Vittorio Gorresio (18 July 1910 – 17 December 1982) was an Italian Journalist-commentator and essayist.^[1]

After he died, an admirer commended the complete originality of his approach. He was a political reporter who wanted to offer readers something more than mere information, albeit on a basis that was both timely and truthful, employing facts for which he was happy to serve as guarantor. He always took great care to provide an instantly "historical" portrayal of matters about which he wrote. This was achieved through an exceptionally broad and deep personal knowledge of the political world, but his work was also spiced with an elegant almostAnglo-Saxon style of humour, and supported by total independence in his judgements.^[2]

Vittorio Gorresio was born inModena. His parents, General Marco Gorresio and Teresa Silvestro/Gorresio,^[3] were both products of long-establishedPiedmontese army families from, respectively,Cuneo andMondovì. The Gorresios would not have been considered particularly wealthy, but the couple and their children were nevertheless able to live reasonably on Marco Gorresio's army salary. The family backgrounds of the two parents may have appeared very similar to outsiders, but there were differences of nuance that surfaced in differing attitudes to the great international question of Vittorio's early childhood, of whether or notItaly should engage militarily in theFirst World War. Marco Gorresio, a career soldier from a stronglyCatholicpro-Giolitti family, opposed military intervention. The Silvestros were a little more traditionalist and conservative: Teresa Silvestro/Gorresio, like her father, favoured the interventionist position.^[1]

The third of his parents' four children, Vittorio spent the first ten years of his life growing up inCuneo, a mid-sized and administratively important town in the west ofPiedmont. He would look back on those years as happy ones. There were two brothers, Umberto and Carlo, and a sister, Mamiani. Due to his father's work, the family relocated toRome in 1920. Here he attended theGinnasio Terenzio Mamiani (secondary school) till 1925, when the family moved for a year toZara (Dalmatia).^[4] The family then returned toRome where in 1928 Vittorio Gorresiosuccessfully concluded his school career. His brothers had by this time decided to follow their father into thearmy, but Vittorio had other ideas, so he enrolled at university as alaw student.^[5] He graduated in 1932.^[5] Family finances being stretched at the time, in parallel with his studies he took a job with thecity government (con "la III ripartizione del Governatorato di Roma").^[1]

He appears to have been planning to become a diplomat, but this was financially impossible, so he fell back on journalism. Both career options were attractive because they seemed to offer the opportunity to "travel the world". He began by sending articles to a wide range of newspapers and succeeded in having some of his work published. Looking back on this period, he would later recall that he had written about "anything and everything ... in a disorderly and disparate way ... but certainly not in a superficial manner". It is clear from the articles that he had published during these years that he approached his writing with a particular appreciation and fascination for History.^[1]

In 1932 he undertook hismilitary service, serving as a junior officer at theBra Artillery School (nearCuneo). Graduating the same year, he took a staff position with "L'Azione coloniale", a weekly political journal that operated under the personal direction of its proprietor, Marco Pomilio.^[6] At the same time he continued to write for other publications, and to build up a network of contacts and friends among the journalists based inRome. During this period he also became director of another weekly (and evidently short-lived) publication, "L'Eco del mondo e Storia".^[1]

He used "L'Eco del mondo e Storia" to publish the initial results of his research intoGioacchino Murat ofNaples. Subject to various interruptions, and without ever reaching a final set of conclusions or producing a substantive biography, Gorresio would continue to research Marat practically for the rest of his life. He also published two little books: "Questa Francia" (This France, 1934) was an impressionistic compilation based on a visit lasting around twenty days. "I giovani d'Europa" ("Europe's young people", 1936) was a somewhat idiosyncratic review of what young people were thinking. In later years he would view these early literary efforts with evident embarrassment, describing them as "venal sins of [his] youth".^[1]

