
TheVenus of Berekhat Ram (280,000–250,000BP) is a pebble found atBerekhat Ram on theGolan Heights. The pebble has been modified by early humans and is suggested to represent a female human figure.[1][2]
The object was excavated and first described byNaama Goren-Inbar from the Institute of Archaeology,The Hebrew University of Jerusalem.[1] The artifact is ascoria pebble, 35 mm long, 25 mm wide, and 21 mm thick. It weighs approximately 10 g. It was excavated in 1981 at theAcheulian site ofBerekhat Ram,Golan Heights. The object is dated 280,000 to 250,000BP.[2][3]
Goren-Inbar reported several artificial grooves on the object: one is a transversal groove in the upper third, others are longitudinal grooves on the sides below the transversal groove.[1]Alexander Marshack performed a microscopic study of the object in 1997.[2] He also reported artificial modifications including the transversal and longitudinal grooves found by Goren-Inbar. Finally,Francesco d'Errico and April Nowell re-examined the object using a comparative approach.[3] They partly confirmed, partly corrected the findings of Marshack. d'Errico and Nowell also reported the above grooves (with some corrections) and, additionally, reported areas of possible abrasion on the front, back and bottom of the object.
Goren-Inbar[1] and Marshack[2] suggested that the object resembled afemale body and was artificially modified byhominids to emphasize its anthropomorphic features. The object was then called afigurine and is currently known as the Venus of Berekhat Ram (the term "Venus" was taken from the conventional name of much youngerVenus figurines ofUpper Paleolithic). If this hypothesis is correct, the object would be the earliest example of representational art in the archaeological record, together with theVenus of Tan-Tan.
d'Errico and Nowell[3] confirmed the artificial nature of modifications of the object, but refrained from identifying it with a human body. They noted that grooves, in general, may have a functional purpose. Still, they stated that the longitudinal symmetrical U-shaped grooves (supposedly representing the "arms") are hard to explain functionally. So, similarly to Goren-Inbar and Marshack, d'Errico and Nowell argued in favor of the non-utilitarian and symbolic nature of the object.
The main discussion around the Venus of Berekhat Ram took place after the study of d'Errico and Nowell.[3] A number of scholars, namely,Ofer Bar-Yosef, Angela E. Close, João Zilhão,Steven Mithen,Thomas G. Wynn, andAlexander Marshack, commented on that study, while d'Errico and Nowell provided a reply to these comments (both the comments and reply are included in the manuscript).[3] The discussion around the Venus of Berekhat Ram concerned three questions:
All commentators of d'Errico and Nowell's study were convinced by their analysis and results and accepted the hypothesis that the object was modified by early humans.[3] Marshack argued in favor of this hypothesis already in his earlier study of the object.[2]
d'Errico and Nowell's argument that the "arm"-shaped grooves suggest a symbolic nature of the object was questioned by three commentators: João Zilhão from the Instituto Português de Arqueologia, Thomas Wynn from theUniversity of Colorado, and Steven Mithen from theUniversity of Reading.[3] All of them suggested that the object and its grooves could have a utilitarian purpose. Zilhão hypothesized that the object could be used to producepigment and that the grooves could be byproducts of this process. Wynn suggested that the object could be a result of "someone passing time with a stone tool and a pebble". Mithen also stated that our symbolic understanding of the object does not imply that it was considered as such by early humans who produced it, because the cognitive processes for symbolic thinking we use today may differ from the ones used by early humans.
d'Errico and Nowell argued, however, that, although their analysis and results cannot refute a functional interpretation of the object, there are too many inconsistencies in this interpretation to investigate it any further. For example, d'Errico and Nowell suggested that, based on the existingAcheulean archaeological record, pigment "would have been more quickly and effectively produced by grinding one face of this object against abasalt flake or smashing it with a similar tool", which is different from the process used to create the observed grooves. This contradicts the hypothesis of Zilhão. d'Errico and Nowell also believe that the grooves on the object are the result of a deliberate motion rather than of non-purposive behavior, as suggested by Wynn.
Zilhão, Wynn, and Mithen rejected the hypothesis on the symbolic nature of the object and, thus, rejected the idea that the object is iconic. Angela E. Close from theUniversity of Washington also could not see a figurine of a woman in the object, but, instead, the object reminded her of apenguin and aphallus when seen from different angles.[3]
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