New Zealand | |
| Value | 5/—(5 shillings, or ¼£NZ) |
|---|---|
| Mass | 28.27 g |
| Diameter | 38.61 mm |
| Edge | Milled |
| Shape | Round |
| Composition | 50%Ag |
| Years of minting | 1935 |
| Mintage | 1,128 (including 468 proofs) |
| Obverse | |
 | |
| Design | Crowned bust ofGeorge V |
| Designer | Percy Metcalfe |
| Reverse | |
 | |
| Design | Handshake betweenTāmati Wāka Nene andWilliam Hobson |
| Designer | Percy Metcalfe |
TheWaitangi crown is a commemorativecrown coin struck in 1935 by theBritish Royal Mint for theDominion of New Zealand to commemorate the 1840 signing of theTreaty of Waitangi, often seen as New Zealand's foundingconstitutional document. It was the first five-shilling piece minted of theNew Zealand pound and the nation's first coin minted primarily forcollectors. Following the rejection of designs byJames Berry andGeorge Kruger Gray, Royal Mint designer Percy Metcalfe (who had also designed the bust ofGeorge V on the coin's obverse) was commissioned to design the reverse. Design disagreements plagued the production of the crown, and only an extremely small mintage of 1,128 (including 468proofs) was struck and distributed to collectors. Released to muted media coverage and a general lack of interest in coin collecting during the economic aftermath of theGreat Depression, the coin has become heavily sought by collectors of New Zealand coinage. Regularly selling for thousands of dollars, onepattern issue of the coin auctioned at over $70,000USD, becoming the most expensive New Zealand coin ever sold.
TheTreaty of Waitangi is an 1840 treaty signed at theBay of Islands between variousMāori chiefs and British representativeWilliam Hobson. Succeeding New Zealand's earlierDeclaration of Independence, the treaty established the sovereignty ofthe Crown over New Zealand as a portion ofNew South Wales alongside the recognition of autonomy and certain land rights for Māori.[1] The treaty, although not directly enforceable, would become a constitutional document for New Zealand and the relationship between Māori andPākehā.[2]
While various foreign silver coinage was used in its initial period of colonisation, British silver coins became dominant following the confirmation of thepound sterling as the sole legal tender in 1858, alongside various locally issuedcopper tokens.[3] Although never a legal tender, the introduction of theAustralian pound led to the occasional circulation of Australian coinage, accelerated by theGreat Depression. By 1931, an estimated 30%-40% of circulating coins in New Zealand were Australian. The devaluation of the New Zealand pound relative to thepound sterling led to mass currency smuggling and coin shortages.[4] TheCoinage Act, 1933, allowed the issue of independent coinage of the New Zealand pound. The act set out weight and purity specifications for six denominations of silver coinage, requiring all coinage to be produced at 50% silver by weight.[5] Although the crown was among the denominations listed in the act, theRoyal Mint minted only the five smaller denominations for 1933 and 1934. No design was proposed for a crown denomination during the initial selection process. Any future crown issue were defined as a coin with a diameter of 1.525 inches, and a weight of 28.27 grams.[6] Like other New Zealand silver coinage, the rim of the coin was milled.[7]
All obverse designs in the series used a crowned bust portrait ofGeorge V initially designed byPercy Metcalfe for use on theSouthern Rhodesian pound. This new portrait was adapted from an older portrait designed byBertram Mackennal, featured on other British colonial coinage.[8]
TheNew Zealand Numismatic Society served a significant role in the designs of the 1933 coinage series, with several members of the society placed on the Coinage Committee organised byGordon Coates, organised to wrestle control over the designs from the Royal Mint Advisory Committee and Deputy MasterRobert Johnson.[8] Royal Mint artistGeorge Kruger Gray worked off Coinage Committee proposals during the later stages of the design process.[9]Allan Sutherland, honorary secretary of the Society and its representative to the Coinage Committee, first proposed a commemorative crown issue toSecretary to the Treasury Alexander Dallas Park in October 1933, during the final stages of the production of the initial issue of coinage. Sutherland cited precedence in the commemorative crown issues of the British pound alongside potential government profit. He proposed a mintage of at least 10,000 collectors' sets (through which the coin would be exclusively available), due to increased collector demand for a newly introduced coinage such as the New Zealand pound.[10]
The government was receptive to the proposal, and informed the Numismatic Society in January 1934, of their intention to produce such a coin to commemorate the Treaty of Waitangi. Allan Sutherland and Society presidentJohn Rankine Brown disapproved of the choice of subject matter, believing the upcoming 1940 centenary of the treaty more appropriate for such commemoration.[9] Finance Minister Gordon Coates publicly announced the coin in theAuckland Star on February 7, following the first officialWaitangi Day celebrations. This announcement described an earlier version of the design, featuring several missionaries (includingReverend Henry Williams) alongside Nene and Hobson. Incorrectly stating it was to be designed by Kruger Gray, local artistJames Berry had been commissioned to create the initial design.[11][10]
Berry's sketches were commissioned as blueprints for designers at the Royal Mint to work upon. Abas-relief on the base of theWellington Queen Victoria monument, later featured on the reverse of theten-shilling banknote, was used as inspiration for one of the designs, with Sutherland suggesting this would allow for the display of a number of figures without overcrowding the design. Another design by Berry was later modeled in plaster by Kruger Gray, showing a handshake between Hobson and Wāka Nene, with a misspelled "‘Witangi" above the motif. These designs were disliked by the Royal Mint and dismissed.[10]
