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| Publication information | |
| Publisher | Vertigo imprint ofDC Comics (originallyQuality Communications) |
| First appearance | Warrior #1 (March1982) |
| Created by | Alan Moore David Lloyd |
| In-story information | |
| Alter ego | N/A |
| Notable aliases | Patient #5, The Terrorist, Codename V, Project V, The Man from Room Five |
| Abilities |
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V is the titularprotagonist of thecomic book seriesV for Vendetta, created byAlan Moore andDavid Lloyd. He is a mysteriousanarchist,vigilante, andfreedom fighter who is easily recognizable by hisGuy Fawkes mask, long hair and dark clothing. He strives to topple atotalitarian regime of adystopian United Kingdom through acts ofheroism. According to Moore, he was designed to bemorally ambiguous, so that readers could decide for themselves whether he was a hero fighting for a cause or simplyinsane.[1]
V's background and identity are never revealed. He is at one point an inmate at "Larkhill Resettlement Camp"—one of manyconcentration camps whereblack people,Jews,beatniks,homosexuals andMuslims are exterminated byNorsefire, afascist dictatorship that rules Britain. While there, he is part of a group of prisoners who are subjected to horrificmedical experimentation, conducted by Dr. Delia Surridge. Lewis Prothero is the camp's commandant, while Father Anthony Lilliman, apaedophile vicar, is at the camp to lend "spiritual support". All prisoners who are part of the experimentation eventually die, with the sole exception of "the man in room five" ("V" inRoman numerals). As a result of the experiments, the man developsOlympic-level physical abilities and an incredibly expanded intellect. During that time, the man had some level of communication with Valerie Page, a formeractress imprisoned for being alesbian, kept in "room four", who wrote herautobiography ontoilet paper and then pushed it through a hole in the wall.
Over time, the man is allowed to grow roses (Violet Carsons) and raise crops for the camp officials. The man eventually starts taking surplusammonia-based fertilizer back to his cell, where he arranges it in bizarre, intricate patterns on the floor. He then takes a large amount of grease solvent from the gardens. In secret, the man uses the fertilizer and solvent to makemustard gas andnapalm. On a stormy night (namely, 23 December in the novel or 5 November in the film), he detonates his homemade bomb and escapes his cell. Much of the camp is set ablaze, and many of the guards are killed by the mustard gas. The camp is evacuated and closed down. He adopts the new identity "V", and dons a Guy Fawkes mask and costume. V spends the next five years planning his revenge on Norsefire and building his secret underground base, which he calls "The Shadow Gallery". He then eliminates most of the over 40 surviving personnel from Larkhill, making each killing look accidental.
Four years after his escape from Larkhill, V blows up thePalace of Westminster on 5 November,Guy Fawkes Day. In the process he stumbles acrossEvey Hammond as she is being accosted by several members of "the Finger", Norsefire's secret police, and saves her, bringing her back to his lair. V thenkidnaps Prothero, who is now the "Voice of Fate" on the government's propaganda radio, and drives him insane by destroying his prized doll collection in asatire of the exterminations that occurred at Larkhill. V kills now-Bishop Lilliman by forcing him to eat acommunion wafer laced withcyanide. V then injects Surridge, the one Larkhill official who feelsremorse for her actions, with a poison that kills her without pain.
V stages an attack on the government's propaganda broadcasting station, strapping himself with explosives and forcing the staff to follow his orders under threat of detonating them. V then broadcasts a message to the people, telling them to take responsibility for themselves and rise up against their government. He systematically kills the department leaders of Norsefire, except for Eric Finch, the head of Norsefire's police force, whom V senses is a decent man. V also radicalizes Evey by abducting her and making her believe she has been thrown into a government prison, where she undergoes humiliation and torture to make her confess; when she announces that she would rather die than inform on V, he reveals the ruse to her. While she initially condemns him, she eventually comes to understand what he was trying to do and becomes his accomplice. V explains to her that he is ananarchist in the strict political sense of the term, and essentially believesall governments will eventually turn into oppressive fascist states. V's goal is not simply to overthrow the Norsefire regime, but to destroy the organized state entirely. He hopes that from the rubble will emerge autopian anarchistic society – not "the land of take what you want" but "the land of do as you please".
As the graphic novel reaches its climax, V destroys the government'sCCTV surveillance buildings, eroding its control over British citizens. However, V is confronted by Finch in aLondon Underground passage and mortally wounded when he is shot by Finch. V staggers back to the Shadow Gallery, where he dies in Evey's arms. Evey then puts him in state, surrounded by Violet Carson roses, lilies andgelignite, in anUnderground train that strikes a blockage on the tracks right under10 Downing Street, which V had previously prepared. The explosives-laden train detonates, giving V aViking funeral, fulfilling his final request to Evey, who takes on the mantle of "V."
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The2005 film adaptation of the comic book starredHugo Weaving as V.James Purefoy was originally cast as V, but was replaced by Weaving six weeks into production. Purefoy stated that he found it hard to act while wearing the mask, and that was the reason for his departure. Although some of Purefoy's performance was used in the final film, Weaving received sole credit.
The film depicts him as being disfigured as a result of the fiery explosion at Larkhill, and having near-superhuman physical abilities as a result of the biological experiments he was put through. He claims to have lost all memory of his past, completing his transformation into the "everyman" he claims to be in the comic.
Several events involving V differ markedly from the comics. He sets his first bomb to destroy theOld Bailey and targets theHouses of Parliament one year later, but he does not blow up the Post Office or10 Downing Street and the bomb he leaves in Jordan Tower is safely defused (with it being unclear if he ever legitimately wanted that bomb to go off or just set it up as an excuse while he transmitted his message). Also, where the comic V was portrayed as a political anarchist who sought the destruction of all governments, the movie V focuses his anti-government philosophy exclusively on Norsefire, commenting to Evey as he prepares for his final stand that he leaves it up to her if Parliament should be destroyed, as he recognizes that he no longer has a right to shape a world he will not see. V is also shown sobbing (possibly out of grief or self-loathing for what he has put Evey through) after Evey's voluntary departure, and admits before his death that he fell in love with her.
In place of Finch, Norsefire official Peter Creedy and his men confront V at the climax of the film, bringing High Chancellor Adam Sutler (Adam Susan in the graphic novel) as V has demanded. Creedy executes Sutler, but V refuses Creedy's command to take off his mask and surrender: through a hail of gunfire, V stays on his feet long enough to kill Creedy and his men. A metalbreastplate under his cape stops most of the bullets, but V is still mortally wounded. He staggers down to the tunnel, where Evey is waiting, and dies in her arms. She places his body on the explosive-laden train for aViking funeral, but Finch arrives with the intent of arresting her. However, he relents and allows Evey to start the train, having finally decided to turn his back on the tyrannical Norsefire regime. The two watch, along with thousands of spectators dressed as V, as the train explodes and destroys the Houses of Parliament.
(Wayback Machine copy)
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| Image Comics / Awesome Comics | |
| America's Best Comics | |
| Avatar Press | |
| Miscellaneous | |
| Comics based on Moore's prose | |
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| Spoken word CDs | |
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