. The lyrics chronicle a woman's desperation for her former lover to return.
Following a relatively unsuccessful period for Carey between 2001 and 2004, critics dubbed the song her musical comeback, as many had considered her career over. "We Belong Together" earned her several music industry awards and nominations throughout 2005 and 2006. The song broke chart records in the United States and became Carey's sixteenth topper on the USBillboard Hot 100. After staying at number 1 for fourteen nonconsecutive weeks, it joined four other songs in a tie as thesecond longest running number 1 song in US chart history, behind Carey's own 1995 collaboration withBoyz II Men titled "One Sweet Day".Billboard listed it as the "song of the decade" and the fifteenth most popular song of all time. Additionally, it broke several airplay records, gathering both the largest one-day and one-week audiences in history. "We Belong Together" also topped the charts in Australia; and reached the top five in more than ten countries, including Ireland, the Netherlands, New Zealand, Spain and the United Kingdom.
Carey had produced back-to-back critically and commercially panned albums,Glitter (2001) andCharmbracelet (2002). Though fueled by strong media attention regarding Carey's return to music, as well as her new deal withIsland Records, the albums failed to deliver the type of success she had been accustomed to throughout the 1990s, and only managed sales of 3 million copies globally.[1] After the album's release, and its succeeding tour, Carey began conceptualizing and working on a new project, eventually titledThe Emancipation of Mimi, her tenth studio effort.[2] "We Belong Together" became a song that critics considered Carey's "return to form" and "the return of the Voice", after several questioned her vocal abilities following the release ofCharmbracelet.[3]
By November 2004, Carey had already recorded several songs forThe Emancipation of Mimi. Island Records chairmanL.A. Reid suggested Carey that she compose a few more strong singles to ensure the project's commercial success. Believing that she had written some of her best work withJermaine Dupri, Reid recommended her to meet with Dupri for a brief studio session. Carey headed to Atlanta to collaborate with Dupri where the duo wrote and produced "Shake It Off" and "Get Your Number", which were eventually released as the album's third and fourth singles. Following this recording session, "Shake It Off" was briefly selected as the album's lead single, replacing the originally planned "Say Somethin'".[4] Carey returned to Atlanta for a second meeting with Dupri; during this trip, Carey and Dupri penned the last two songs to be included on the album, "We Belong Together" and "It's Like That".[4] In an interview withBillboard, Carey described her sentiments regarding the song during the production stage:
I had the chills. I had a great feeling about it when we finished writing the song, and I was flying back from Atlanta at some crazy hour of the morning... But we were listening to it on the plane ride on the way home, and even from the demo version, I really felt something very special.[5]
Carey and her management then decided to release "It's Like That", which Carey called "the right fire-starter", as the album's lead single.[4] She later reminisced about her experience with Dupri: "I am so grateful I went to Atlanta," she said. "And I have to say, we wrote some of my favorite songs on the album. I'm so proud of Jermaine – he's so focused, and he knew what had to be done."[4]
"We Belong Together" is anR&B ballad.[6][7]Rolling Stone called it "soulful."[8] The song is propelled by a programmedRoland TR-808-styledkick andhi-hat, which is prominently utilized in hip hop music.[9] Reviewer Jennifer Vineyard fromMTV News commented that Carey's spare and understated singing approach gave the song more power, which would not have been achieved if she hadbelted.[4] The song also incorporates1980sretro-soul music by "cleverly" referencingBobby Womack's "If You Think You're Lonely Now" (1981) andthe Deele's "Two Occasions" (1987), withBabyface.[7] In the second verse of "We Belong Together", Carey sings: "Bobby Womack's on the radio / Singing to me, 'If you think you're lonely now'."[10] She then flips across a radio dial: "So I turn the dial, tryin’ to catch a break / And then I hear Babyface / 'I only think of you...'."[10] The line "If you think you're lonely now" is from the song of the same name and "I only think of you" is from the chorus of "Two Occasions."