Pandit Ulhas Kashalkar | |
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| Born | (1955-01-14)14 January 1955 (age 71) |
| Occupation | Classical Vocalist |
| Years active | 1965 – present |
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| Origin | Nagpur, India |
| Genres | Hindustani classical music,Jaipur Gharana |
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Pandit Ulhas Kashalkar (born 14 January 1955) is aHindustani classical vocalist. He has received training in theGwalior,Jaipur andAgragharanas, and is considered one of the finest representative of all three schools.[1]
Ulhas was born inNagpur. He received his first lessons in music from his father N D Kashalkar, a lawyer by profession and an amateur vocalist and musicologist.[2] He went on to study music atNagpur University, topping his post-graduate class. Around that time, he trained under Rajabhau Kogje and P N Khardenavis.
Indian music is heavily influenced by theGuru-shishya tradition. Kashalkar studied principally underRam Marathe andGajananrao Joshi.[2]
Ulhas Kashalkar initially worked as a programme executive at theMumbai station ofAll India Radio. In 1993 he became a teacher at theITC Sangeet Research Academy, where he remains today.[1]
Both Rambhau and Gajananrao were traditionalists which finds reflection in Kashalkar's vocalism. He possesses the ability to switch between three styles (namely Gwalior, Jaipur and Agra), at times even in the course of a single performance.[3] He adheres to the aesthetic contours of each individual style, and also to the formal demands of theraga being presented. He is noted for his authentic presentations of obscure traditional ragas.[4] In an uncharacteristically expansive passage, the veteran music critic Prakash Wadhera once noted:
Ulhas is a fabulous vocalist, still in his middle years and young, who has an old musical head stuffed with innumerable current and rare ragas and compositions. Like a computer he never errs in any raga or composition howsoever intertwined or tricky it may be. He, just seems to press one key and out comes a raga in the true Jaipur colours, another to obtain a melody attired in the Agra style and still another to get a raga in the Gwalior habiliments. One can only imagine Kashalkar's questionless loyalty to his various gurus, and his own prodigious capacity to assimilate and consolidate the incoming knowledge.[5]
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