Thesecond "wave" ofWalt Disney Treasures was released December 3, 2002.[1] This was the final wave with the tin's individual number embossed on the tin.[2] 125,000 sets were produced.[3]
Frank and Ollie... and Mickey: An interview betweenLeonard Maltin and two of the most legendary Disney artists of all time,Frank Thomas andOllie Johnston. Even though they joined the Disney team towards the end of Mickey's days in black and white, they have a lot to say about what the character meant to them, both before and during their days with Disney.
Two Story Scripts: These scripts first provide a look at a complete panel and then a close-up of the text and the picture on each panel. The two scripts are for "Steamboat Willie" and "Mickey Steps Out".
Story Sketches: Various story sketch sequences from some of the cartoons presented on this disc.
The Mickey Mouse Club:Easter egg bonus involving the Mickey Mouse Club,not the more familiar TV show of the 1950s, but an actual club popping up across the nation in 1930's. This supplement takes viewers inside those club meetings via a newsreel profiling them during the era. There is also a short that was created by Disney exclusively for these clubs: a sing-along to "Minnie's Yoo Hoo" with Mickey Mouse, complete with a second verse.
This set provides a look at all of the cartoons involving the career ofGoofy prior to its release, except forHow to Ride a Horse (1941) (a segment fromThe Reluctant Dragon) (although the original theatrical poster is included in the Disc 2 gallery),El Gaucho Goofy (1943) (a segment from the package filmSaludos Amigos),Freewayphobia #1 (1965),Goofy's Freeway Trouble (1965), andSport Goofy in Soccermania (TV special) (1987).
The "Donald & Goofy" shortsPolar Trappers (1938),The Fox Hunt (1938),Billposters (1940),No Sail (1945),Frank Duck Brings 'em Back Alive (1946), andCrazy with the Heat (1947) are instead included onThe Chronological Donald, Volume 1,Volume 2 andVolume 3, respectively, because they have always been put underDonald Duck's filmography, not Goofy's.
In addition to the commentary provided by Leonard Maltin for some of the galleries on Disc 2, Goofy himself (voiced by Bill Farmer) provides some comments on others.
The Essential Goof: Using a montage of clips from the various Goofy shorts on this set, the analysis of the character, as spoken by the one who originally drew him,Art Babbitt (who also createdthe Big Bad Wolf and the balletic mushrooms inFantasia) is repeated here. You can view the entire analysis on the article on Goofy by clickinghere. Incidentally, Art's narration is actually spoken byEarl Boen.
The Man Behind the Goof: A mini-biography about the original voice of Goofy,Pinto Colvig. This biography reveals that in his youth, Colvig loved to travel with the circus, where he'd perform as a clown. He spent much of his life atDisney where in addition to voicing Goofy, he'd also voicedPluto, the Practical Pig, the Grasshopper inThe Grasshopper and the Ants (where Colvig, as the grasshopper, sang "The World Owes Me a Livin'", which he'd later add to Goofy) and two of theSeven Dwarfs (specifically, Grumpy and Sleepy). He also left Disney temporarily to voice Gabby atMax Fleischer's studios, but later returned to Disney where he'd spend the rest of his life voicing Goofy. He also was the originalBozo the Clown forCapitol Records on records, radio and television.
A Conversation With Goofy's Voice: Bill Farmer: As the title implies, Maltin interviews the present voice of Goofy,Bill Farmer, who had been voicing Goofy since 1986. Farmer reveals his origins and how he came to voice Goofy. It is revealed that Farmer had voiced Goofy in more than 3000 different Disney projects, not only cartoons, but also albums, telephones, commercials and many others.
Poster Gallery: Many of the posters of the Goofy shorts are presented here. Goofy provides the commentary here.
Memorabilia Gallery: This gallery shows off various Goofy memorabilia, such as books and albums.
Goofy Through the Years Gallery: This gallery reveals storyboard sketches, animation drawings and background paintings of many of the Goofy shorts presented. Goofy again provides commentary.
This set provides a history of the Walt Disney Studios and of animation from the days of the caveman to the present. Along with a tour of the studios, some Disney animators are introduced and the process of producing films at Disney is covered. Most of the contents are fromWalt Disney anthology series.
A Trip Through the Walt Disney Studios (1937): This short film, made by Disney at the request of then-distributorRKO Radio Pictures, explores the promotion ofSnow White and the Seven Dwarfs. It offers a look at the film as well as a behind-the-scenes visit to the Disney Studio for an introduction to the artists and animators and their process. This film first appeared in 2001 on the 2-discSnow White Platinum Edition DVD set.
How Walt Disney Cartoons Are Made (1938): This promotional film, which also first appeared on theSnow White Platinum Edition DVD set in 2001, is a more family-friendly version ofA Trip Through the Walt Disney Studios.
The Reluctant Dragon (1941): This film features actor and humoristRobert Benchley wandering through the new and improvedDisney Studios inBurbank to try to find Walt, in hopes of selling him on the idea of making a film ofKenneth Grahame's book,The Reluctant Dragon. He explores an art class, dialogue and sound effects stages, the multiplane camera department, the paint department and, finally, the story and animation departments until finally he discovers Disney has already finished the cartoon version of the story.
Leonard Maltin's Studio Tour: Maltin provides a history of the studio, from the days of theAlice Comedies to the present day.
Behind the Boards on Baby Weems: An interview with longtime Disney story man and artistJoe Grant. Maltin discusses how Grant got his start at the studio and the unusual story-reel format of the "Baby Weems" short seen inThe Reluctant Dragon. Grant reveals that "Weems" and the "Dragon" shorts from the film were both originally considered for full-length theatrical releases, but ultimately didn't warrant the longer running time.
The Reluctant Dragon Gallery: Promotional black-and-white stills of the film and its actors.
The Story of the Animated Drawing: On this 1955 episode of theDisney anthology series, Walt serves as the delightful host as he discusses the history of animation from the days of the caveman to the days of some primitive mechanical animation contraptions in the 1800s that were used to experiment with the art form. Then it moves on to more advance types of animation experiments, such as inJ. Stuart Blackton'sHumorous Phases of Funny Faces,Winsor McCay'sGertie the Dinosaur and even a demonstration of how music was synchronized into cartoons in the early days of the cinema.
The Plausible Impossible: On this 1956 episode of the anthology series, Walt explains how his animators make the impossible seem realistic through various cartoons with Mickey and Donald. This episode also includes a pencil-test form of one scene fromSnow White that was ultimately not used in the final film.
Tricks of our Trade: On this 1957 episode of the anthology series, Walt dwells on how animators study real life to create their illustrations. Examples are given fromFantasia on following a live ballerina to draw the animals' movements inDance of the Hours, and copying actual bubbles to produce the boiling lava inThe Rite of Spring. The groundbreaking multiplane camera is shown off, demonstrating how it is used to mimic real landscapes, since plain animated backgrounds seem to be too plain and create a false effect.
Kem Weber Gallery: This gallery has architectural concept art for the Burbank lot.
Tour of the Disney Studio: This is a rare half-hour radio broadcast from Australia in 1946, in which studio personnelHomer Brightman,Harry Reeves,Eric Larson and Walt himself offer general information on the making of the animated films at the time.