[10] In the remix she also says "I only think of you / On two occasions / That's day and night..." Due to the inclusion of the lyrics from both songs, the songwriters were given co-writing credits on the song.[7] "We Belong Together" follows the commonverse-chorus form and is structured into three distinct sections, with each section presenting the protagonist in different emotions.[7] The first section chronicles the break-up of the couple, and a sorrowful tone is established as she laments her former mistakes.[10] In the second section, the narrative switches to the present, and the protagonist becomes increasingly agitated and feels "all out of her element" when she attempts to distract herself by listening to the radio, but fails.[6] "We Belong Together" does not have abridge; instead, Carey transitions into the third section by raising thepitch an octave, which emphasizes the sheer frustration and desperation of the protagonist.[6][11]Metro Times writer Johnny Loftus described the song's production, lyrics and vocals in detail:
It’s straightforward, heartfelt and classy. Mariah pleads with her departed lover – 'When you left I lost a part of me / It’s still so hard to believe' – and the song’s gentle R&B roll is perfectly understated, built from a few piano chords and a slowed-down So So Def rhythm. It has a homebody quality, almost like an autumn song would – you can imagine a split-up couple singing it quietly, separately, as the world goes on around them. She’s on a porch with tea; he’s stuck in traffic when he finds Mariah on the radio. It even cleverly references that feel, with Mariah finding the Bobby Womack and Babyface songs on her radio just too tough to hear. There’s no tired 'I tried to 2-way you' retorts, no trash-technology love affair 'I was at the grocery store and this guy had the same ring tone as you, and I cried.' No, there’s a classic sensibility to the lyrics and sound of 'We Belong Together' that makes for perfect – and perfectly universal – pop/R&B songwriting. In other words, it’s the jam. And there’s probably a happy ending, too: Mariah’s triumphant octave shift finale makes the song’s title an emphatic.[6]
"We Belong Together" is a simple, understated musical arrangement set inC major and composed in4/4time.[11] Similarly, within the song, Carey's voice spans from G3 to the high note of A5. Carey'svocal range is demonstrated with a greater emphasis in the ending chorus, where the chorus is raised an octave higher, lying from G4 to A5.[11] As such, Carey ends with an anticipated coda, completing both the chorus and the song with a potent, belted note of C5 for approximately four semibreves (around 17 seconds).[11] It follows the common verse-chorus form and is structured into three sections that portray the protagonist in a range of emotions; from doleful and resigned in the first section, to desperate and agitated in the second.[12] In the last section the song climaxes with an octave raise, which not only emphasizes the protagonist's heightened desperation, but her determination to be with her lover.[12] Sheet music for "We Belong Together" is in the key ofC major with a slowtempo of 70 beats per minute. Carey's vocals span from G3 to A5, and the song follows a chord progression of Am–G–Em–F.[13]
"We Belong Together" became a "career re-defining"[16] song for Carey, at a point when many critics had considered her career over.[17] Unlike most of Carey's recent singles at that time, "We Belong Together" was met with universal acclaim from critics, most of whom hailed the song as her "return to form", following reviews forCharmbracelet (2002), that suggested Carey had lost her signature vocal range and power.[18] Sal Cinquemani ofSlant Magazine wrote "the... diva [keeps] cool with breathy, rapid-fire verses until the final full strong-voiced climax that... proves that 'The Voice' has indeed returned."[19] Additionally, he said that "The song is as 'innovative' as Mariah has been in years."[19] Other critics commended Carey on her novel singing style which, according toKelefa Sanneh ofThe New York Times, gave the song its propulsion, writing "This style is part of the reason why she has been able to turn aballad into a summer smash. 'We Belong Together' doesn't have a guest rapper, or a hard-hitting beat, but Ms. Carey's tricky vocal lines give the song more propulsion than you'd expect, with tightly coiled counter-rhythms that tug against the beat."[7] Johnny Loftus fromMetro Times called it a "summer hit" and wrote "We all know it’s the intangibles that make a summer single anyway, those untraceable currents that grab the heart and feet, and despite not being an anthem, 'We Belong Together' is that rousing."[6]
