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Tsamiko

From Wikipedia, the free encyclopedia
Greek folk dance

TheTsamikos (Greek:Τσάμικος,Tsamikos) orKleftikos (Greek:Κλέφτικος) is a popular traditionalfolk dance ofGreece, done to music of3/4 meter.

The dance

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Men during the Greek War of Independence dancing Tsamiko

The dance follows a strict and slow tempo not emphasising on the steps, but more on the "attitude, style and grace" of the dancer. The dancers hold each other from each other's hands, bent 90 degrees upwards at the elbows. It takes a sturdy hand, especially if you are supporting the first or last person of the line (or circle) who will lean on you to perform high acrobatic leaps (usually kicking his right leg up as he takes off followed by the left (in a scissor-like motion), hitting the latter with the back of his hand before landing). Thesteps are relatively easy but have to be precise and strictly onbeat. The dancer might even stomp his foot in response to a strong beat. There is some improvisation involved and many variations of the steps, depending on which area the dancers come from. Over time the dance has taken on many variations. In the past, it was danced exclusively by men, but in modern times both men and women take part.

Tradition

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The name Tsamiko literally meansfromChameria ordance of theChams.[1][2] Swiss musicologistSamuel Baud-Bovy noted that the Greek Tsamiko was not danced among Cham Albanians.[3] Its alternative nameKleftikos literally meansdance of theKlephts, because it was associated with the klephts who fought during theGreek War of Independence (1821–1830).[4] Tsamiko is danced almost exclusively by men. Today Tsamiko is a popular dance in festivals and weddings, especially in the rural areas ofCentral Greece,Peloponnese,Thessaly, as well asEpirus, where a slower version is performed.[5] Sometimes the dancers dress in the traditional Greekfustanella. This dance is usually performed to celebrate national events like in the anniversary of the declaration of the start ofGreek War of Independence in 1821.

The Tsamiko of Central Greece (Roumeli) is regarded as the standard version of this dancing genre and is popular throughout Greece.[6] In Central Greece Tsamiko is the most popular folk dance.[7] InPeloponnese Tsamiko is one of the most popular folk genres together withSyrtos.[7] The Tsamiko is known as theArvanitikos in the region ofMani.[8] InEpirus Tsamiko is especially popular in the regions ofIoannina andThesprotia.[6] In general the Tsamiko of Epirus retains a slower tempo compared to the Tsamiko of Central Greece.[9] The Epirote dances Kleftes and Perdikomata have been sometimes regarded as variants of Tsamiko,[10] although this is not universally accepted since they have been also classified as distinct genres.[11] A general classification of the dancing genres inZagori region of Epirus can classifyOsmanatakas and Berati as variations of Tsamiko too.[12]

Although one of the main dancing genres in Epirus, Tsamiko is not the most popular folk genre in local discography.[13]

The definition of "true"Tsamiko is obscure due to the many regional, choreographic, musical variations, versions, and names of the dance.[citation needed]

See also

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References

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  1. ^Lenis, 2009, p. 20: "Ο τσάμικος Ηπείρου ...τον σημερινό Καλαμά)."
  2. ^Sugarman, Jane (2003). Magrini, Tullia (ed.).Music and gender: Perspectives from the Mediterranean. University of Chicago Press. pp. 89–90.ISBN 9780226501666.
  3. ^Samuel Baud-Bovy, Phoibos Anōgeianakēs (1984).Δοκίμιο για το Ελληνικό Δημοτικό Τραγούδι [Volume for Greek Folksongs]. Peloponnēsiako Laographiko Hidryma. p. 34.Τον ελληνικό Τσάμικο δε φαίνεται να τον χορεύουν οι Αρβανίτες Τσάμηδες, ενώ έχουν χορούς σε 5/4
  4. ^Mouzaki, Rozanna (1981).Greek dances for Americans. Doubleday. p. 55.ISBN 9780385140416.It is also called Kleftikos because it was danced by the fighters and rebels (Klefts) of the Greek Revolution of 1821 against the Turks.
  5. ^Hellander Paul, Armstrong Kate.Greece. Lonely Planet, 2006ISBN 978-1-74059-750-0, p. 67.
  6. ^abLenis, 2009, p. 24
  7. ^abRomaios, Kostas (1980).Κοντὰ στὶς ρίζες: ἔρευνα στὸν ψυχικὸ κόσμο του Ελληνικου λαου (in Greek). Βιβλιοπωλειον της Εστιας Ι.Δ. Κολλαρου. p. 306.Στη Ρουμελη κυριαρχεί π.χ. ό τσάμικος, στα νησιά οί συρτοί. Στο Μοριά συνυπάρχουν, σέ αρμονική ποσοτική αναλογία, καΐ ό τσάμικος και οί συρτοί.
  8. ^Moraitis, Thanasis (2008). "Η αρβανίτικη γλώσσα στα παραδοσιακά τραγούδια" [The Arvanitika language in traditional songs].Ετερότητες και Μουσική στα Βαλκάνια [Otherness and Music in the Balkans](PDF). Εκδόσεις ΤΕΙ Ηπείρου – ΚΕΜΟ. p. 32.ISBN 9789608932326. "Ας σημειωθεί ότι ο Τσάμικος χορός στη Μάνη λέγεται «Αρβανίτικος»."
  9. ^Lenis, 2009, p. 23
  10. ^Lenis, 2009, p. 34
  11. ^Bellos, Giannis.Μουσική και χορός – Αναφορά στους ρυθμούς της Ηπείρου.Κόνιτσα Ιωαννίνων. Work published in the 18th World Meeting in Dancing Research. Retrieved22 February 2017.
  12. ^Sokratis, Pappas (1 January 2013).Ο ρόλος του λαούτου στις λαϊκές εθιμικές εκδηλώσεις στα Ζαγοροχώρια του νομού Ιωαννίνων.ΤΕΙ of Ionian Islands (in Greek). p. 20. Retrieved22 February 2017.
  13. ^Lenis, 2009, p. 46

Sources

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External links

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