Volker Bertelmann | |
|---|---|
Bertelmann in 2025 | |
| Background information | |
| Born | Volker Bertelmann (1966-10-11)11 October 1966 (age 59) |
| Origin | Düsseldorf, Germany |
| Genres | |
| Occupation(s) | Musician, composer |
| Instrument(s) | Piano,prepared piano |
| Years active | 1992–present |
| Labels | |
| Formerly of | God’s Favorite Dog |
| Website | hauschka-net |
Volker Bertelmann (born 11 October 1966)[1] is a German composer, pianist and former rapper who mainly performs and records under the nameHauschka. He is best known for his compositions forprepared piano.[2][3] He won anAcademy Award and aBAFTA Award forhis score forAll Quiet on the Western Front (2022).
Bertelmann was born inKreuztal, Germany. He grew up in the village of Ferndorf in the district ofSiegen-Wittgenstein,North Rhine-Westphalia. The fifth of six children, he discovered piano playing at the age of eight at church service. He began studying classical piano and continued taking lessons for the next ten years.[4]
Bertelmann formed his first rock band when he was fourteen. During the following years he was commissioned to compose music for television and sang in a number of other bands. After leaving school he moved toCologne, where he began studying medicine and then switched to a course in business economics, but gave up both in order to concentrate on music.[4]
In 1992, Bertelmann and his cousin formed the hip-hop duo God's Favorite Dog, who became known above all for their tracksLove and Pain andSway. They released an album on Sony Music's Epic label and went on to perform nationally and internationally, among others as a support act forDie Fantastischen Vier. The duo split in 1995 to pursue other directions.[5]
After a period of drifting, Bertelmann moved toDüsseldorf and started making music again, drawing on his years of classical piano training. He composed pieces for piano and released them under the alias Hauschka; he wanted to use an Eastern European-sounding pseudonym and found Bohemian composerVincenz Hauschka as a reference.[6]
The first album under the name Hauschka,Substantial, was released in 2004 on the Cologne labelKaraoke Kalk, followed in 2005 byThe Prepared Piano on the same label. On this second album Bertelmann explored the possibilities of theprepared piano by wedging pieces of leather, felt or rubber between the piano strings, wrapping aluminium foil around the hammers, placing small objects on the strings or joining them together with guitar strings or adhesive tape.[7]
In 2007 Bertelmann signed a recording contract with 130701, an imprint ofFatCat Records, through which his albumFerndorf was released in 2008.[8]
Following a concert performance with theMagik*Magik Orchestra, Bertelmann decided to integrate other musical instruments into his compositions, and in January 2010 the resulting works were performed inSan Francisco by an orchestra led byMinna Choi. With Ian Pellicci as the sound engineer, they were recorded inJohn Vanderslice'sTiny Telephone Studios. Volker Bertelmann then recorded the piano tracks at Studio Zwei in Düsseldorf, and the albumForeign Landscapes was released on the 130701 label later that year.[9][10]

On his 2011 albumSalon des Amateurs Bertelmann collaborated with notable musicians such as Samuli Kosminen (Múm,Edea), Jeffrey Zeigler (exKronos Quartet), Pekka Kusisto, The band Múm, Nik Bartsch, Henrik Schwarz andHilary Hahn, as well asCalexico'sJoey Burns andJohn Convertino. These recordings were originally intended as a joint release withForeign Landscapes, whereby on the one hand the piano was going to be just one instrument among many, and on the other it was to be used primarily as a rhythm instrument.[11] The recorded pieces did not fit together in the way Bertelmann had envisaged, however, so he decided to release the two albums separately.Foreign Landscapes represents a shift of focus away from the prepared piano as a solo instrument, whileSalon des Amateurs signals a move towards a more strongly rhythmic approach.[12]
The release ofSalon des Amateurs was followed by the release of remix albumSalon des Amateurs Remixes, which featured notable contributions byMichael Mayer,Matthew Herbert, Max Loderbauer &Ricardo Villalobos,Alva Noto and Steve Bicknell.