Writing forVibe, Michael Ehrlich claimed the song would "cut across generations", while Cinquemani felt it would revive "faith in Mariah the balladeer".[9][20]Stephen Thomas Erlewine fromAllMusic chose "We Belong Together" as a "top Pick" from the album, while Todd Burns fromStylus Magazine described it as "beautifully cadenced".[21][22] Echoing Cinquemani's comments about the song and Carey's past as a balladeer, Jozen Cummings fromPopMatters wrote "Carey makes the song her own, reminding fans of her 'Hero' days with full, throaty vocals and a crashing climax at the end. The dichotomy between 'The Emancipation of Mimi's' first two tracks is the album’s bread and butter."[23] Since first hearing the song on the radio, Sherri Winston fromSouth Florida Sun-Sentinel claimed she "knew it would be a smash", complimenting its understated beat and Carey's vocals.[24]Billboard's Michael Paoletta described "We Belong Together" as one of the album's strongest cuts, claiming that it highlighted the strongest focal point on the song: Carey's voice.[25] Slant Magazine ranked it 2nd on their best songs of 2005 list.[19]
Carey performing "We Belong Together" onGood Morning America
Between 2001 and 2004, Carey's popularity had substantially declined and many had considered her career as over.[28] "We Belong Together" proved to be both Carey's comeback single and a massive commercial success. The song spent fourteen nonconsecutive weeks at number 1 on the USBillboard Hot 100—after making its debut at number 81—and fourteen consecutive weeks at number 1 on theHot R&B/Hip-Hop Songs chart.[29][30] It had major cross-over success, becoming the first song to simultaneously occupy the number 1 position on nineBillboard charts on the week ending August 6, 2005: the Hot 100,Billboard Hot 100 Airplay,Hot R&B/Hip-Hop Songs,Hot R&B/Hip-Hop Airplay,Pop 100 Airplay,Top 40 Mainstream,Rhythmic Airplay Chart,Hot Dance Club Songs, and theHot Ringtones charts.[31] Spending fourteen weeks atop the Hot 100, "We Belong Together" became one of the longest running number 1 songs inUS chart history, behind only Carey's 1995 collaboration withBoyz II Men, "One Sweet Day", which spent sixteen weeks at number 1. Aside from its chart success, the song broke several airplay records, and according toMediabase and Nielsen BDS, gathered both the largest one-day and one-week audiences in BDS history, reaching 32.8 million and 223 million impressions respectively. This record was held until it was broken by Robin Thicke's "Blurred Lines" in 2013, with 234.65 million listeners on July 28.[32][33]
During the week of September 25, 2005, Carey set another record, becoming the first female to occupy the first two spots atop the Hot 100, as "We Belong Together" remained at number 1, and her next single, "Shake It Off", held the number 2 spot.[29] Additionally, the song held the top position on the officialHot 100 Airplay chart for sixteen weeks, tying for the second all time spot withNo Doubt's "Don't Speak" (1996).[29] "We Belong Together" was certified6× Platinum by theRecording Industry Association of America (RIAA), denoting shipments of 6 million copies throughout the United States.[34] On theBillboard Hot 100 Year-end Chart of 2005, the song was declared the number 1 song, a career first for Carey.[35]Billboard listed "We Belong Together" ninth on the Billboard Hot 100 All-Time Top Songs[36] and second on Top Billboard Hot 100 R&B/Hip-Hop Songs.[37] On the Hot 100, "We Belong Together" spent twenty-three consecutive weeks in the Top 10 and forty-three weeks total on the chart, making it Carey's longest running Top 10 song and her longest charting hit at the time. The song was also declared the most popular song of the 2000s decade byBillboard,[38] which makes Carey the first artist to have more than one song being the most popular of a decade, as "One Sweet Day" was the most popular song of the 1990s.[39]
