Traditional Vietnamese musical instruments are themusical instruments used in the traditional and classical musics ofVietnam. They comprise a wide range of string, wind, and percussion instruments, used by both theViet (Kinh) majority as well as the nation'sethnic minorities.

• Đàn bầu - monochord zither: often tuned C3, though tuning varies
• Đàn đáy - long-necked three-stringed lute with trapezoidal body: tuned G3 C4
• Đàn nguyệt (also callednguyệt cầm,đàn kìm orQuân tử cầm) - moon-shaped two-string lute: no fixed tuning; strings are tuned a 4th, 5th, or 7th (minor), derived from the Chineseyueqin
• Đàn sến - two-string lute derived from the Chinesemeihuaqin
• Đàn tam - fretless lute derived from the Chinesesanxian with snakeskin-covered body and three strings: tuned F3 C4 F4
• Đàn tranh - long zither derived from the Chineseguzheng
• Đàn tỳ bà - pear-shaped lute with four strings derived from the Chinesepipa; tuned C4 F4 G4 C5
• Đàn tứ (also calledđàn đoản): short-necked round-bodied lute derived from the Chineseyueqin or, beginning in the 20th century, a square-shaped, flat-backed, 4-string lute with short neck, tuned C3 G3 D4 A4
• Guitar phím lõm (also calledlục huyền cầm,ghi-ta phím lõm, orĐàn ghita) - "Vietnamized" acoustic or electric 5-string guitar withscalloped fretboard; used primarily incải lương: tuned C3 F3 C4 G4 C5
• Đàn tính - long-necked lute with a gourd body and two or three silk strings derived from the ChineseZhuangtianqin (天琴); used by theTay,Nung, andThai ethnic groups
• Bro - fretted zither with a body made of bamboo and a gourd resonator; used by minority ethnic groups in the Central Highlands
• Goong -tube zither with a bamboo body; used by minority ethnic groups in the Central Highlands

• 
  A woman playing theđàn bầu.
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  Man on the right is playing theđàn đáy which is an important part ofca trù
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  A lady playing theđàn tranh.
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  Man is playing theđàn nguyệt.
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  The man in the centre is playing theđàn nhị.
• 
  The man is playing thesáo.

• Đàn gáo - two-stringed vertical violin with coconut resonator derived from the Chineseyehu
• Đàn hồ - two-stringed vertical violin with wooden resonator;hồ derived from the Chinesehu, as inhuqin
• Đàn nhị - two-stringed vertical violin derived from the Chineseerhu
• K'ni (also spelledk'ny ork'ný) - bowed monochord; played by theJarai people of theCentral Highland

• Đàn tam thập lục - hammered dulcimer with 36 metal strings derived from the Chineseyangqin
• Đàn t'rưng: Highland Central bamboo xylophone.

• Sáo (also calledsáo trúc) - transverse flute made of bamboo or hardwood

• Kèn - class ofdouble reed instruments similar to theoboe and the Indianshehnai
  • Kèn bầu - conical oboe with gourd-shaped wooden bell
  • Kèn đám ma - conical oboe with metal bell; used for funeral music in northern Vietnam

• Bi doi - double clarinet similar to the Middle Easternmijwiz; used in courtship context mainly within theMường people.

• Đing nǎm - free-reed mouth organ with gourd body and bamboo pipes; played by Highland people
• M'buot - free-reed mouth organ with gourd body and bamboo pipes; played by upland minorities
• Khèn - Vietnamese equivalent to the Khaen fromLaos,Thailand andCambodia.

• Púa - valveless brass trumpet^{[citation needed]}
• Ốc ("snail") - conch trumpet^{[citation needed]}
• T'dep - Buffalo horn

• Trống - drum played with sticks
  • Trống cái - bass drum
  • Trống chầu ortrống đế - the largest of the set of drums used inHát tuồng.
  • Trống cơm - rice drum
  • Dong Son drum (also calledTrống Đồng) - bronze drum played by theDong Son culture in ancient times
• Nruas tuag (also calledƯ chua - drum used by the H'mong ethnic group for funeral music

• Biên khánh - a set of L-shaped flat stone chimes used in ancient court music;^[1] derived from the Chinesebianqing
• Cồng chiêng - tuned gong (comes in both flat and knobbed varieties)
• Tam âm la - set of three small, high-pitched flat gongs in a frame; used primarily innhã nhạc music
• T'rưng - bamboo xylophone
• Đàn đá - lithophone, commonly having 9+ stone bars, 65–102 cm (26–40 in) in length. It is believed the instrument dates back to 1000 BC. Also calledGoong Lú (M'nong people),Kologolo (M'nong people),Gôông Luk (Mạ people).

• Bộ gõ - castanets
• Chun mo - metal woodblock
• Phách - clapper made from bamboo or hardwood
• Sênh tiền - coin clapper
• Sanh sua - clapper
• Song loan - woodblock

• Đàn môi -jaw harp
• Klông pút - Bamboo tube xylophone; hands are clapped near ends of tubes to produce musical tones
• Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to aĐàn tính, called aĐàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a metal hose-clamp around the top rim. A 4 litres (0.88 imp gal; 1.1 US gal), rectangular olive oil tin, which acts as a resonator, is clamped to the base of the tube. The instrument is capable of playing both Vietnamese and Western music. The instrument can be seen and recordings of it being played by its creator can be heard at theNational Museum of Australia.^[2]
• Kyey se - Vietnamese bell

• Music of Vietnam
• Space of Gong culture in the Central Highlands of Vietnam

Wikimedia Commons has media related toMusical instruments of Vietnam.

• The traditional music and instruments of Vietnam
• Comprehensive listing of Vietnamese musical instruments
• HybridĐàn tre

• Vietnamese musical instruments

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