On recommendation bySir Goscombe John,Percy Metcalfe was eventually tasked to model the coin. Metcalfe had previously designed a series of rejected models for the 1933 issue.[8] In July 1934, six weeks after Berry's design was rejected, Metcalfe presented photographs of another model to a receptive Royal Mint. This design was possibly inspired by James Berry's work, who had previously mentioned an alternate design featuring the two figures standing beneath a crown. Another inspiration was a relief by 18th-century British sculptorJohn Flaxman,Mercury Uniting the Hands of Britain and France. The design featured a cloaked Wāka Nene, wearing and holding ataiaha, shaking hands with William Hobson beneath a royal crown. Unlike later designs, Nene lacks facial tattoos in the initial model. Metcalfe and Robert Johnson were relatively unfamiliar with the source material. Johnson was initially unaware if Captain Hobson should be depicted as bearded or clean-shaven. Despite production timelines stretching into late 1934, the model was dated 1933 in line with the other coins of the initial series.[10]
Some small suggestions, mainly regarding Hobson's uniform, were offered to Metcalfe by the Royal Mint, but work on the design was halted byGordon Coates in early September 1934. In November, Coates alerted the Royal Mint of issues taken with the modelling of Nene's limbs and clothing. He requested the refinement of the chief's limbs into a less rigid position, regarding them as rigid and poorly-shaped; he additionally suggested that the crown motif be shrunk down and that Nene's cloak be replaced with a topless outfit featuring apiupiu. Coates described the figures' faces as "neither [...] bear any resemblance to personalities intended to be depicted."[10]
Unaware of Coates' issues with the coin, Metcalfe continued work on the design. His second model, dated 1934, resolved several of the issues, replacing Nene's cloak with thepiupiu, refining his limbs, and adjusting the rendering of Hobson's trousers. Later alerted of Coates' proposals, Metcalfe was frustrated, stating that he would only decrease the size of the crown if forced to. On November 28, Coates sent a second telegram, describing Nene's limbs and hands as un-Māori. A frustrated Robert Johnson replied to another member of the Coinage Committee "I have no idea […] in what way the limbs and size of Maori hands differ from those of ordinary human beings."[10]
Metcalfe, being scheduled to visit Iraq to model KingGhazi's image for local coinage, hurried over the following few weeks a remodel of the coin. Conceding to Coates' demand for a smaller crown, he further altered Nene's limbs and garb. This redesign was well-received by the New Zealand-based committee, and by May 1935 pattern strikes of the coins were produced. Coates reviewed the coinage but was still disappointed by the figures' legs and requested revisions. In July 1935, Metcalfe completed the final revision of the coin, which was approved by Coates. Chief Nene'spiupiu was raised to end at his knees, his legs were remodeled, and the crown was increased in size as a compromise between earlier revisions. Metcalfe, visiting the Mint production line in August 1935, expressed dislike of the final design.[10] The crown, like the laterCentennial half-crown, was struck on silver sourced from theMartha Mine inWaihi.[12]
The Waitangi crown was released to collectors in three formats: as an uncirculated coin, as a proof coin, and as part of a proof set of all 1935 coinage. In total, 1,128 crowns were produced, including 468 proofs. While the majority were exported to New Zealand, theNew Zealand High Commission sold some to collectors in London. The first order of single crown pieces was shipped to New Zealand within unsecured mint bags, resulting in scratching and bag marks on many of the coins. Complaints by the High Commission were dismissed by the Royal Mint, claiming that they had not been informed the crowns were intended for collectors.[13]
I was astounded to find the Crowns were made up in Parcels of 20 pieces without even a piece of paper in-between each Coin to keep them from rubbing together.. These coins were made especially for collectors’ use and were proofed for that purpose and an extra charge of 50% was made. I have gone carefully through the 200 I have and cannot find one piece an advanced collector would with pleasure put into his cabinet.
The crowns were sold for seven shillings and six pence in New Zealand. Proof sets were sold for eighteen shillings and six pence in cardboard boxes, or for twenty-five shillings in leather cases. Such prices were high during the waning years of theGreat Depression, and numismatics remained a relatively niche hobby in New Zealand during the period.[13] Only a single newspaper article mentioned the coin's release. There was a general apathy and lack of public interest towards the coin, contrasting much greater public demand in 1940 during the release of the Centennial half-crown.[10]
Demand and pricing for the Waitangi crown slowly rose in the decades following the coin's release. By 1960, an example was estimated to be worth only NZ£30, although this was predicted to rise in the future.[14] The coins regularly sell for thousands of dollars, greatly increasing in uncirculated condition.[15] A Waitangipattern featuring the smaller crown design, gradedMS64 byNGC,[16] sold for US$72,000 in a 2021Heritage auction, becoming the most expensive New Zealand coin.[17] The other known example of this pattern design is held by theReserve Bank of New Zealand.[10]