In May 2012Silfra, a collaborative album with the American violinist Hilary Hahn, was released onDeutsche Grammophon. Named after theSilfra rift inIceland, it consists of twelve improvisations by Bertelmann and Hahn that were recorded byValgeir Sigurdsson at Greenhouse Studios inReykjavík.[13]
In 2012 Bertelmann wrote his first score for a feature film, entitledGlück, which was directed byDoris Dörrie.[14]

In 2015, Bertelmann was an artist-in-residence at theMDR Leipzig Radio Symphony Orchestra. He created three pieces for them, most notably his collaboration with Múm entitled "Drowning", which they premiered at theGewandhaus in Leipzig on 27 June 2015.[15] In 2016, he was commissioned to create a piece for acclaimed cellistNicholas Altstädt. The piece, "Lost", premiered at Viva Cello in September 2016.[16]
In 2016, Bertelmann collaborated withDustin O'Halloran on the score for the Oscar-nominated filmLion.[17] The score of the film was nominated for all major awards including the Academy Awards, Golden Globes, BAFTAs and Critics' Choice Awards.
In 2017, he released solo albumWhat If on City Slang and Temporary Residence. The album explores the possibilities of his music, inspired by hip-hop, performed by fast and accurate player pianos. Bertelmann wrote two pieces forAvi Avital, called Flood and Drought, which premiered at theSchleswig-Holstein Musik Festival in July 2017.[4]
In 2018, he composed the score for the filmAdrift, which is based on the true story of a sailor stranded at sea after a storm.Adrift is directed byBaltasar Kormákur and starsShailene Woodley andSam Claflin. Bertelmann stated, "Collaborating with Baltasar Kormákur was a wonderful experience and he gave me a lot of freedom to find the right sound for the film.Adrift tells a story about love and the fragility of human existence, so I wanted to create some sort of instrumental tension to reflect both the darkness and peril, as well as the lightness and love in this film. We ended up recording a full string orchestra at British Grove in London and added piano and experimental electronics to create a diverse and dynamic score. I'm very happy with the result, and I feel fortunate to have been part of this powerful film."[18]
In 2019, he created the Hauschka Composer Toolkit sample library withSpitfire Audio, featuring many of his signature sounds.
2020 had him doing Netflix's blockbuster movie of the summer,The Old Guard starringCharlize Theron, as well asSummerland with Gemma Arterton, Francis Lee's romantic dramaAmmonite, and the sci-fi movieStowaway starringAnna Kendrick andToni Collette.
In 2022, he scoredAll Quiet on the Western Front for Netflix, the official Best International Feature Film Oscar-entry for Germany, andWar Sailor, both of which were official selections at the Toronto International Film Festival. For his work on the former, he won theAcademy Award for Best Original Score and theBAFTA Award for Best Original Music.
He has presentedTiny Desk Concerts twice, in 2010 and 2024.
| Year | Title | Director | Notes |
|---|---|---|---|
| 2007 | Wortbrot | Estelle Klawitter | |
| 2008 | Bloksky | Jeff Desom | Also actor, "Hektor Bloksky" |
| Act of Violence | Lars Henning Jung | ||
| 2009 | In Between a Kiss | Reza Rameri | |
| Morgenrot | Jeff Desom | Credited as Music by Hauschka | |
| 2010 | QC Notorious | Robert Agro-Melina | |
| 2011 | Sehnsucht | Faiza Zaidi | |
| 2012 | Bliss | Doris Dörrie | Music producer |
| 2013 | Wild Horses | Stephanie Martin | |
| 2014 | Futuro Beach | Karim Aïnouz | Credited as Hauschka |
| Farewell Herr Schwarz | Yael Reuveny | ||
| 2016 | The Boy | Craig William Macneill | Credited as Hauschka |
| In Dubious Battle | James Franco | ||
| Lion | Garth Davis | Composed withDustin O'Halloran, credited as Hauschka | |