Besides its success in the United States, "We Belong Together" achieved strong charting throughout Europe and Australia. On theARIA Charts, the song debuted atop the singles chart in Australia during the week dated July 3, 2005.[40] The following week, it held the number 1 spot for a second week, and stayed on the chart for a total of eleven weeks.[40] To date, "We Belong Together" was certifiedPlatinum by theAustralian Recording Industry Association (ARIA), denoting shipments of 70,000 units.[41] The song finished at number 17 on the 2005 Australian Year-End Chart.[42] In both Flemish and Wallonian territories in Belgium, "We Belong Together" peaked at numbers 12 and 24, spending a total of fifteen and fourteen weeks fluctuating in the singles chart, respectively.[43] The song finished at number 47 on the Flemish Year-End Chart of 2005.[44] "We Belong Together" made its debut at number 15 on the DanishTracklisten chart during the week of August 7, 2005, eventually peaking at number 3.[45] In France, the song peaked at number 12, and spent nineteen weeks fluctuating within the Frenchsingles chart.[46] On theDutch Top 40 chart, "We Belong Together" reached number 1 in its fourth week, and spent a total of sixteen weeks in the chart, four of which were at the number 2 position.[47] The song finished at number 41 on the Dutch Year-End Chart of 2005.[48] In New Zealand, the song spend three weeks at number 2 on thesingles chart, and a total of twelve before making its exit on October 3, 2005.[49] At the end of 2005, "We Belong Together" finished at number 36, and was certified Gold by theRecording Industry Association of New Zealand (RIANZ).[50][51] In both Norway and Spain, the song peaked at number 9 and 3, and spent nine and seven weeks within the charts.[52][53] In Switzerland, the song peaked at number 4 on the official singles chart, and charted for thirteen weeks.[54] During mid-week predictions in the United Kingdom, "We Belong Together" was positioned to become Carey's third UK number 1 single.[55][56] However, it wound up debuting at number 2 on theUK Singles Chart.[57] In its second week, the song dropped to number 3, before re-surfacing to number 2 in its third week, this time blocked byJames Blunt's "You're Beautiful".[58] The song spent a total of eighteen weeks within the singles chart, and has estimated sales of over 240,000 units in the United Kingdom.[59]
At the48th AnnualGrammy Awards, held at theShrine Auditorium on February 8, 2006, Carey was nominated for eight awards, the most she had received in one night throughout her career.[67] "We Belong Together" was nominated forSong of the Year andRecord of the Year; however, it won two awards: "Best R&B Song" and "Best Female R&B Vocal Performance".[68] The song was named "Song of the Year" at theASCAP Awards,[69] and "Song of the Year", "Most Performed Song" and "Number-one Billboard Song" at theBMI Awards.[70] Towards the summer of 2006, Carey took home "Song of the Year", "Best Pop Female Song Performance" and "Best R&B/Soul Female Song Performance" at the GrooveVolt Music & Fashion Awards.[71]
Carey recorded an official remix version for "We Belong Together", which she produced withDJ Clue.[10] The remix is recorded in D-Major (one step up from the original in C-Major) and Carey’s vocals range from B3-E6. The remix features vocals from rappersJadakiss andStyles P, two-thirds of the hip-hop triothe Lox.[10] The remix is fundamentally different from the original, described as having "a faster, springier backbeat" byKelefa Sanneh ofThe New York Times.[10] Lyrically, the song is similar to the album version of the song, in which both rappers' verses contemplate on past memories.[10] Styles P raps "Past is the past, just let it be bygones / Matter of fact I know a fly song that we could vibe on", which Sanneh writes "Cheerfully out of place, he sounds like a man who has wandered into the wrong summertime party, but so what? He figures he might as well stick around and enjoy it."[10] In two separate reviews ofThe Emancipation of Mimi, Sanneh referred to the song as both "great"[72] and "excellent",[7] in regards to the remix.
Additionally, the faster pace of the remix showcases Carey’s own talents, in regards to rapping/rhyming and fast, lyrical singing; she sings the song’s second verse very nimbly — “I can’t sleep at night, when you are on my mind; Bobby Womack’s on the radio, singin’ to me, ‘If you think you’re lonely now, wait until tonight…’ Boy, I’m feelin’ all out-of-my-element; I’m throwin’ things, cryin’, tryin’ to figure out where the hell I went wrong. The pain reflected in this song ain’t even half of what I’m feeling inside; I need ya-need ya back in my life, Baby.” In contrast to the original slower version of the song (which ends in Mariah sustaining one long note, on the word “…(we belong) together…” sung at a C5), the remix features the same sustained ending note sung an octave higher, at a D6, showcasing her whistle register. The song then fades out, with Mariah singing, “…this is so hard to believe…”, which starts in her fourth octave, before jumping octaves to another D6 on the word “believe”.
