| Unpredictable | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | December 20, 2005 | |||
| Length | 62:25 | |||
| Label | J | |||
| Producer |
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| Jamie Foxx chronology | ||||
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| Singles from Unpredictable | ||||
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Unpredictable is the second studio album by American entertainerJamie Foxx. It was released on December 20, 2005, byJ Records. Recording sessions for the album took place between 2004 and 2005, with production contributions fromTimbaland,Mike City,Sean Garrett,Jim Jonsin, and others. Serving as the follow-up toPeep This (1994), the project marked his first studio release in eleven years.
Upon its release,Unpredictable received generally mixed reviews from music critics, who were ambivalent towards its lyrical content and production. The album debuted at number two on the USBillboard 200 chart, selling 597,000 copies in its first week. It eventually peaked at number one and was certifieddouble platinum by theRecording Industry Association of America (RIAA). The album was supported by four singles: "Extravaganza" featuringKanye West, thetitle track featuringLudacris, "DJ Play a Love Song" featuringTwista, and "Can I Take U Home".
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 52/100[1] |
| Review scores | |
| Source | Rating |
| AllMusic |    [2] |
| Robert Christgau |  [3] |
| Entertainment Weekly | C−[4] |
| The Guardian | [5] |
| HipHopDX | [6] |
| Los Angeles Times | [7] |
| Now |   [8] |
| Rolling Stone | [9] |
| Paste | [10] |
| Vibe | [1] |
Unpredictable received polarized reviews from music critics. AtMetacritic, which assigns anormalized rating out of 100 to reviews from critics, the album received an average score of 52, which indicates "mixed or average reviews", based on 16 reviews.[1]AllMusic editor Andy Kellman found that though he "fits somewhere betweenR. Kelly andGinuwine, Foxx has more than enough personality and talent to defend his music against accusations of opportunism. He can belt and proclaim with authority, but he's best when he's smooth and mellow – an asset, to be sure, since not many modern R&B vocalists trade in subtleties."[2] Christian Hoard fromRolling Stone felt that "when the album works, it's because of Foxx's easy charm and A-list confidence, which staves off overkill while he's dropping lush, insistent melodies on well-conceived love odes like "VIP." Foxx wrote or co-wrote nearly half the album and sprinkled hip-hop-flavored beats – among largely mellow fare, courtesy of veteran (if not terribly well known) R&B-producers."[9]The Village Voice's Greg Tate wrote that "Foxx reveals across the breadth ofUnpredictable that his real dream is to doMarvin Gaye [and] the album's guest list assures us thatUnpredictable is pure product, buffed-and-shined modern R&B."[11]
Richard Cromelin fromThe Los Angeles Times noted that producers onUnpredictable "create some rich, flavorful, state-of-the-art sonic settings, and Foxx's smooth, agile voice – lots of R. Kelly, a littleSam Cooke – is fine for the pleading and preening that mark his range onUnpredictable.[7]Entertainment Weekly's Michael Endelman felt that the "album is exactly what you'd expect from this sort of vanity project: plenty of competent-if-generic R&B booty jams andCristal-sippin' anthems with a who's who of cameos that only a suitcase of cash or celebrity status can snag. We know that Foxx can actually sing, but this ballad-heavy disc of clichéd wordplay and commonplace melodies proves his music career should've ended on screen."[4] In a negative review forNow, Jason Richards remarked that Foxx "should focus on getting back to actin' before we have time to remember his solo album too well, cuz after you get past the fact that, wow, the guy can also sing, there isn't much left to these boring mid-tempo sex jams."[8] Alex Petridis ofThe Guardian was also not impressed with the album, writing: "Unpredictable resembles another legendary thespian's venture into pop,William Shatner's 1968 opusThe Transformed Man, in that you start to wonder whether Foxx is actually serious or not."[5]
Unpredictable debuted at number two on the USBillboard 200 chart, selling 597,000 copies in its first week.[12] The album debuted behindMary J. Blige'sThe Breakthrough album.[12] In its second week, the album climbed to number one on the chart, selling an additional 200,000 copies.[13] Foxx became the fourthAcademy Award-winning actor with a number-one album on the USBillboard 200 chart. In its third week, the album remained at number one on the chart, selling 131,000 more copies.[14] In its fourth week, the album remained at number one on the chart, selling 103,000 copies.[15] On March 24, 2006, the album was certifieddouble platinum by theRecording Industry Association of America (RIAA) for sales of over two million copies in the United States.[16]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Unpredictable" (featuringLudacris) |
| 3:39 | |
| 2. | "Warm Bed" |
|
| 3:53 |
| 3. | "DJ Play a Love Song" (featuringTwista) |
|
| 4:18 |
| 4. | "With You" (featuringThe Game andSnoop Dogg) |
|
| 4:20 |
| 5. | "Can I Take U Home" | Tim Mosley | 4:15 | |
| 6. | "Love Changes" (featuringMary J. Blige) | Skip Scarborough |
| 4:30 |
| 7. | "Extravaganza" (featuringKanye West) |
| Mike City | 4:15 |
| 8. | "Three Letter Word" |
|
| 4:42 |
| 9. | "Get This Money" | Mike City | Mike City | 4:31 |
| 10. | "VIP" |
|
| 3:54 |
| 11. | "Do What It Do" |
|
| 4:03 |
| 12. | "Storm (Forecass)" |
| 4:27 | |
| 13. | "U Still Got It (Interlude)" (featuringCommon) |
| Jamie Foxx | 2:47 |
| 14. | "Heaven" | Foxx | Babyface | 3:54 |
| 15. | "Wish U Were Here" |
| Ron "Neff-U" Feemster | 4:13 |
| Total length: | 62:25 | |||
Notes
Sample credits
Weekly charts[edit]
| Year-end charts[edit]
|
| Region | Certification | Certified units/sales |
|---|---|---|
| Canada (Music Canada)[31] | Gold | 50,000^ |
| United Kingdom (BPI)[32] | Silver | 60,000^ |
| United States (RIAA)[33] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. | ||