In 1936 Gorresio was appointed a contributing editor toIl Messaggero, a mass-circulation daily newspaper published inRome.^[a] The appointment was based on a recommendation by the newspaper's editor-in-chief,Mario Missiroli. It is possible that the recommendation was not wholly disinterested. Missiroli seems to have been trying to ingratiate himself with sources at theMinistry for War, in which Marco Gorresio (1878–), Vittorio's father, having been promoted to a position as an office-bound army general, by now occupied a position of significant influence. The appointment gave Vittorio Gorresio his first experience as a member of the editorial board of a mass-circulation daily newspaper: it was an important and formative period for him on several different levels. The newspaper's overall director was Francesco Malgeri, who had been called in in 1932 to arrest an alarming decline in circulation. He had successfully re-invigorated Messaggero, recruiting a team of top journalists, starting withMissiroli. Malgeri was a committedFascist but a genial senior colleague, who himself was an excellent journalist.^[8] Working at Il Messaggero meant working with some of the leading establishment journalistsof the age, such asGiovanni Ansaldo andLeo Longanesi: Longanesi was a frequent presence at editorial meetings.^[9] A colleague who became a particular friend wasSandro De Feo.^[1]

Later that year, in November, Gorresio set off forAbyssinia (the Empire of Ethiopia), now designated as travelling editor. His mission was to report on what was beingpresented in Rome as theItalian conquest of the region. He stayed till February 1937. His reports were characteristically lucid and effortlessly authoritative, even if they contained judgements which many in Rome might have found contentious. His first impressions, on arriving inAbyssinia, were only reinforced during the three months of his stay, and his reports were consistent. Far from being the creators of a heroic new empire, theItalian in Ethiopia seemed to be behaving like emigrants through the ages anywhere else.^[1][10]

Unsurprisingly, Gorresio's contributions to theSecond Italo-Ethiopian War were not welcomed by theFascist censors. The relationship that emerged between the journalist and the media regulators never became one of uncompromising confrontation, however. What emerged, rather, was a deep structural incompatibility, which came to the fore each time Gorresio found himself reporting on a matter of major political consequence. In many ways, this raised his profile, enhanced his reputation and seems to have resulted in his being selected to travel to a succession of emerging news hotspots. In September 1939,the French government declaredwar onGermany and Gorresio was sent to report from Paris. In June 1940, whenItaly entered the war against France, he was sent to report ondevelopments at the great naval base ofTaranto, where he embarked aboard the battleshipDuilio.^[1][10]

Life as a war reporter was not without its risks, both personal and professional. During the summer of 1941 Gorresio was suddenly recalled fromBerlin where he had been reporting on the diplomat-politicianDino Alfieri. It later emerged that he had been denounced by an (unnamed) colleague, who had levelled the accusation that he was "in the pay of the French", and had been mandated by his alleged paymasters to discreditJoseph Goebbels in the eyes of the Italian government. The police investigation which followed completely exonerated Gorresio, but by that time he had been dismissed from his job withIl Messaggero.^[1]

Almost immediately he joinedIl Popolo di Roma, a daily newspaper with close connections toForeign Minister Ciano. Ciano had been married tothe leader'sdaughter since 1930, but Il Popolo nevertheless employed a number of journalists, such asCorrado Alvaro andErcole Patti, who were known anti-fascists. Neither Alvaro nor Patti were overtly political journalists, however, and after a few months Gorresio was obliged to quit the news desk when he was conscripted for military service and promoted to the rank of captain. Throughout 1942 he attended the artillery school atTreviso, undertaking the necessary training for taking command of ananti-aircraft battery planned forGenoa. An unwelcome "baptism of fire" followed in October and November whenthe city was hit by a succession ofdeadly Allied air raids.^[1]

The king's dismissal of Mussolini on 25 June 1943 brought about an abrupt change in the political weather inRome, where his old colleagueCorrado Alvaro suddenly emerged as managing director atIl Popolo di Roma and summoned Gorresio back to take over as editor-in-chief of the paper. Alvaro's incumbency lasted only for 45 days, however.^[11]