Aside from the album version's main remix, several others were commissioned and released, although none contained new vocals from Carey.[73]Peter Rauhofer created the "Reconstruction Mix/Club Mix" and "Atlantic Soul Vocal Mix", which both feature a synthetic bass line, a piano and guitar line, and distinctive hi-hats that produce a more up-tempo, hard-hitting beat.[73]
On February 17, 2021, Carey released a new version of the song, the "Mimi's Late Night Valentine's Mix", in EP format, along with a seven-minute extended version of the song. Then, four days prior to the release, she performed onLive with Kelly and Ryan.[74]
The song's music video premiered worldwide on April 11, 2005, although MSN offered an exclusive look at the music video on April 9. Carey's "We Belong Together" is Yahoo! Music's most watched video of 2005 with 7.5 million streamed performances. The video was shot by film directorBrett Ratner in Los Angeles alongside the video for Carey's previous single, "It's Like That".[4] Carey had collaborated with Ratner several times in the past, having worked on the video for "Heartbreaker", which became one of the most expensive of all time, costing an estimated $2.5 million.[4] The video was filmed through February 9 to 10, 2005, in conjunction with "It's Like That" and serves as the second half to the two-part story. The music video for "It's Like That" features Carey at her bachelorette party set to wed an older and powerful man, played byEric Roberts.[75] Towards the end of the video, her ex-lover, played byWentworth Miller, arrives at the event, and the video concludes with them staring into each other's eyes as Carey's soon-to-be husband watches from a balcony. The video for "We Belong Together" finishes their tale of love, and features Carey on her wedding day.[76] For the scenes of Carey's wedding to the older man, she wore herVera Wang gown she originally wore during her nuptials toTommy Mottola in 1993.[77] In an interview withMSNBC, when asked if there was a connection to the use of the dress in the video and reality, Carey responded:
The wedding dress was aVera Wang original dress from a while ago that I actually wore on a certain occasion and had it in storage and when we came up with the concept for the video that had the element of a wedding in it, I said, ‘well, I do have my old wedding dress,’. 'It’s still worth [sic] for me ’cause I can’t believe I was ever married but whatever, end of story. And I knew that we wouldn’t be able to get a fabulous dress like in two days so I just took that dress out of the storage – it has a 27-foot train and it was just all hand-beaded and stuff and so I figured we might as well get a use out of it.'[77]
In the music video, Carey wore her wedding dress from her nuptials toTommy Mottola in 1993. She is seen running from the altar, alongside her lover (Wentworth Miller), in the video's climactic scene.
The video features Carey readying for her wedding, and follows her to the altar, as well as her escape from the reception. Many of the actors featured in Carey's "It's Like That" video were in that of "We Belong Together", which was shot as a continuation from the "It's Like That" video. It begins with a scene of a large mansion, apparently owned by the older man who she is to marry. Carey is seen walking barefoot in a room, shedding a black sheer robe and laying down on a bed draped with white linens. Dressed in lingerie, Carey's face is shown close-up, as scenes of her tossing in the bed are shown. As the song begins, Carey is seen sitting in front of a large mirror, preparing for her wedding by putting on earrings and shoes, and staring at the ring on her finger. Additional scenes of Carey sitting on a small blue sofa, wearing a purple dress, and Carey staring at the camera during a shower moment are interspersed. The wedding is then shown, with Miller approaching the reception through a stairwell in the back. Small children as seen throwing flowers on the white carpet, followed by Roberts and Carey walking down the aisle.
As Carey, now dry and clothed, is shown in another scenario following the dressing scene, a still of Carey and Miller in the video for "It's like That" is shown, during the lyrics "I can't sleep at night / When you are on my mind". After several other scenes of Carey dressed in the purple gown and white shirt are interspersed, the altar is displayed, where before being ordained by the minister, Carey looks into her ex-lover's eyes once more. She turns to Roberts, and begins running towards Miller, leaving the reception. As the song's climax is reached, Carey and Miller are shown running from the reception, as the guests stand up in awe, and watch the pair leave. Carey, dressed in the white shirt, is shown with growing anticipation, crying to the camera and moving her hands and hair. Back at the wedding scene, Carey and her lover get into his vehicle, and drive away as her 27-foot train hangs behind the car. The video was nominated for "Best R&B Video" and "Best Female Video" at the 2005MTV Video Music Awards.[78] As of October 2025, the music video reached over 740 million views onYouTube, making it Carey's most-viewed music video that is not a Christmas single, and third-most-viewed video overall, behind "All I Want for Christmas is You" (twice).
