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Vienna Diptych

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Painting by Hugo van der Goes

Vienna Diptych
The Fall of Man (left) / Lamentation (right)
ArtistHugo van der Goes
Yearafter 1479
MediumOil on wood
Dimensions32.2 cm × 21.9 cm (12.7 in × 8.6 in)
LocationKunsthistorisches Museum,Vienna

TheVienna Diptych or theFall and Redemption of Man[1] is a religiousdiptych by the Flemish artistHugo van der Goes depicting thefall of man on the left panel and thelamentation of Christ on the right panel. Painted in the second half of the 15th century, the diptych is housed in theKunsthistorisches Museum,Vienna.[1] According toWolfgang Kermer, who also described the work in detail in its condition in 1967, the diptych is unique in the history of diptych painting in terms of its subject matter (antithesis:Fall of Man /Redemption).[2]

The temptingSerpent is depicted as a bipedalsalamander-like creature because it was assumed that the serpent could walk before God's curse compelled it to crawl and eat dust.[3] The human-headed Serpent was introduced into art in the late 13th century.[3] SubsequentRenaissance artists generally abandoned the depiction of Serpent as a human-headed creature.[3]

The reverse side of the left panel has an image of SaintGenevieve painted on it.[4] The reverse side of the right panel bears traces of a coat of arms, consisting of a shield with a black eagle and twosupporters, of which only the feet survived.[4] The coat of arms was painted in the 17th century and indicates possibleHouse of Habsburg ownership of the diptych.[4]

See also

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References

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  1. ^ab"Goes, Hugo van der – Vienna Diptych".Van Pelt Library. Retrieved1 February 2015.
  2. ^Wolfgang Kermer:Studien zum Diptychon in der sakralen Malerei: von den Anfängen bis zur Mitte des sechzehnten Jahrhunderts; mit einem Katalog. Düsseldorf: Dr. Stehle, 1967 [PhD diss., Eberhard Karls Universität Tübingen, 1966], 2 vols., 1:151–154 (iconographic interpretation), 2:136–137 (with bibliography), ill. 175, 176.
  3. ^abcKoch, Robert A. (1965). "The Salamander in Van der Goes'Garden of Eden".Journal of the Warburg and Courtauld Institutes.28 (1): 323–326 [323].doi:10.2307/750680.JSTOR 750680.S2CID 195042873.
  4. ^abcTrowbridge, Mark (2011). "Sin and Redemption in Late-Medieval Art and Theater: The Magdalen as Role Model in Hugo van der Goes's Vienna Diptych". In Sarah Blick; Laura Deborah Gelfand (eds.).Push Me, Pull You: Imaginative, Emotional, Physical, and Spatial Interaction in Late Medieval and Renaissance Art. Brill. pp. 415–445 [444].doi:10.1163/9789004215139_013.ISBN 978-9004205734.

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