| Part ofa series on |
| Hindu scriptures and texts |
|---|
 |
Rig vedic Sama vedic Yajur vedic Atharva vedic |
Other scriptures |
| Related Hindu texts |
|
Timeline |
TheVishnudharmottara Purana (or theVishnudharmottara) is aHindu Sanskrit text in theUpapuranas genre. Like theMahapuranas, it is also encyclopedic covering a wide range of topics in the traditions of Hinduism. It is included in the list of eighteenUpapuranas given in theBrihaddharma Purana (1.25.23-26).[1]
It is most celebrated forChitrasutras constituting chapters 35–43 of the thirdkhanda (book). This much cited part of the text dates from the Gupta period of Indian history.[2]
TheChitrasutra section of theVishnudharmottara Purana has been discovered in manuscripts all over India and Nepal inDevanagari,Sharada,Bengali, andNewari scripts. The compilation that has survived into the modern age was likely complete by the 5th or 6th-century CE according to David Pingree. It is one of the oldest known complete Sanskrit treatises on painting arts in India.[2][3]
TheVishnudharmottara Purana is aVaishnava-tradition text. It includes mythology anddharma legends, has sections on cosmology, cosmogony, geography, astronomy, astrology, division of time, genealogies (mostly of kings and sages), manners and customs, charity, penances, law and politics, war strategies, medicines and their preparation for human beings and animals, cuisine, grammar, metrics, lexicography, metrics, rhetoric, dramaturgy, dance, vocal and instrumental music, and arts.[4]
The extant text is divided into threekhandas (parts). The firstkhanda comprises 269adhyayas (chapters), the secondkhanda comprises 183adhyayas and the thirdkhanda comprises 118adhyayas.
Chapter 1 of the thirdkhanda deals with the origin of image making and the interdependence of arts.
Chapters 2-17 deal with grammar, lexicography, metrics, and rhetoric.
Chapters 18-19 deal with vocal and instrumental music.
Chapters 20-34 deal with dance and dramaturgy.
Chapters 35-43 give an account of the various branches, methods, and ideals of Indian painting. It deals not only with its religious aspect but also, and to a far greater extent, with its secular employment. It "proclaims the joy that colours and forms and the representation of things seen and imagined produce".[5] This aphoristic treatise on painting has attracted muchbhasya (commentary) literature in Hinduism over the centuries. All or parts of this treatise has been translated in English byStella Kramrisch, C Sivaramamurti, Parul Mukherji, and Isabella Nardeli.[2][6][7]
Chapters 44-85 deal withPratimalakshana (iconography). Chapters 86-93 deal with temple construction. Chapters 94-108 deal withavahana (induction of deities into images). Chapters 109-118 deal with rites and rituals.
Stella Kramrisch says that while theVishnu Purana cannot be earlier than the second half of the 4th century CE, the chapters of the Vishnudharmottara that deal with painting must have been compiled in the 7th century CE.[8]
{{cite book}}:ISBN / Date incompatibility (help){{cite book}}:ISBN / Date incompatibility (help)