Due to its continued chart success, Carey performed "We Belong Together" on several live televised performances and included it on the set-lists of all of her tours after its release. In the United Kingdom, Carey filmed a two-part appearance on the British music programTop of the Pops, performing "It's Like That", "We Belong Together", and "Shake It Off".[79] Additional European and Asian appearances included an interview on the French talk showLe Grand Journal, and a performance of "We Belong Together" on bothMusic Station andRiponggi Hills in Japan.[79] After returning to the United States for a string of televised performances, Carey launched the release of the album onGood Morning America, in the form of a five-piece outdoor concert.[80] The concert, taking place inTimes Square and featuring the largest crowd in the plaza since the 2004 New Year's Eve celebration, featured the first three singles from the album, as well as "Fly Like a Bird" and "Make It Happen" (1991).[81][82] The following week, she performed "We Belong Together" at the 2005BET Awards, with an additional appearance at the annualVH1 Save the Music special, filmed live on April 17 from theBeacon Theatre.[83][84][85][86] Throughout May, Carey appeared on several US television programs, performing "We Belong Together" on theLate Show with David Letterman (May 5),The Tonight Show with Jay Leno (May 11), andThe Ellen DeGeneres Show (May 13), which included a performance of "It's Like That".[16][87][88][89] As June approached, Carey made an appearance onThe Oprah Winfrey Show (May 24), featuring a live rendition of "We Belong Together". She appeared on stage wearing a long blue evening gown, and featured a four piece band, as well as three background vocalists.[16][88]
Carey performing "We Belong Together" on her Angels Advocate Tour
The following week, Carey made a live appearance at the2005 MTV Movie Awards.[90][91] The recital aired on television inblack and white format, with Carey wearing a redArmani Privé and sporting a retro curled hairstyle, appearing in color. She performed "We Belong Together" on a whiterunway-styled stage with four male and female dancers.[92][93] Following the stateside promotion of the album, Carey traveled to the United Kingdom on July 2, 2005, for a benefit concert held inHyde Park, London titledLive 8.[94] The televised event was watched by over 9.6 million British citizens and held a live audience of over 200,000.[94][95] Carey performed a three song set-list, opening with "Make It Happen" and "Hero", which featured a live choir of African children, and followed by "We Belong Together".[94][95] On July 4, she performed at the annualMacy's 4th of July Fireworks, singing "America the Beautiful" and "We Belong Together".[96][97] On August 3,USA Today announced that Carey would be added to the roster of performers at the2005 MTV Video Music Awards, held on the 28th of the month.[98] The ceremony was held at theAmerican Airlines Arena in downtownMiami Beach Florida, with Carey's performance taking place at the National Hotel inSouth Beach.[99] Apart fromthe Killers, she was the only performer to tape their appearance from an undisclosed location in Miami. After being introduced byEva Longoria, Carey appeared on a long stage in the hotel's courtyard, with Dupri opening the song in a nearby cabana.[100] After performing "Shake It Off" and the official remix version of "We Belong Together", Carey made her way into the shallow pool, followed by Dupri and the back-up dancers.[100] Following the awards ceremony, Carey once again took to Europe, being featured as a head-lining performer at the 2005Fashion Rocks, held inMonaco.[101] Following her introduction byDonatella Versace, Carey performed the Peter Rauhofer Remix for "We Belong Together" on a suspended rafter, while wearing a metallicVersace gown.[102] Carey played a similarly-choreographed performance of the song's Peter Rauhofer Remix at the GermanBambi Awards, held in October 2005.[103] Two months later, she celebrated the new year on television, placing as the featured performer at theTimes Square Ball drop on New Year's Eve in New York.[104] The special, titledDick Clark's New Year's Rockin' Eve with Ryan Seacrest, aired onABC at 10 pm on December 31, and featured Carey on stage wearing a short sparkling dress, and performing a selection of the album's singles.[105][106][107]
