| Vasu Doorjamb Inscription | |
|---|---|
 1st century CE Vasu Doorjamb Inscription, inSanskrit | |
| Material | Red Sandstone |
| Writing | Sanskrit, Brahmi script |
| Created | Circa 15 CE (reign ofSodasa) |
| Place | Mathura, Uttar Pradesh |
| Present location | Government Museum, Mathura |
| Identification | GMM 13.367 |
| Location | |
  Mathura Mathura (India) | |
TheVasu Doorjamb Inscription is an early 1st-century CE Sanskrit inscription inBrahmi script dedicated to the deityVāsudeva, related to theVaishnavism tradition ofHinduism.[1][2] It is also one of the several dedicatory inscriptions fromMathura bearing the name of theIndo-ScythianNorthern Satrap rulerSodasa, which are useful as historic markers for the first half of the 1st century CE.[3]
The inscription was found on a red sandstone templedoorjamb dumped in an old well in Mathura,Uttar Pradesh.[4][5] The doorjamb is about 8 feet (2.4 m) long, 1.24 feet (0.38 m) wide and 8 inches (200 mm) thick. It is intricately carved on one side while the other side is flat. On the flat side, British India era archaeologists discovered that there is a 12-line inscription, which has been named theVasu Doorjamb Inscription. The artifact is now at the Mathura Museum and a much studied item. It mentions a 1st-century Vishnu temple, atorana (temple gateway) and avedika (railing).[6][7]
The Vasu Doorjamb Inscription is another archaeological evidence about ancientVaishnavism, providing another link about the continuity between ancient religious traditions and contemporaryHinduism.[8][9][6]
According toRichard Salomon, the inscription is from the time of the Indo-Scythian Northern SatrapSodasa, or early years of the 1st-century CE.[1] The name of the ruler appears with his full title (MiddleBrahmi script:
(
)
Svāmisya (Mahakṣatra)pasya Śodasa "Lord and Great Satrap Śodāsa") in the inscription.[10][11] Sonya Quintanilla concurs and estimates about 15 CE, based on a combination of style, script, paleography and numismatic evidence.[12]
According to Quintanilla, beyond the name, the style of the doorjamb and the carving on it is similar to that found in pieces recovered from close by locations at the Mathura archaeological site such as the JainParshvanathaayagapata and the Namdighosaayagapata.[13] These too are dated to the early decades of the 1st-century CE.[14] However, Joanna Williams split-dates the Vasu Doorjamb, stating that the inscription is from early 1st-century CE but the carving may be from the 3rd-century CE because the intricate relief on Vasu doorjamb is more sophisticated, reminding one of the elegance of the early Gupta artists.[15] Quintilla, in contrast, states that the piece was likely carved and inscribed together prior to its installation in 1st-century CE because there are stylistic differences between the Vasu Doorjamb carvings and those found in the 3rd-century pieces. She states that the similarity in Jain reliefs of the 1st-century CE suggests it more likely that the Vasu piece too was prepared and installed in the 1st-century.[16]
The discovered inscription is damaged, with parts so defaced that they cannot be read. Out of twelve lines, the first five are too damaged to be analyzed. The last seven lines have attracted scholarly studies. Since its discovery, its antiquity and significance has led scholars to interpret it as is, as well as make best guess interpolations and reconstruction followed by a revised translation.[2][4]
| Translation (without interpolation) | Transliteration | EarlyBrahmi script | Inscription (Prakrit in the MiddleBrahmi script) |
|---|---|---|---|
|  The numbered Vasu doorjamb inscription.  1st-century CE inscribed doorjamb, Vasu Mathura India.A modern image |
The decipherable part confirms that a torana (gateway) and Vasu temple was established, and that this happened in the time of Sodasa thereby providing a basis to date the inscription.
According to Chakravarti, the first five lines are too damaged for any reliable translation. Further, no name can be deciphered from the inscription with complete certainty, including the donor name "Vasu" because it could be a compound name with-vasu. However, states Chakravarti, the inscription indicates that the donor had a name that is typically identified as "a Hindu name".[19]
Luders and Janert utilized the faded characters, the context and Sanskrit grammar rules to propose a reconstruction:[4][20]
1. (s)[v](amisya mahaksatrapasya Soda-)[note 2]
2. sa [s]ya... (... di-)
3. [vas](e)...
