 A view of one of the rooms of the villa. | |
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| Coordinates | 42°0′7.49″N12°29′37.03″E / 42.0020806°N 12.4936194°E /42.0020806; 12.4936194 |
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TheVilla of Livia (Latin:Ad Gallinas Albas) is an ancient Romanvilla atPrima Porta, 12 kilometres (7.5 mi) north ofRome,Italy, along theVia Flaminia.
The Villa of Livia may have been part ofLivia Drusilla'sdowry that she brought when she marriedOctavian (later called the emperorAugustus), her second husband, in 39 BC. Some scholars believes that Livia may have received the site from her first husband, Tiberio Claudio Nerone. However, most likely, it may also have been a gift given to her by Octavian upon their betrothal.
The ancient sources (e.g.Suetonius) tell us that Livia returned to this villa following the marriage. It was her sumptuous country residence complementing her house on thePalatine Hill in Rome. Livia was the main commissioner of the land and the original owner.[1]
The villa occupied the height dominating the view down theTiber Valley to Rome. Some of the walling that retained the villa's terraces can still be seen.[2] Originally built on a twenty meter plateau fourteen kilometers north of Rome, the villa had views ofRome, theTiber Valley, and theApennine mountain rages.[3]
The location was strategically important due to the iron-rich cliffs of redtuff that approach the riverTiber at this point, the confluence of several roads, and the northern entrance to Rome. The namePrima Porta ("First Door") came from an arch of theaqueduct over the Via Flaminia, which brought water to the villa and which travelers saw as the first indication of having reached Rome.
Remarkablefrescoes of garden views were found which have since been removed to thePalazzo Massimo museum in Rome.
It was built and modified in four stages. The earliest stage is of aRepublican date, the latest of the time ofConstantine the Great.
Its Latin name, VillaAd Gallinas Albas, referred to its breed of white chickens,[4] which was said bySuetonius to have auspiciously omened origins.[5] The area acclaimed the nameAd Gallinas Albas because of the legend of white fowl carrying a laural branch in it beak that fell from the talons of an eagle and onto Livia Drusilla's lap, later to be Augustus's wife. It is said that the emperor kept the fowl and its offsprings, and planted the laurel which grew wreaths that crowned him in his triumphs.[6]
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The site was rediscovered and explored as early as 1596, but it was not recognized as the Villa of Livia until the 19th century.[7] In 1863–1864, a marblekrater carved in refined low relief was discovered at the site. On 20 April 1863, the famous heroic marble statue of Augustus, theAugustus of Prima Porta, was found at the villa; it is now in theVatican Museums (Braccio Nuovo). The magisterialAugustus is a marble copy of a bronze statue that celebrated the return in 20 BC of the military standards captured by theParthians in 53 BC after the defeat ofCrassus atCarrhae.
In the 19th century, the villa belonged to the Convent of Santa Maria in Via Lata. The villa and gardens have been excavated and can be visited. There are three vaulted subterranean rooms, the largest of which contained superb illusionisticfrescoes of garden views in which all the plants and trees flower and fruit at once. These have since been removed to Rome, where, following cleaning and restoration, they have been reinstalled in thePalazzo Massimo. The vault above the fresco was covered with stucco reliefs, some of which survive.
A new series of more meticulous modern excavations was initiated in 1970. More modern scientific work began at the site in 1995, carried out by the Soprintendenza Archeologica di Roma and directed by Professor Gaetano Messineo, in tandem with theSwedish Institute in Rome.[8]
The Villa of Livia is most famously known for its fresco room. This so-called "garden room" was once the adorned semi-underground room located at the imperial estate of emperor Augustus, who ruled during theRoman Empire, and his wife Livia.[3] The room exhibits floor-to-ceilingfrescoes of a garden that fades into the distance.
Once accessed through a dark five meter long hallway obstructing a visitor's vision as they adjust to the darkness and then the light again as they enter the room, visitors are transported to a garden paradise.[3] This is believed to have created a space of relaxation and fun during the summer months as an escape from the heat outdoors providing a greater feeling of refreshment.[1] The room could have also retained heat in the winter months providing multifunctionality throughout the year.
There are many conflicting beliefs of concerning what the garden room was used for, however, it is most commonly believed that the space served as atriclinium, were guest were entertained, meals were served, and people could lie down on beds and cushions around a low central table.[1]
The purpose and layout of the Villa Livia are important to the understanding of both the purpose and layout of the space. The Roman activity of "[d]ining was much more than the satisfaction of human need — it was a ritual of great social and political significance."[9] In terms of layout, the room is underground and dimensionally 40 feet long by 20 feet wide.[10] There are no separating moldings, no painted architecture, and no visible structural elements — the room unexpectedly transports the viewer "outside" in a completely enclosed underground space with a barrel-vaulted ceiling.[11] The enclosure is striking because of the spatial play of the room itself with its illusionistic quality, there is incredible accuracy of plant species, and the variety provides a landscape that in reality cannot exist as one garden.[12] A low stone wall contains the thickest and largest plantings, and in between the viewer and the space rests another fence with a narrow grass walkway.[13] The garden layout encompasses a "perfect combination of variety and abundance with stylization and order" as nature grows freely while simultaneous evidence of human activity is present, specifically as some birds exist in cages and a neatly manicured lawn is visible closest to the dining room space.[14]
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 [1], Painted Garden, Villa of Livia |
The trees in the background of thefresco become less detailed when compared to those in the foreground withtendrils falling over the painted stone wall.[3] All floras in the room are in bloom and all fruits are ripe, even though they flowered and ripened at different times of the year, which is thought to represent the prosperity of the union between Livia and Augustus and the couple's rulership of a new era in Roman History.[3] Thetaxonomic interpretation of the garden fresco reveal twenty-four different species of floras within twenty families includingautochthonous, or indigenous, and exotic plants with the painterly precision ofbotany, as well aszoology.[6] The fresco includes a variety of birds perched on tree limbs or in flight that creates movement along with a painted breeze that moves thefoliage.[3]
The sky is painted with Egyptian blue which was a rare and expensive color at the time, making the room feel open and light, set in a lush, brightly colored, airy environment, despite being underground and indoors.[1]
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Media related toVilla di Livia (Rome) at Wikimedia Commons
| Preceded by Villa Gordiani | Landmarks of Rome Villa of Livia | Succeeded by Insula dell'Ara Coeli |
Major exhibits at theMuseo Nazionale Romano | ||
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| Ludovico Ludovisi Collection |  | |
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