| Vengeance Is Mine | |
|---|---|
 Theatrical release poster | |
| Directed by | Shōhei Imamura |
| Screenplay by | Masaru Baba |
| Based on | Vengeance Is Mine byRyūzō Saki |
| Produced by | Kazuo Inoue |
| Starring | |
| Cinematography | Shinsaku Himeda |
| Edited by | Keiichi Uraoka |
| Music by | Shin’ichirō Ikebe |
| Distributed by | Shochiku |
Release date |
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Running time | 140 minutes[1] |
| Country | Japan |
| Language | Japanese |
Vengeance Is Mine (Japanese:復讐するは我にあり,Hepburn:Fukushū Suru wa Ware ni Ari) is a 1979 Japanese film directed byShōhei Imamura, based on the book of the same name byRyūzō Saki. It depicts the true story ofserial killerAkira Nishiguchi, changing the protagonist's name to Iwao Enokizu.[2]
In the opening scenes, serial killer Iwao Enokizu is taken to a police station, where he is greeted by an angry mob and a huge crowd of journalists. The police interrogate him, but he refuses to answer. The film then switches to a series offlashback sequences, starting with the initial murders. Enokizu tricks and then kills two men, steals their money and disappears. He travels to another city, where he asks a taxi driver to take him to an inn where he can get a prostitute. He tells the innkeeper, a woman called Haru, that he is a professor at Kyoto University. The police, searching for Enokizu, put out bulletins with his face on television. The prostitute thinks the professor is Enokizu, but she is told not to go to the police because of her job.
In a flashback going back to Enokizu's childhood, he is seen as a rebellious, violent child and son of a Catholic father Shizuo, whose fishing boats were forcibly conscripted by the Japanese Navy in the 1930s. As a young man after the war, Enokizu is convicted and imprisoned for fraud. His wife Kazuko, who is attracted to Shizuo, divorces Enokizu, but is persuaded by Shizuo to remarry him, due to his Catholic beliefs. After the remarriage, Kazuko and Shizuo engage in a sexual act while bathing, during which the latter coldly rebuffs her. Shizuo then encourages a railway worker to sleep with Kazuko to satiate her. Enokizu, discharged from prison and suspecting a dalliance, accuses her of sleeping with Shizuo while he served his sentence.
Enokizu, still wanted by the police, travels to Tokyo. He tricks the mother of a young defendant into giving him the bail money for her son. He then befriends a lawyer, kills him and uses his apartment, where he hides his victim's body. He sends some money to Haru, and travels back to her place, where Haru's mother, a convicted murderer, has recently been released from prison. Haru and her mother realise that the alleged professor is the wanted man, but keep it a secret. Enokizu and Haru enter into a tentative relationship. Haru is raped by a benefactor who uses her as his mistress, while her mother and Enokizu are forced to watch silently. Enokizu, sure that Haru is carrying their unborn child, kills both Haru and her mother and pawns their goods. The prostitute from before, upon seeing Enokizu again, reports him to the police.
Five years later, Enokizu has been executed and cremated. His father and wife go to the top of a mountain to scatter his ashes, but the thrown bones remain hanging in the air.
Jasper Sharp commented, "Both seducing and repelling with its unusual story and grisly humour, Imamura uncovers a seedy underbelly of civilised Japanese society."[3]Roger Ebert called the movie "a cry of despair and hopelessness on behalf of its insane hero" and "poignant, tragic and banal enough to deserve the comparison withCrime and Punishment."[4]
The film won the 1979 Best Picture Award at theJapanese Academy Awards, and was awarded for Best Screenplay and Best Actor (Ken Ogata) at theYokohama Film Festival.[5]