Thearmistice with theUnited States wasproclaimed on 8 September 1943. WithUS and British forcesinvading from the south andGerman forces ensconced in the centre and north of the country, a period of intense danger for the civilian population of Rome appeared imminent, and Gorresio was one of many who went into a form of hiding. In his case, this meant quitting his editorship atIl Popolo and moving in with a distant cousin, the historianPaolo Brezzi, whose public profile was less exalted than his own.^[12] He tried to earn some money by undertaking academic research: for instance, he edited the so-called "Opuscoli politici" (literally, "political leaflets") of "M. Taparelli d'Azeglio" (1943). That assignment led him to become a regular visitor to theRome central library, which was more discretely located at that time than it is today, and which had become the semi-clandestine meeting point for other intellectuals doing their best to stay out of sight. Here he was introduced by thepartisan-journalistFelice Chilanti into a group of writers who called themselves "Armata garibaldina" (loosely, the "patriotic army"). Within the group Gorresio took for himself the informal pseudonym "fantomatico". Using it, he edited and distributed a little clandestine news-sheet called "Azione".^[1][13]

Afterthe armistice Gorresio had very briefly returned to work onIl Popolo di Roma, until it was suppressed, compromised, in the eyes of the new rulers, by the extent of its association with theMussolini governments. By theend of the war in Europe, two of his brothers had disappeared, presumed killed, fighting forthe Germans on theRussian front. Gorresio now launched himself on a "Cursus honorum" for which he was amply qualified. With a return to democratic government, his own political philosophy became more visible. He was never acommunist, but nor could he ever be taken for anItalian "Christian Democrat". Joining a political party could have compromised his independence as a journalist, and it was not something that he ever did, but his attitudes tended to align with those of the liberal left, or with thesocial democracy that was now emerging or returning as a major political force elsewhere in western Europe. With the benefit of hindsight it is possible to see Gorresio as part of a centre-left "third force" which began to define itself in the aftermath of war, and during the 1950s acquired something of an "ethical" role with a growing appeal to the more intellectually inclined elements of public opinion. Within Italy's newly revived media establishment, other representatives of this tendency, broadly defined, included friends and colleagues such asMario Pannunzio,Arrigo Benedetti,Ennio Flaiano andEugenio Scalfari. A number of new mass-circulation loosely liberal-leaning magazines and newspapers were launched or re-launched for the post-democratic age, among themL'Europeo,Il Mondo andLa Stampa. Vittorio Gorresio became a regular contributor to each of them.^[1][14]

Gorresio joinedPannunzio's recently launched daily newspaperRisorgimento Liberale in 1945, initially as a news reporter and later as parliamentary editor. However, when Pannunzio left the publication late in 1947, in the context of "political differences" inside theItalian Liberal Party, Gorresio left too. Risorgimento Liberale ceased publication a year later. Gorresio stayed rather longer withBenedetti'sL'Europeo, writing for the magazine regularly between 1945 and 1954.^[1] In 1949Mario Pannunzio launched a yet more ambitiously named magazine,Il Mondo. Gorresio's contributions tended to deal with historical topics, with an evident preference for controversial themes.^[15] Through the 1950s he was parliamentary diarist forLa Stampa (published inTurin), taking over as editorial director of the paper's Rome office after a few years. He retained that post till 1976 when cancer of theupper jaw forced him into a partial retirement, which he used in part to write a series of memorable articles concerned with the terrifying illness.^[16] He continued to write forLa Stampa almost till he died.^[1]

Gorresio set high standards for himself with respect to professional ethics and sometimes attracted hostility by trying to inflict similarly high standards on fellow journalists. At the 1946 biennial congress of theNational Press Federation ("Federazione Nazionale Stampa Italiana") he placed himself in the minority by opposing the creation of a Membership Register of thejournalists' professional association ("Ordine dei giornalisti"), because he thought such a register risked becoming a "corporate instrument" which might facilitate political control and so restrict press freedom. Coming shortly after the violent ending of more than two decades ofone-party dictatorship, it was an understandable concern. He returned to the theme of restrictive press control at the 1958Amici del Mondo convention.^[17] He usedLa Stampa to take a stand in the wake of theMontesi case, deploring the excesses displayed by journalists keen to "secure a scoop".^[b] In a contribution published on 30 November 1954 he spelled out his concern that this type of behaviour could all too easily be used to justify government restrictions on press freedoms.^[1]

Vittorio Gorresio died of cancer at his home incentral Rome.^[1][20]

• 1910 births
• 1982 deaths
• 20th-century Italian journalists
• Italian essayists
• Strega Prize winners
• Writers from Modena
• Journalists from Rome

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