At the48th Grammy Awards, held on February 8, 2006, Carey was nominated for eight awards—the most she had ever received in one night.[108] That night, Carey returned to the Grammy stage for the first time since 1996.[109] Her performance opened with a pre-taped video in which she discussed the importance of God and religion in her life.[110] Carey then came to the stage, dressed in a whiteChanel gown, and sang a shortened version of "We Belong Together". Next, Carey's pastor Clarence Keaton read a Bible passage to open Carey's performance of "Fly Like a Bird", as he did in the studio recording of the song.[111] Midway through the song, a black temporary wall was removed, revealing a large choir who joined Carey for the song's gospel climax.[112] The performance earned the night's only standing ovation, promptingTeri Hatcher, who was presenting the next award, to exclaim, "It's like we've all just been saved!"[113] Carey's performance earned rave reviews from critics.[114][115][116] Gary Susman fromEntertainment Weekly called Carey the "comeback queen", noting that her voice "soar[ed] into the rafters like only Carey's can."[110] Carey included "We Belong Together" on both succeeding tours following its release, theAdventures of Mimi andAngels Advocate Tours. On the former, the song was featured as the encore number, with Carey re-entering the arenas in a form fitting beige evening gown.[117][118] Backed by three background vocalists,Trey Lorenz, Sherry Tatum, and MaryAnn Tatum, Carey began the song as confetti dropped the arena rafters.[117] According to Jennifer Vineyard fromMTV News, the performance was "a major accomplishment", and the highlight of the show, and found Carey re-connect with the audience in ways that she was unable throughout most of the show.[118] Similarly, during her Angel's Advocate Tour, the song was placed as one of the final numbers on the set-list. Dressed in a blackHerve Leger gown, Carey introduced the song as theBillboard's "song of the decade", and thanked the audience for making it her sixteenth number 1 single in the United States.[119] Following the song's completion, Carey exited the arena for a few moments, before returning to perform "Hero" as the encore.[119]
On February 12, 2021, Carey performed the song live onLive with Kelly and Ryan ahead of Valentine's Day with a new live mix entitled the "Mimi's Late Night Valentine’s Mix".[120]
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
^Meyer, Andre (December 13, 2005)."Carey On".CBC News. Canadian Broadcasting Corporation. Archived fromthe original on June 28, 2011. RetrievedFebruary 24, 2011.
^Paoletta, Michael (April 16, 2005)."Essential Reviews".Billboard. Prometheus Global Media.Archived from the original on January 15, 2023. RetrievedFebruary 5, 2011.
^Aniftos, Rania; Atkinson, Katie; Bain, Katie; Renner Brown, Eric; Chan, Anna; et al. (October 19, 2023)."The 500 Best Pop Songs: Staff List".Billboard. Penske Media Corporation. RetrievedMay 16, 2025.
^Gundersen, Edna (November 28, 2002)."Mariah Carey, 'Standing Again'".USA Today. Gannett Company.Archived from the original on October 16, 2011. RetrievedFebruary 8, 2011.
^abcPietroluongo, Silvio (September 25, 2005)."The Billboard Hot 100".Billboard. Prometheus Global Media.Archived from the original on January 15, 2023. RetrievedJuly 27, 2011.
^abWe Belong Together (Danish maxi-single liner notes). Mariah Carey. Island Records. 2005. 945 342-8.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^abSlezak, Michael (August 29, 2005)."The Video Music Awards".Entertainment Weekly. Time Warner.Archived from the original on January 5, 2011. RetrievedMay 10, 2011.
^abSusman, Gary (April 11, 2005)."Dance To The Music".Entertainment Weekly. Time Warner.Archived from the original on October 21, 2012. RetrievedFebruary 21, 2011.
^"Smooth Jazz Top 30".Radio & Records. November 25, 2005. p. 50.
^ab"R&R Top 15 Song Index".Radio & Records. December 9, 2005. p. 47.
^ab"R&R Top 15 Song Index".Radio & Records. December 9, 2005. p. 49.
^"Archived copy"(PDF).www.recordreport.com.ve. Archived fromthe original(PDF) on August 14, 2006. RetrievedJanuary 12, 2025.{{cite web}}: CS1 maint: archived copy as title (link)