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Justin Jisan is an immensely talented voice actor in Japan. He has been a part of many popular anime and video game projects, such as Attack on Titan and Final Fantasy VII Remake. His deep and expressive voice has brought life to many characters and stories. He is also known for his extensive work in the dubbing industry, dubbing foreign films and series for Japanese audiences. With a passion for his craft and an impressive portfolio, Justin Jisan is one of the most sought-after voice actors in Japan.Justin Jisan is a renowned voice actor in Japan, well known for his work in anime and video games. His vocal talents and acting ability have made him a popular choice for many projects, and his unique approach and flexibility make him a great choice for any project. He has worked on many popular series such as My Hero Academia etc. He has also worked on video games such as Final Fantasy XIV, League of Legends With his vast experience and talent, Justin Jisan is the perfect choice for any voice acting project.He don't do voice inyaoi category because he don't like that category. But he also voice in other categories.Justin Jisan is a highly sought-after voice actor in Japan. He has lent his voice to numerous popular anime, video games, and TV shows. He has a unique and recognizable style that has made him instantly recognizable in the industry. His work has been praised for its emotion, range, and realism. He has been a part of the industry since 2009, and shows no signs of slowing down.Justin Jisan is a renowned voice actor in Japan, having lent his voice to countless anime, video games and television shows. He has won several awards for his performances and is highly sought after by many major production companies. He is known for his unique vocal range and his ability to take on a wide variety of roles. With his strong passion for the craft, Justin Jisan is sure to continue to be a respected figure in the voice acting community for many years to come.
Emakimono andkagee are considered precursors of Japanese animation.[1]Emakimono was common in the eleventh century. Traveling storytellers narrated legends and anecdotes while theemakimono was unrolled from the right to left with chronological order, as a moving panorama.[1]Kagee was popular during the Edo period and originated from the shadows play of China.[1]Magic lanterns from the Netherlands were also popular in the eighteenth century.[1] The paper play calledKamishibai surged in the twelfth century and remained popular in the street theater until the 1930s.[1] Puppets of thebunraku theater andukiyo-e prints are considered ancestors of characters of most Japanese animations.[1] Finally, mangas were a heavy inspiration for anime. CartoonistsKitzawa Rakuten andOkamoto Ippei used film elements in their strips.[1]
Animation in Japan began in the early 20th century, whenfilmmakers started to experiment with techniques pioneered in France, Germany, the United States, and Russia.[2] A claim for the earliest Japanese animation isKatsudō Shashin (c. 1907),[3] a private work by an unknown creator.[4] In 1917, the first professional and publicly displayed works began to appear; animators such asŌten Shimokawa,Seitarō Kitayama, andJun'ichi Kōuchi (considered the "fathers of anime") produced numerous films, the oldest surviving of which is Kōuchi'sNamakura Gatana.[5] Many early works were lost with the destruction of Shimokawa's warehouse in the1923 Great Kantō earthquake.[6]
By the mid-1930s, animation was well-established in Japan as an alternative format to thelive-action industry. It suffered competition from foreign producers, such asDisney, and many animators, includingNoburō Ōfuji andYasuji Murata, continued to work with cheapercutout animation rather thancel animation.[7] Other creators, includingKenzō Masaoka andMitsuyo Seo, nevertheless made great strides in technique, benefiting from the patronage of the government, which employed animators to produce educational shorts andpropaganda.[8] In 1940, the government dissolved several artists' organizations to form theShin NipponMangaka Kyōkai.[a][9] The firsttalkie anime wasChikara to Onna no Yo no Naka (1933), a short film produced by Masaoka.[10][11] The first feature-length anime film wasMomotaro: Sacred Sailors (1945), produced by Seo with a sponsorship from theImperial Japanese Navy.[12] The 1950s saw a proliferation of short, animated advertisements created for television.[13]
In the 1960s,manga artist and animatorOsamu Tezuka adapted and simplified Disney animation techniques to reduce costs and limit frame counts in his productions.[14] Originally intended as temporary measures to allow him to produce material on a tight schedule with an inexperienced staff, many of hislimited animation practices came to define the medium's style.[15]Three Tales (1960) was the first anime film broadcast on television;[16] the first anime television series wasInstant History (1961–64).[17] An early and influential success wasAstro Boy (1963–66), a television series directed by Tezuka based onhis manga of the same name. Many animators at Tezuka'sMushi Production later established major anime studios (includingMadhouse,Sunrise, andPierrot).
