Víctor Erice | |
|---|---|
| Born | Víctor Erice Aras (1940-06-30)30 June 1940 (age 85) |
| Alma mater | University of Madrid |
| Occupations |
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| Years active | 1961–present |
Víctor Erice Aras (Spanish:[ˈbiɣtoɾeˈɾiθe]; born 30 June 1940) is a Spanishfilm director. He is best known for his first two feature fiction films,The Spirit of the Beehive (1973), which many regard as one of the greatest Spanish films ever made,[1] andEl Sur (1983).
Erice was born inKarrantza,Biscay.[2] He studied law, political science, and economics at theUniversity of Madrid. He also attended the Escuela Oficial de Cinematografia in 1963 to study film direction.
He wrote film criticism and reviews for the Spanish film journalNuestro Cine, and made a series of short films before making his first feature film,The Spirit of the Beehive (1973), a critical portrait of the 1940s rural Spain.
Erice was among other filmmakers, such asLuis Buñuel, who lived in “such restricted societies as Franco’s Spain,” to take aim at the authoritarian rule in power. At the time his first film was released in 1973, Francisco Franco was still in power.[3] One of the thingsThe Spirit of the Beehive is known for is its use of symbolism to portray what life was like in Spain under Franco’s rule.[4] Setting the movie in 1940, at the start of Franco’s rule, was a risk for Erice, given that the film “wasn't a propagandist effort in which stalwart Francoists won victories against evil, priest-massacring Republicans.”[5]
Ten years later, Erice wrote and directedEl Sur (1983), based on a story fromAdelaida García Morales, another highly regarded film, although the producerElías Querejeta only allowed him to film the first two-thirds of the story. His third movie,The Quince Tree Sun (1992) is a documentary about painterAntonio López García. The film won theJury Prize and theFIPRESCI Prize at the1992 Cannes Film Festival.[6]
Erice worked in the development of (and was set to direct)The Shanghai Spell, the adaptation of theJuan Marsé's namesake novel, but producerAndrés Vicente Gómez eventually tasked the project toFernando Trueba instead.[7] This rejection entailed "a great deal of frustration" for Erice.[7]
He was a member of the jury at the2010 Cannes Film Festival in May.[8]
At the 2014Locarno Film Festival, Erice was awarded with a Golden Leopard award for lifetime achievement.[9]
In July 2022, thirty years after his last full-length film, a project for a new Erice film (Cerrar los ojos) supported by Pecado Films, Tándem Films, Nautilus as well asCanal Sur was revealed to be in development.[10] The film premiered in the following year at the2023 Cannes Film Festival and was met with very positive reviews.[11]
Geoff Andrew, in theTime Out Film Guide, praises Erice's contribution toTen Minutes Older: The Trumpet (Lifeline) as "quite masterly", adding "it only makes you wish he worked more frequently".[12] Excluding short films, Erice has produced only four major works:The Spirit of the Beehive (1973), the unfinishedEl Sur (1983),Dream of Light (1992,The Quince Tree Sun), andClose Your Eyes (2023 film). CriticTony Rayns describesThe Spirit of the Beehive as "a haunting mood piece that dispenses with plot and works its spells through intricate patterns of sound and image"[13] and ofEl Sur it has been said that "Erice creates his film as a canvas, conjuring painterly images of slow dissolves and shafts of light that matchCaravaggio in their power to animate a scene of stillness, or freeze one of mad movement".[citation needed]
Erice's work would go on to influence filmmakers such asCarla Simón,Carlos Vermut,Alejandro Amenábar,Oliver Laxe,Estibaliz Urresola, andJaione Camborda.[14] His portrayal of children dreaming and their attraction to fantastic worlds during and around times like the Spanish Civil War inspired Mexican directorGuillermo del Toro and his respective films, includingThe Devil's Backbone, andPan's Labyrinth.[5]
In December 2023, alongside 50 other filmmakers, Erice signed an open letter published inLibération demanding a ceasefire and an end to the killing of civilians amid the2023 Israeli invasion of the Gaza Strip, and for a humanitarian corridor into Gaza to be established for humanitarian aid, and the release of hostages.[15][16][17]
| Year | Film | Credited as | Notes | ||
|---|---|---|---|---|---|
| Director | Writer | Producer | |||
| 1967 | El próximo otoño | No | Yes | No | |
| 1968 | Oscuros sueños de agosto | No | Yes | No | |
| 1973 | El espíritu de la colmena | Yes | Yes | No | |
| 1983 | El sur | Yes | Yes | No | |
| 1992 | El sol del membrillo | Yes | Yes | No | Documentary film |
| 2016 | Víctor Erice: Abbas Kiarostami. Correspondencias | Yes | Yes | Yes | Experimental documentary film co-directed withAbbas Kiarostami started as an audiovisual exposition in 2006 and released as a movie in 2016. Also co-cinematographer. |
| 2023 | Close Your Eyes | Yes | Yes | Yes | |
Source:[18]
| Year | Film | Credited as | Notes | |
|---|---|---|---|---|
| Director | Writer | |||
| 1961 | Al final de la fiesta subieron a la terraza | Yes | No | Student film |
| 1962 | Páginas De Un Diario Perdido | Yes | No | |
| Entre Las Vías | Yes | No | ||
| 1963 | Los Días Perdidos | Yes | Yes | |
| 1969 | Segment 3 | Yes | Yes | Segment of the anthology film "Los Desafíos". |
| 2002 | Lifeline | Yes | Yes | Segment of the anthology film "Ten Minutes Older: The Trumpet". |
| 2003 | Apuntes (1990-2003) | Yes | Yes | Documentary medium-length film about his documentary "El Sol del Membrillo". |
| 2005 | Apoyo de la luz | Yes | Yes | Also cinematographer. |
| 2006 | La Morte Rouge | Yes | Yes | Experimental documentary short film Also narrator and San Sebastián photos. |
| 2007 | Sea-Mail | Yes | Yes | Also producer, camera operator and main actor. |
| 2012 | Ana Three Minutes | Yes | Yes | Segment of the anthology film "3.11 Sense of Home". |
| Vidros Partidos | Yes | Yes | Segment of the anthology film "Centro Histórico" Also segment producer. | |
| 2018 | Plegaría | Yes | No | Short film based onphotos taken by him Also producer. |
| 2019 | Piedra y cielo | Yes | No | Video installation based on the work ofJorge Oteiza. |