 | This article includes a list ofgeneral references, butit lacks sufficient correspondinginline citations. Please help toimprove this article byintroducing more precise citations.(October 2012) (Learn how and when to remove this message) |
| "Warszawa" | |
|---|---|
| Song byDavid Bowie | |
| from the albumLow | |
| Released | 14 January 1977 (1977-01-14) |
| Recorded | September–November 1976 |
| Studio | Château d'Hérouville (Hérouville)[1] |
| Genre | Ambient,electronic |
| Length | 6:23 |
| Label | RCA |
| Songwriters | David Bowie andBrian Eno |
| Producers | David Bowie andTony Visconti |
"Warszawa" is a mostlyinstrumental song byDavid Bowie andBrian Eno originally released in 1977 on the albumLow. The bandJoy Division was initially called Warsaw as a reference to this song.[2]
The piece is intended to evoke the "very bleak atmosphere" Bowie said he experienced from his visit to Warsaw the previous year. He had to leave the recording sessions to travel to Paris where he was dealing with some legal issues. He instructed Eno to create "a really slow piece of music with a very emotive, almost religious feel to it".[3] The melody Bowie sings in the middle part of the song is based on a recording of "Helokanie" byPolish folkchoirŚląsk,[4] although Bowie's lyrics are invented words, not words in Polish.[5] Bowie had purchased a recording of Śląsk performing the piece during a stopover in Warsaw.[4]
The piece is in four sections. The first section features drones in octaves played on piano and synthesisers. A fanfare motif states the chord of A major which is answered by a phrase: A, B, C, transforming it to A minor. It is these notes that Eno says he heard being played repeatedly by Tony Visconti's son at the studio piano. Transposed up a semitone, they later form the opening of the main melody at 1:17 in the key of F# major. This is played on aChamberlin, a keyboard instrument that utilises tape loops of orchestral instruments, with Eno using the voices of cellos and flutes. After the melody is heard twice, at 3':47" the key drops a tone to E major, the texture thins out and Bowie's vocal enters. At 5':24" the final section starts which is reprise of the first half of the melody heard at 1':17".
It was used as a live opener on Bowie'sIsolar II andHeathen tours. Rather than quickly delving deeply into loud rock music, the song was used to intentionally provoke[citation needed] the audience into a calm, holding them initially in deep suspense. Bowie's choice to maintain a low profile during 1978[citation needed] was expressed through his entrance to the stage during this song, not singing, but simply sinking into the band and playing the Chamberlin until his cue to sing the lyrics. These versions had Bowie on Chamberlin,Simon House on electric violin (and a violin solo to replace the higher notes sung by Bowie on original recording),Roger Powell on synthesizers,Sean Mayes on grand piano andARP Solina String Synthesizer,George Murray on bass guitar,Dennis Davis on cymbals and percussion withCarlos Alomar conducting the band andAdrian Belew looking on with his electric guitar turned down (waiting for his cue to begin "Heroes" the song that was played afterwards).
