Tracy Chapman is the debut album by the American singer-songwriterTracy Chapman, released on April 5, 1988, byElektra Records. The album was recorded at the Powertrax studio in Hollywood, California. In 1987, Chapman was discovered by fellow Tufts University studentBrian Koppelman. He offered to show her work to his father, who owned a successful publishing company; however, she did not consider the offer to be serious. After multiple performances, however, Koppelman found a demo tape of her singing "Talkin' 'bout a Revolution", which he promoted to radio stations, and she was eventually signed to Elektra.
In early attempts to produce the first album, many producers turned down Chapman as they did not favor her musical direction.David Kershenbaum, however, decided to produce it as he wanted to record an acoustic music album. It was recorded in Hollywood, California, in eight weeks. Most of the writing is based on political andsocial causes.
Tracy Chapman quickly gained critical acclaim from a wide majority of music critics, praising the album's simplicity, Chapman's vocal ability and her political and social lyrical content. The album achieved commercial success in most of the countries it was released, making it to the top of the charts in many countries, including Austria, Canada, New Zealand, Switzerland, Denmark and the United Kingdom. It peaked at No. 1 on the USBillboard 200 and was certified six-times platinum by theRecording Industry Association of America (RIAA), with sales exceeding over six million copies in the United States alone.
Three singles were released from the album, with the most successful single being "Fast Car". The song was performed at theNelson Mandela 70th Birthday Tribute. It rose to the top ten on the USBillboard Hot 100 and also did well in Australia, New Zealand, Ireland, the United Kingdom, and other European countries.Tracy Chapman is one of thebest-selling albums of all time, with sales of over 20 million units worldwide.
In 1987, Chapman was discovered by fellowTufts University studentBrian Koppelman. In an interview, Koppelman said, "I was helping organize a boycott protest againstapartheid at school, and [someone] told me there was this great protest singer I should get to play at the rally." He went to see Chapman perform at a coffeehouse called Cappuccino, adding, "Tracy walked onstage, and it was like an epiphany. Her presence, her voice, her songs, her sincerity—it all came across."[7]
After this, Koppelman told Chapman that his father,Charles Koppelman, was at the time a co-owner ofSBK Publishing and that he could help her make a record. She did not consider the offer seriously.[7]
Koppelman was still very interested in Chapman, and he attended most of her shows. Chapman finally agreed to talk to him, but she did not record anydemos for him. He later discovered that she had recorded demos at the Tufts' radio stationWMFO for copyright purposes in exchange for the station's right to play her music. Koppelman smuggled a demo tape of her song "Talkin' 'bout a Revolution" from the station, which he showed to his father.[7]
According to the interview, "He immediately got the picture and flew up to see her". Her demo led to her signing a contract withElektra Records. Chapman said, "I have to say that I never thought I would get a contract with a major record label [...] All the time since I was a kid listening to records and the radio, I didn't think there was any indication that record people would find the kind of music that I did marketable. Especially when I was singing songs like 'Talkin' 'bout a Revolution' during the Seventies [...] I didn't see a place for me there."[7]
ProducerDavid Kershenbaum said that the album was "made for the right reasons," adding, "There was a set of ideas that we wanted to communicate, and we felt if we were truthful and loyal to those ideas, then people would pick up on the emotion and the lyrical content that was there."[7]
Chapman immediately started writing songs when she was signed to Elektra. Koppelman started finding producers for the album with the demo tape of her single "Talkin' 'bout a Revolution". However, she was turned down, due to the popularity ofdance-pop andsynthpop at the time.[7] In an interview withThe Guardian in 2008, Chapman stated, "My first record was almost not my first record." After the originally chosen producer was killed in a car accident, Elektra initially selected a producer with less experience to replace him, and the recording sessions were, according to Chapman, "horrible" and "bombastic".[8]
They then found Kershenbaum, who later recalled, "I'd been looking for something acoustic to do for some time," adding, "There was a sense in the industry of a slight boredom with everything out there and that people might be willing to listen again to lyrics and to someone who made statements." Chapman's greatest concern during her meetings with Kershenbaum was that the integrity of her songs remain intact, because she wanted to record "real simple". Kershenbaum said, "I wanted to make sure that she was in front, vocally and thematically, and that everything was built around her." Every song that was featured on the resultant studio album had been featured on her demo tape, except for "Fast Car", which was one of the last songs recorded for the album. Kershenbaum recalled that the first time she sang and performed it for him, he "loved it the minute I heard it."[7]
The album was, in total, recorded in eight weeks at Powertrax, Kershenbaum's Hollywood studio.[7] Interviewed in 2002 byThe Guardian, Kershenbaum stated that a lot of the public wanted "what she had", adding, "And they weren't getting it. She got there at the right moment with stuff that was good."[9] Chapman was also interviewed and talked about the background of the album, stating, "The first record [Tracy Chapman] is seen as being more social commentary... more political. But I think that's just all about perspective."[9]
According toRolling Stone, Chapman "caught everyone's ear in the hair-metal late Eighties" with the album.[20]Robert Christgau ofThe Village Voice found "Fast Car" and "Mountains o' Things" very perceptive and Chapman an innately gifted singer but was disappointed by the presence of "begged questions" and "naive left-folkie truisms", such as "Talkin' 'bout a Revolution" and "Why": "She's too good for such condescension ... Get real, girl."[19]
In a retrospective review forAllMusic,Stephen Thomas Erlewine wrote, "Arriving with little fanfare in the spring of 1988, Tracy Chapman's eponymous debut album became one of the key records of theBush era, providing a touchstone for the entirePC movement while reviving the singer-songwriter tradition." According to Erlewine, "the juxtaposition of contemporary themes and classic production precisely is what makes the album distinctive – it brings the traditions into the present." He highlighted the album as being the best in her entire discography.[10]
Over three weeks after its release, the album first reached theBillboard charts for the week of April 30 at No. 122.[21] The following week, it reached No. 77[21] and continued to slowly climb the charts until it reached No. 1 in the week of August 27.[21] Her live televised performance atWembley Stadium in June marked a shift in album sales. Prior to that performance, 250,000 copies had been sold.[22] By June 22, it was awarded gold record status by theRIAA. By July 27, it was awarded platinum status, having sold 1,000,000 copies.[23] Ultimately, it sold over 20 million copies worldwide and is one of the first albums by a female artist to have more than 10 million copies sold worldwide.[24]
In 1989, the album was rated No. 10 onRolling Stone magazine's list of the "100 Greatest Albums of the 80s".[7] In 2003, the album was ranked No. 261 onRolling Stone's list of "The 500 Greatest Albums of All Time",[27] No. 263 in a 2012 revised list,[28] and No. 256 in a 2020 revised list.[29]
Slant Magazine listed the album at No. 49 on its list of "Best Albums of the 1980s".[30]
The album was critically acclaimed and helped to revive the singer-songwriter tradition.[10]
"Fast Car" was later recorded by country music singerLuke Combs for his 2023 albumGettin' Old, from which it was released as the second single. Combs' rendition of the song reached number one on theBillboardCountry Airplay chart, making Chapman the first African-American woman to solely write a country number one.[31] Additionally, it reached number two on theBillboard Hot 100, higher than Chapman's original version.[32] Chapman and Combs subsequently performed the song together live at the66th Annual Grammy Awards in Los Angeles on February 4, 2024.[33][34]
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
^Caroli, Daniele (December 9, 1989)."Italy > Talent Challenges"(PDF).Billboard. Vol. 101, no. 49. p. I-8.ISSN0006-2510. RetrievedJuly 25, 2020 – via World Radio History.
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