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Varaha Purana

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Sanskrit text from the Puranas genre of literature in Hinduism

A page from theVaraha Purana (Sanskrit, Devanagari)
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TheVaraha Purana (Sanskrit:वराह पुराण,Varāha Purāṇa) is a Sanskrit text from thePuranas genre of literature inHinduism.[1] It belongs to theVaishnavism literature corpus praisingNarayana (Vishnu), but includes chapters dedicated to praising and centered onShiva andShakti (goddesses it calls Brahmi, Vaishnavi and Raudri).[1][2]

The text exists in many versions, with major sections lost to history.[2] The text has been estimated to have been first completed between the 10th and 12th centuries, and continuously revised thereafter.[2][3] The surviving manuscripts of this text are notable, likeLinga Purana, because they do not cover the requiredPanchalakshana (five characteristics) expected in a Purana.[2] Scholars have questioned whether it really qualifies as a Purana, and whether the extant manuscripts are merely a religious manual largely focussed on Vaishnava practices,[3][4] with sections that also praise Shiva, Shakti and other gods in a secular way.[1][2]

TheVaraha Purana includes mythology, particularly of theVaraha incarnation (avatar) of Vishnu rescuing the earth (Prithvi) at the time of a great flood.[2][5] The text also includes mythology of goddesses and Shiva,[4] and a discussion ofKarma andDharma calledDharmasamhita.[6] A large portion of the text is dedicated to medieval geographicMahatmya (tourist guides)[7] to temples and sites inMathura andNepal, but it lacks adoringKrishna in Mathura-related section of the type found in other Puranas.[6][8]

History

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The century in whichVaraha Purana was composed is unknown. Wilson suggested 12th-century, during the period ofRamanuja influence.[6] Most scholars concur that this is a relatively late Purana,[3] and a few suggest that the first version of this text was complete by the 10th century.[6] The text is named after theVaraha (boar) avatar of Vishnu, wherein he rescues goddess earth.[4]

The text is mentioned and summarized in the manuscripts of theMatsya Purana,Skanda Purana and theAgni Purana, but the description of this text in those documents suggests that surviving manuscripts ofVaraha Purana are entirely different from what it once was.[9][10] The text exists in many versions, with significant variations.[2][11]

ThePadma Purana categorizesVaraha Purana as aSattva Purana.[12] Scholars consider theSattva-Rajas-Tamas classification as "entirely fanciful" and there is nothing in this text that actually justifies this classification.[13]

Contents

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Varaha killing Hiranyaksha and saving Bhumi, 1740 CE,Chamba painting

The printed editions of this work, depending on the version, has 217 or 218adhyāyas (chapters).[14] Thecritical edition (edited by Anand Swarup Gupta, and published by the All-India Kashiraj Trust, Varanasi) has 215 chapters.[14] The Hindu tradition and other Puranas claim that this text had 24,000 verses;[15] however, surviving manuscripts have less than half that number.[16]

According to theNarada Purana, this text has two parts:purvabhaga anduttarabhaga. While the contents of thepurvabhaga summarized in the Narada text generally correspond to the extant manuscripts of theVaraha Purana, theuttarabhaga summarized in the Narada text is not found in surviving Varaha manuscripts, and presumed lost to history.[14]

According to Rajendra Hazra, the extant text has four distinct sections, differing in interlocutors and general characteristics.[2] These sections were likely composed in different time periods, by different authors.[14][17]

In the first section (chapters 1 to 112),Suta is the narrator andVaraha andPrithvi are the interlocutors. In the second section (chapters 113 to 192), Suta narrates what was told by Prithvi toSanatkumara about the dialogue between Varaha and herself. In the third section (chapters 193 to 212), Suta describes the conversation between the kingJanamejaya and the sageVaishampayana. This section is also known as theDharma Samhita. In the final section (chapters 213 to end), Suta narrates the conversation betweenBrahma and Sanatkumara.[9]

See also

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References

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  1. ^abcDalal 2014, p. 444.
  2. ^abcdefghRocher 1986, pp. 241–242.
  3. ^abcHazra 1940, p. 96.
  4. ^abcWinternitz 1922, p. 544.
  5. ^K P Gietz 1992, pp. 29–31 with notes 148 and 152.
  6. ^abcdRocher 1986, p. 242.
  7. ^Ariel Glucklich 2008, p. 146,Quote: The earliest promotional works aimed at tourists from that era were calledmahatmyas.
  8. ^Wilson 1864, p. 74.
  9. ^abHazra 1940, pp. 96–97.
  10. ^Wilson 1864, p. 73.
  11. ^K P Gietz 1992, p. 981 with note 5694.
  12. ^Wilson 1864, p. 12.
  13. ^Rocher 1986, p. 21.
  14. ^abcdRocher 1986, p. 241.
  15. ^Hazra 1940, p. 7 with footnote 42.
  16. ^Wilson 1864, pp. 73–74.
  17. ^Hazra 1940, p. 97.

Bibliography

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External links

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