| 2017 | The Current War | Alfonso Gomez-Rejon | Composed with Dustin O'Halloran Provided original score for the theatrical release, replaced with a new score bySaunder Jurriaans and Danny Bensi |
| 1000 Arten, den Regen zu beschreiben | Isabel Prahl | ||
| 2018 | Adrift | Baltasar Kormákur | |
| Hotel Mumbai | Anthony Maras | ||
| Ashes in the Snow | Marius A. Markevicius | ||
| 2019 | The Art of Racing in the Rain | Simon Curtis | Composed with Dustin O'Halloran Musician, piano |
| The Perfect Candidate | Haifaa al-Mansour | ||
| The Space Between the Lines | Vanessa Jopp | ||
| 2020 | Downhill | Nat Faxon andJim Rash | |
| The Old Guard | Gina Prince-Bythewood | Composed with Dustin O'Halloran | |
| Summerland | Jessica Swale | ||
| Ammonite | Francis Lee | Composed with Dustin O'Halloran | |
| 2021 | Stowaway | Joe Penna | |
| 2022 | Against the Ice | Peter Flinth | |
| Memory of Water | Saara Saarela | Credited as Hauschka | |
| All Quiet on the Western Front | Edward Berger | ||
| War Sailor | Gunnar Vikene | ||
| 2023 | Jules | Marc Turtletaub | |
| The Dive | Max Erlenwein | Composed with Raffael Seyfried | |
| One Life | James Hawes | ||
| 2024 | A Sacrifice | Jordan Scott | |
| The Crow | Rupert Sanders | ||
| Conclave | Edward Berger | ||
| 2025 | Delicious | Nele Mueller-Stöfen | Composed with Ben Winkler,it will be screened in Panorama at the75th Berlin International Film Festival in February 2025.[22] |
| The Amateur | James Hawes | ||
| Dead of Winter | Brian Kirk | ||
| Ballad of a Small Player | Edward Berger | ||
| A House of Dynamite | Kathryn Bigelow | ||
| Grand Prix of Europe | Waldemar Fast |
| Year | Title | Director | Notes |
|---|---|---|---|
| 2009 | Tales of the Defeated | Yael Reuveny | |
| 2016 | Deutschland. Ein Sommermärchen | Sönke Wortmann | Musician, prepared piano |
| Exodus | Hank Levine | ||
| 2017 | AlphaGo | Greg Kohs | |
| 2019 | Cunningham | Alla Kovgan | |
| Dialogue Earth | Hank Levine | ||
| 2023 | Hollywoodgate | Ibrahim Nash’at |
| Year | Title | Network | Notes |
|---|---|---|---|
| 2017 | Gunpowder | BBC One | TV miniseries |
| 2018 | Patrick Melrose | Showtime (US) Sky Atlantic (UK) | TV miniseries Credited as Hauschka |
| 2019 | The Name of the Rose | Rai 1 | TV miniseries |
| Dublin Murders | BBC One | ||
| A Christmas Carol | BBC One FX | TV miniseries Composed with Dustin O'Halloran | |
| 2020 | Your Honor | Showtime | TV miniseries |
| 2022 | Barbarians | Netflix | TV Series Composed for season 2 |
| Life after Life | BBC Two | TV miniseries | |
| 2024 | Social Studies | FX | Documentary series |
| Dune: Prophecy | Max | ||
| The Day of the Jackal | Sky Atlantic |
| Award | Year | Category | Nominated work | Result |
|---|---|---|---|---|
| Academy Awards | 2017 | Best Original Score | Lion | Nominated |
| 2023 | All Quiet on the Western Front | Won | ||
| 2025 | Conclave | Nominated | ||
| BAFTA Film Awards | 2017 | Best Film Music | Lion | Nominated |
| 2023 | All Quiet on the Western Front | Won | ||
| 2025 | Conclave | Nominated | ||
| BAFTA Television Craft Awards | 2019 | Best Original Music | Patrick Melrose | Nominated |
| Golden Globe | 2017 | Best Original Score | Lion | Nominated |
| 2025 | Conclave | Nominated | ||
| AACTA Awards | 2017 | Best Original Score | Lion | Won |
| 2019 | Hotel Mumbai | Nominated | ||
| Critics' Choice Movie Awards | 2016 | Best Score | Lion | Nominated |
| 2025 | Conclave | Nominated | ||
| Satellite Awards | 2025 | Best Original Score | Nominated | |
| Society of Composers & Lyricists | 2025 | Outstanding Original Score for a Studio Film | Nominated | |
| German Film Awards | 2023 | Best Film Music | All Quiet on the Western Front | Won |
| Havana Film Festival | 2014 | Best Music | Praia do Futuro | Nominated |