Walter Frentz | |
|---|---|
.jpg) Walter Frentz filming the1936 Summer Olympics for the film "Olympia" inOlympiastadion assisted by bothLeni Riefenstahl and a crew. (See original picture below) | |
| Born | (1907-08-21)21 August 1907 Heilbronn,Kingdom of Württemberg,German Empire |
| Died | 6 July 2004(2004-07-06) (aged 96) Überlingen,Baden-Württemberg,Germany |
| Allegiance |  Nazi Germany |
| Service | Luftwaffe |
| Years of service | 1938–1945 |
| Rank |  Oberleutnant |
| Battles / wars | World War II |
| Other work | Film Photographer |
Walter Frentz (German:[ˈvaltɐˈfʁɛnts]ⓘ; 21 August 1907 – 6 July 2004) was aGerman cameraman, film producer and photographer, who was considerably involved in the picturepropaganda ofNazi Germany[1]
Frentz was born atHeilbronn. During the Nazi regime in Germany, he worked as a cameraman forLeni Riefenstahl; from 1939 to 1945, he was closely associated with photographing and filming activities of higher echelons of leaders of Nazi Germany, including German dictatorAdolf Hitler. He was with Hitler in theFührerbunker until 24 April 1945.[2]
At the beginning of 1945, Frentz began to photograph German cities destroyed by the war in color: Berlin, Dresden, Frankfurt am Main, Freiburg, Heilbronn, Cologne, Munich, Nuremberg, Paderborn, Ulm. At the end of March 1945, Frentz took the last film footage of Hitler, which is now among his most famous images: Hitler awards child soldiers in the courtyard of the New Reich Chancellery. On April 24, 1945, Frentz left Berlin and spent the last days of the war in theObersalzberg.
In 1945/46, Frentz was twice interned by the Americans for short periods. His lack of fame soon enabled him to pursue a career as a cultural filmmaker and traveling lecturer without being disturbed. He gave slide presentations at adult education centers until the 1990s. However, he was unable to repeat his pre-war successes.
His film work after 1945 was of rather marginal importance; he made tourism films for the DJH (“Look in the country”), educational and information films for federal ministries (“That's how it should be, the pig”) and again kayak films. Since the 1960s, various authors (includingJohn Toland,David Irving,Gitta Sereny) have interviewed him as a contemporary witness. Around this time, he also began to market his pictures from the Nazi era on a smaller scale. The growing interest in color photography from the “Third Reich” then led to an increased use of his photographs in German and foreign print media in the 1990s. The images were used for serious publications and press products, as well as being widely received and used in right-wing and right-wing extremist circles.
The German Canoe Association awarded Frentz the "Silver DKV Badge of Honour" at the 1977 German Canoe Day in Recklinghausen.[3]
Frentz married the widow Edeltrude Esser in 1949 and became stepfather to her four children. The marriage produced another son in 1953.[4] He died atÜberlingen in 2004.
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