4. [p]...[na] Si[v]a (...)
5. sapu[t]r[e]na kausi[ki] (putrena)
6. vasuna bhaga[va] (to vasude-)
7. vasya mahasthana (. . . sai)[note 3]
8. lam toranam ve(dika ca prati-)
9. sthapito prito [bha] (gavan vasu-)
10. devah svami[sya] (mahaksatra-)
11. pasya soda[sa](sya . . .)
12. samvartayatam– Reconstructed Inscription, 1st-century CE[4]
Sonya Quintanilla, in 2007, translated the last seven lines as:[4]
. . . a stonetorana and railing were caused to be erected by Vasu at the . . . of the great temple of lord Vasudeva. May lord Vàsudeva, being pleased, promote (the dominion or life or vigor) ofSvamiMahaksatrapa Sodasa.
Ramaprasad Chanda, in 1920, translated the same lines to:[21]
By ... vasu a quadrangle enclosed by four buildings (chatuhsalam), a pillared gateway (toranam) and a square terrace in the middle of courtyard (vedikah) have been built (at the shrine at) the great place of the Bhagavat Vasudeva. May Vasudeva be pleased. May (the dominion) of the lord, the mahakshatrapa Sodasa, endure.
NP Chakravarti, in 1942, disagreed with Chanda's interpolation of-lam tochatuhsalam because that "term never occurs in inscriptions of this time". He suggested that an interpolation toDevakulam, or even betterSailam, is more likely. Chakravarti translated the same lines to:[19]
... by Vasu, a gateway of stone (?) and the railing was erected at the... of the great temple of bhagavat Vasudeva. May bhagavat Vasudeva, being pleased, promote (the dominion or the life and strength) of svamin mahakshatrapa Sodasa.
The Vasu Doorjamb Inscription is a significant early Sanskrit inscription from Mathura. The mention of Sodasa's time who, states Salomon, is "dated with reasonable certainty to the early early years of the first century AD".[1] Its mention of Vasu, temple, Vedika and a torana (gateway) is significant as it confirms that the large temple building tradition was in vogue in the Mathura region by at least the start of the common era. Further, it also attests to the popularity ofVāsudeva (Krishna) tradition in this period.[17][25] The Vasu Doorjamb inscription of Sodasa inUttar Pradesh viewed with other epigraphical evidence such as the BesnagarHeliodorus pillar inMadhya Pradesh, theHathibada Ghosundi Inscriptions inRajasthan, and theNaneghat inscriptions inMaharashtra suggest that the cult ofVāsudeva-Krishna and earlyVaishnavism had spread over a wide region by the 1st-century BCE to the start of common era.[25][2]
According to Quintanilla, the Vasu Doorjamb and the inscription is "one of the most important and most beautiful objects" from the time of Sodasa, likely from a "temple toVāsudeva", another name forVishnu.[26] The carvings on the doorjamb are three woven compositions. It has a leafy vine that runs along the length of the red sandstone jamb. Along the stem of the vine are curling leaves and blossoms, that wrap along as those found in nature, a rosette added in where the intertwining vines meet.[27][28] The wider band has lotus rhizome carved in, with subtle naturalistic variations, wherein the lotus flowers are shown in all their stages of bloom, states Quintanilla.[27]
| Art | |||||
|---|---|---|---|---|---|
| Objects |
| ||||
| Beginnings (before 400 CE) |
|  | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Maturity (400-899 CE) |
| ||||||||||||
| Advanced (900-1299 CE) |
| ||||||||||||
| Revival (1400-1799 CE) |
| ||||||||||||
| Related | |||||||||||||
| Note: |
| ||||||||||||
| Philosophy |
|  | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Texts |
| ||||||||||||||||||
| Deities |
| ||||||||||||||||||
| Practices |
| ||||||||||||||||||
| Related | |||||||||||||||||||