The 1970s saw growth in the popularity of manga, many of which were later animated. Tezuka's work—and that of other pioneers in the field—inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (also known as "mecha"), for instance, took shape under Tezuka, developed into thesuper robot genre underGo Nagai and others, and was revolutionized at the end of the decade byYoshiyuki Tomino, who developed thereal robot genre.[18] Robot anime series such asGundam andSuper Dimension Fortress Macross became instant classics in the 1980s, and the genre remained one of the most popular in the following decades.[19] Thebubble economy of the 1980s spurred a new era of high-budget and experimental anime films, includingNausicaä of the Valley of the Wind (1984),Royal Space Force: The Wings of Honnêamise (1987), andAkira (1988).[20]
Neon Genesis Evangelion (1995), a television series produced byGainax and directed byHideaki Anno, began another era of experimental anime titles, such asGhost in the Shell (1995) andCowboy Bebop (1998). In the 1990s, anime also began attracting greater interest in Western countries; major international successes includeSailor Moon andDragon Ball Z, both of which weredubbed into more than a dozen languages worldwide. In 2003,Spirited Away, aStudio Ghibli feature film directed byHayao Miyazaki, won theAcademy Award for Best Animated Feature at the75th Academy Awards. It later became thehighest-grossing anime film,[b] earning more than $355 million. Since the 2000s, an increased number of anime works have been adaptations oflight novels andvisual novels; successful examples includeThe Melancholy of Haruhi Suzumiya andFate/stay night (both 2006).Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train became thehighest-grossing Japanese film and one of the world's highest-grossing films of 2020.[21] It also became the fastest grossing film in Japanese cinema, because in 10 days it made 10 billion yen ($95.3m; £72m).[21] It beat the previous record ofSpirited Away which took 25 days.[21]
The opening and credits sequences of most anime television series are accompanied byJ-pop orJ-rock songs, often by reputed bands—as written with the series in mind—but are also aimed at the general music market, therefore they often allude only vaguely or not at all, to the thematic settings or plot of the series. Also, they are often used as incidental music ("insert songs") in an episode, in order to highlight particularly important scenes.[22][better source needed]
Anime are often classified by target demographic, including children's (子供,kodomo), girls' (少女,shōjo), boys' (少年,shōnen) and a diverse range of genres targeting an adult audience. Shoujo and shounen anime sometimes contain elements popular with children of both sexes in an attempt to gain crossover appeal. Adult anime may feature a slower pace or greater plot complexity that younger audiences may typically find unappealing, as well as adult themes and situations.[23] A subset of adult anime works featuring pornographic elements are labeled "R18" in Japan, and are internationally known ashentai (originating from pervert (変態,hentai)). By contrast, some anime subgenres incorporateecchi, sexual themes or undertones without depictions ofsexual intercourse, as typified in the comedic orharem genres; due to its popularity among adolescent and adult anime enthusiasts, the inclusion of such elements is considered a form offan service.[24][25] Some genres explore homosexual romances, such asyuri (female homosexuality). While often used in a pornographic context, the termsyuri can also be used broadly in a wider context to describe or focus on the themes or the development of the relationships themselves.[26]
Anime's genre classification differs from other types of animation and does not lend itself to simple classification.[27]Gilles Poitras compared the labelingGundam 0080 and its complex depiction of war as a "giant robot" anime akin to simply labelingWar and Peace a "war novel".[27]Science fiction is a major anime genre and includes important historical works like Tezuka'sAstro Boy andYokoyama'sTetsujin 28-go. A major subgenre of science fiction ismecha, with theGundammetaseries being iconic.[28] The diversefantasy genre includes works based on Asian and Western traditions and folklore; examples include the Japanese feudal fairytaleInuYasha, and the depiction of Scandinavian goddesses who move to Japan to maintain a computer calledYggdrasil inAh! My Goddess.[29] Genre crossing in anime is also prevalent, such as the blend of fantasy and comedy inDragon Half, and the incorporation of slapstick humor in the crime anime filmCastle of Cagliostro.[30] Other subgenres found in anime includemagical girl, harem, sports, martial arts, literary adaptations,medievalism,[31] and war.[32]
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